The forrester
1917-09-21
0
A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.
A French violinist saves his beloved princess from the Russian revolution..
A mother confronts Death as to why he has to take her young boy. And he shows her the future to explain why he need to be eliminated.
A working-class love story set in and around the London Underground of the 1920s. Two men – gentle Bill and brash Bert – meet and are attracted to the same woman on the same day at the same Underground station. But the lady chooses Bill, and Bert isn't the type to take rejection lightly...
In this detective picture, Janet marries Raoul Newell but leaves him when she finds out he is a thief. However, when he comes to her and asks her to help retrieve some papers stolen from him by Mr. and Mrs. Giles, she agrees and goes to work for the couple as a maid. But in reality, Raoul is after the couple's jewels.
When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.
Jack Wade is the son of a wealthy father who runs a successful ship-building company. He uses his athletic prowess to defeat the villainous competitors who are out to financially ruin his father.
Claire Martin, niece of the wealthy Mrs. Taylor, suffers from loss of memory. Under the effect of this, Claire acts as an entirely different person. She wanders through the woods seeking shelter and food, and finally reaches a cabin temporarily occupied by a New York sportsman, who is fishing and hunting in the woods.
Two men in love with the same girl race to save her when she is trapped aboard a ship on fire in storm-swept seas.
DOWN HOME is a rural drama set in New England and stars Leatrice Joy as Nancy Pelot, daughter of the town drunk. He was once a businessman and still owns a local farm, but Nancy now supports her father and herself with a mysterious job in a nearby town.
Theda Bara's vamping is at its most evil here. She plays the Russian Princess Petrovitch, who loves only her pearls. Her husband, the Prince (E.F. Roseman), sells state secrets to a spy to pay her exorbitant bills, and her response is to report him to the secret police. Then she runs off to Monte Carlo with her lover, Count Zerstoff (Emil deVarney), but she poisons him after he racks up a load of gambling losses.
Vere Herbert lives with her wicked mother, Lady Dolly (Marie Curtis), who is living in sin with Lord Jura (Glen White). Although Vere is in love with an opera singer, Lucien Correze (Harry Hilliard), Lady Dolly convinces her that marrying the dissolute Prince Zouroff (Walter Law) will save her father's honor. But the Prince makes her miserable and insists on having his mistress, Jeanne deSonnaz (Caille Torrez), live with them.
Desperate to change her vixenish image, Theda Bara was called upon to play a sweet young thing (she was nearly 30) who sacrifices herself for the happiness of her sister (Claire Whitney).
Camille is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hopes of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Camille discovers that Armand has not lost his love for her.