Plugged in(2019)

Les influenceurs sont dans le pré(fr)

#monalisa(en)

People looking at the Mona Lisa in the Louvre – or are they just looking at themselves?

How I Won the UK Election(en)

What happens when a YouTuber runs for Prime Minister? Well this documentary will show you, enjoy my friends.

The Social Dilemma(en)

This documentary-drama hybrid explores the dangerous human impact of social networking, with tech experts sounding the alarm on their own creations.

Elon Musk’s Twitter Takeover(en)

Compulsive Twitterer, Elon Musk bought himself his favorite social network in 2022, and brutally shaped it according to his desires. This punchy investigation relates the stormy relations between the platform and the billionaire, and their impact on the public debate.

The American Question(en)

An 8-year journey into divided America, The American Question examines the insidious roots of polarization and distrust through past the past and present, revealing how communities can restore trust in each other to unite our country.

Selbstportrait 1(en)

The Antisocial Network: Memes to Mayhem(en)

From Rickrolling to viral conspiracy theories, explore how an anonymous website evolved into a hub for real-world chaos in this documentary.

Kitten of vluchteling?(nl)

Emma and Eddie: A Working Couple(hu)

Emma and Eddie live two lives: one on social media and one in real life. The webcam couple is out to save their marriage by starting their own adult web-studio in Eastern Europe.

Social Animals(en)

A daredevil photographer, an aspiring swimsuit model, and a midwest girl next door are all looking for the same things from their Instagram accounts––a little love, acceptance and, of course, fame––and they’ll do just about anything to get it.

TikTok, Boom.(en)

Dissecting one of the most influential platforms of the contemporary social media landscape, TikTok, Boom. examines the algorithmic, socio-political, economic, and cultural influences and impact of the history-making app. This rigorous exploration balances a genuine interest in the TikTok community and its innovative mechanics with a healthy skepticism around the security issues, global political challenges, and racial biases behind the platform. A cast of Gen Z subjects, helmed by influencer Feroza Aziz, remains at its center, making this one of the most needed and empathetic films exploring what it means to be a digital native.

Data Sources: Who Are the Social Media Fraudsters?(en)

They sell hacked profiles, provide fake comments and likes and boost fake news. Investigation into the social media fraudsters based in Vietnam.

Propagande, les nouveaux manipulateurs(fr)

Fifteen years ago, social networks were seen as a new democratic ferment that, by promoting the dissemination of information and horizontal communication between citizens, would help people break their chains, from Eastern Europe to the Arab world. The story is different: the assault on the Capitol by Donald Trump's supporters, the chaotic reign of his counterpart Jair Bolsonaro, the offensives targeting Muslims in Narendra Modi's India, or the dazzling success of the racist slogans of Italian League leader Matteo Salvini have highlighted the devastating power on a global scale of the calls to hatred and disinformation that circulate in real time on social media.

Wolfie's Withdrawal(en)

A teenager abstains from social media for four days to cure himself of his addiction.

Generation Like(en)

Thanks to social media, teens are able to directly interact with their culture - celebrities, movies, brands - in ways never before possible. But is that real empowerment? Or do marketers hold the upper hand? Douglas Rushkoff explores how the teen quest for identity has migrated to the web – and exposes the game of cat-and-mouse that corporations are playing with them.

Out from the Ashes(en)

Milena, a young woman from Ukraine, who along with her mother and grandmother (and cat), desperately struggle to escape their war- torn home while an army of supporters on the opposite side of the world fight to keep them safe. Milena survived the destruction of Mariupol, cowering for a month in the basement of a bombed-out building, watching her home and history burn. She managed to contact Ken Pontac, long-time Facebook friend and father figure. Their conversations bolstered Milena's spirits while Ken listened with growing apprehension.

Israel's Reel Extremism(en)

An examination of Israel and its society after many months of war, seen initially through the prism of viral social media posts - and exclusive interviews with the soldiers behind them. These posts, some shared millions of times, show soldiers humiliating bound Palestinians, ransacking their homes, joking as they detonate schools and whole districts, and laughing as they launch high explosive ordnance into densely-packed areas. The award-winning team behind this Basement Films production traveled to Israel to interview some of these soldiers, who proudly defended themselves and their videos, some expressing callous disregard for Palestinians in Gaza. Through additional interviews with Israeli radical groups, politicians, and media figures, the film reveals Israeli Jewish society in the aftermath of October 7th, gripped by a vengeance and hate that puts into question any possibility for peace.

Ai Weiwei: Never Sorry(en)

An account of the many tribulations that Chinese artist Ai Weiwei, known for his subversive art and political activism, endured between 2008 and 2011, from his rise to world fame via the Internet to his highly publicized arrest due to his frequent and daring confrontations with the Chinese authorities.

David Baddiel Social Media, Anger and Us(en)

This is a thoughtful and mature documentary that considers whether online rage has real-world consequences. Baddiel has experienced antisemitic abuse on Twitter, where he has 785,000 followers. He has had brushes with what is called “cancel culture” and “callout culture”, when users have criticised his use of blackface on TV in the 1990s, for which he has apologised. He is also a self-confessed social media addict – by which he really means Twitter, his primary focus here – and self-aware enough to admit that while he feels he needs it to promote his work, he also understands that he has a psychological need for an audience, and by extension, for audience approval.