2013-09-19
10
At the end of September 1941, Soviet artillery troops in besieged Leningrad realize that pretty soon they will fire their last shot, and after that the defense of the city will be doomed. The film is based on a true event: a small group of fearless soldiers transported a large supply of gunpowder through enemy lines to Leningrad.
The execution was scheduled and the last meal consumed. The coolness of the poisons entering the blood system slowed the heart rate and sent him on the way to Judgement. He had paid for his crime with years on Death Row waiting for this moment and now he would pay for them again as the judgment continued..
Captain Gerard, greatest lover in the Foreign Legion, is assigned to escort an emir's daughter to her father's mountain citadel and find out what he can about the emir's activities. Gerard enjoys his work with lovely Cara, but arrives to find rebellion brewing.
Two wedding homicides with a sense of ceremonies involved the wedding homicides eight years ago
Live concert of Frank Boeijen with the Il Novecento Orchestra at Antwerpen Belgium (October 2003)
Soviet "proletarian" film about anti-war strike at St Petersburg factory, 1914. Resembles Pudovkin's classic "End of St. Petersburg," made 4 years earlier: backward lad (Poslavsky) from poor village comes to town desperate for work. He's hired as replacement ("scab") worker at big metallurgical factory, which is in the throes of a strike organized by the Bolsheviks (communists). The Bolshevik strikers are led by Ivan Shtraukh (brother of the more famous Russian actor Maxim Shtraukh). At first, the deceitful industrialist's son (Fedosev) involves the naive Poslavsky in an attempt to murder Shtraukh, but the attempt only wounds the heroic organizer. Will Poslavsky follow through with the planned killing, or will he redeem himself by going over to the side of the strikers?
After a period of separation, Sarah visits her research scientist mother on a remote New Zealand island. Before long Sarah becomes inextricably involved in events involving both Maori legend and an Albatross.
Considered for an Academy Award nomination for Best Short Film (Animated).
“Soo” is the story of a traveler who follows her reflection. Everywhere she goes, she becomes attached, and it becomes difficult for her to leave. She leaves a part of herself behind, a layer of her color. During her journey, her color gradually fades more and more until she loses it all. When she realizes her color has vanished, her reflection takes her to the world of reflections.
A man who's been stuck in a dead-end job finally gets an opportunity to be happy.
Spacehog's full set live at Summerland 2014, Innsbrook After Hours Pavillion on 6/25/14.
After being released from jail, "Tarzan" Lira seeks to rebuild his life as a bank employee. Unfortunately, it might not be as easy as he thinks.
Chris Worthington sets out to document what the future of evangelism looks like. He invites you to get stranded in a West African dust storm, get shot at on the way to a 400,000 person Gospel event, and ultimately discover that it’s no longer about a select few famous evangelists, but about an entire generation of people just like YOU.
This is the third documentary of Norwegian singer AURORA. It will follow the production of her second album. Filmed in La Fabrique, France.
At the consulting service for immigrants at the Avicenne Hospital in suburban Paris, we observe the sorrow and powerlessness of the immigrants who come here.
A documentary that shows the different fauna that populates natural habitats of France, and the people that aims to protect and preserve them.
In an America where more and more women and trans people are losing legal bodily autonomy, the history of Bill Baird’s long fight for women’s right to abortion is as relevant as ever. Oscar-nominated filmmaker Rebecca Cammisa doesn’t just give us a portrait of Baird, but also creates a historical register of allyship and activism that those fighting to uphold freedom and choice can access, and perhaps emulate.
Stories from survivors frame this documentary detailing the sex-trafficking trial of Ghislaine Maxwell, a socialite and accomplice of Jeffrey Epstein.
On October 4, 2018, France celebrated the 60th anniversary of the Fifth Republic. It is a republic born in the throes of the Algerian War and one which—from the day it was founded by General de Gaulle until the presidency of a very Jupiterian Emmanuel Macron—has been assailed as a “Republican monarchy” by partisans of a more assertive parliamentarian state. By revisiting the struggle of those who dared oppose the new regime — only to suffer a crushing defeat on September 28, 1958, when they were barely able to garner 20% of the vote against the constitutional text — this film shines a powerful new light on the origins of the Fifth Republic and its consequences for the next 60 years. It is a constitutional debate that planted the seeds for a complete upheaval of the French political landscape, on the left in particular, and set the country in motion toward what would be called the Union of the Left.
During his waking hours, Kais is in his bed or mobility device, completely dependent on his devoted family for round-the-clock care. At night, he dreams of himself as a manga character, starring in a story of love and bravery that mirrors the selflessness of his parents and siblings.
What happened in France just after WWII, between 1945 and 1949? An interesting historic documentary looks at the fate of male and female (presumed) collaborators with the Nazis, the use of the POW in the reconstruction of the plundered and devastated country.
A film about the fearless photographers and photojournalists who documented strikes, demonstrations, protests etc during the Chilean military regime of Augusto Pinochet, sometimes risking their very lives.
Bookended by call-to-action quotes from Margaret Mead and Mahatma Gandhi, this inspiring documentary follows three extraordinary women -- in Bosnia-Herzegovina, Mali, and Vietnam -- as they lead day-to-day battles against ignorance, poverty, oppression, and ethnic strife.
"I was visiting Jerome Hill. Jerome loved France, especially Provence. He spent all his summers in Cassis. My window overlooked the sea. I sat in my little room, reading or writing, and looked at the sea. I decided to place my Bolex exactly at the angle of light as what Signac saw from his studio which was just behind where I was staying, and film the view from morning till after sunset, frame by frame. One day of the Cassis port filmed in one shot." -JM
While in 2019, 150 women were killed by their spouse or their ex-companion in France, the journalists of Le Monde created an investigation unit within their editorial staff to decipher these feminicides. With methodology, they highlighted a recurrent criminal pattern and characterized the signals that led to the murders of these women. Through the testimonies of the entourage of the victims and the institutions, this film analyzes five emblematic cases of feminicides and traces the evolution of the romantic relationship from the meeting to the murder. This documentary warns of the collective blindness of society in the hope of causing global awareness.
As the epidemic of missing and murdered Indigenous women epidemic affects tribal communities, a group of Blackfeet women tackle the threat head-on by practicing and training in self-defense.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Motherhood: a subject so deeply ingrained in our society, we take it for granted as part of the natural order. It's assumed all women want children, that motherhood is not only a biological imperative but the defining measure of womanhood. Titled after one of the myths it challenges, this film draws upon a heady mix of culture, science, and history–revealing the rich and diverse lives of people who said no to children, and the forces that have marginalized them in society.
For two decades, the victims of the Six-Day War have been fighting in Kisangani for the recognition of this bloody conflict and demanding compensation. Tired of unsuccessful pleas, they have finally decided to voice their claims in Kinshasa, after a long journey on the Congo River.