A young girl struggles with depression and finds comfort in her ghost friend Aubergine.
2020-09-14
0
A ghost hunter investigates an evil spirit dwelling within a young man who reportedly became possessed after playing with a Ouija board.
The cinematic kiss is probably one of the most archetypical images to be found in film history. It is usually a reassuring and sometimes climactic element in a movie's storyline. Not in Nicolas Provost's 'Gravity' though: with stroboscopic effects, more than a dozen kissing scenes, most from stereotypical 1950s romantic dramas, are edited together and superimposed. Narrative is subverted as the kissing is isolated from its context entirely; the action slows down and flickers back and forth. Every now and then, shots from different films overlap and match; protagonists merge and diverge again a few seconds later. The sugary and dramatic soundtrack of romantic film music contrasts with the deconstructed images; together, they form a dazzling 6-minute vertigo where love becomes a passionate battle.
Tom, somewhat lunar, is a cameraman for pornographic films. He is seized with a hallucination while filming the antics of star Emma Foxx: in the lens, he sees her resplendent, sitting in the middle of a deserted beach. Obsessed by this mirage, Tom will do everything to find this moment of grace.
Since 1998 the appearances of the BEC have been constant, and the consequences of looking directly into their eyes have been irreversible
After serving his military duty, Jung-hoon, who has never had a girlfriend, returns to college. He has a secret crush on Eun-ji, a member of the school's paranormal activity research club called Mysteria, in which he also belongs. One day, Jung-hoon meets Ji-sun, a virgin ghost, by chance, and Ji-sun asks him for help with her Scare tests, the exams that she needs to pass in order to be reborn. In return, Jung-hoon makes an arrangement with Ji-sun to help him score points with Eun-ji. While trying to help each other's problems, the two run into disagreements, but their feelings for each other grow deeper as time passes.
Bernardo is an undertaker. He runs his mortuary business in the same house where he resides. In the front, he has his clients. And in the back, his dysfunctional family lives amongst coffins, wreaths, and the mischievous but nonviolent ghosts that visit on a daily basis. But when a malevolent entity enters the scene, it wreaks havoc on the already fractured household.
Father Colm Mcdwink must battle mysterious demons that endanger as young woman and the world when they take over of the bodies of some innocent looking puppets! Also there's a garbage pail kids movie poster!
The paranoia of Jake increases after the burglary of his house causes him to set up cameras around his house. What he does not know is that the burglar left something behind, but what?
After a tragedy, Atel finds himself stuck on a series of mountains… with a familiar voice somehow communicating with him.
Isi and Finn are planning their first time together. This becomes a complicated undertaking, not only because of their physical disabilities and it threatens to derail their relationship.
Samantha, a little girl growing up in the sixties, loves classic b-movies and monsters - That is, until they start to invade her bedroom and her obssession compels her parents to seek help from the latest scientific breakthrough
Six shipwrecked English teenagers take refuge in an island hotel that is decorated for New Years. The problem is, it's early summer, and soon enough, even the walls themselves are striking out against them…
A lone truck driver who is lured into the woods by a nubile Lady Godiva discovers after he’s slept with her that all is not as it seems. The Sex Victims (1973) is very much part of the Britsploitation fold, featuring gratuitous nudity, working-class vernacular and rough sex. Yet director Derek Robbins also veers into some of the same uncanny territory directors like José Larraz would later explore at feature length, making it a unique hybrid. In fact, The Sex Victims would make a perfect bill cousin for Larraz’s Vampyres (1974) for the way in which it combines ample nudity with supernatural elements. (BFI)
When four student filmmakers are paid half-a-million dollars to look for ghosts on Boney Island, they assume it'll be the easiest weekend of their lives. All except Madeleine, whose belief in ghosts puts her in direct conflict with the other skeptical slackers. It doesn't take long for the others wonder if it'd be easier (and more lucrative) to oust her out of the project. But as tensions and temptations of greed boil over, a paranormal presence, unseen and unnoticed, begins to grow stronger and stronger, forcing the group to violently and brutally confront their own disbelief, one way or the other.
Once a fragile ballerina Olya meets a rude and gloomy boxer Evgeny. The contrast between the worlds of the heroes and their worldview is so striking that the very possibility of intersection of heroes appears as a miracle. Are the heroes ready to accept the same timid feeling that arose between them? Will they overcome everything external and superficial, behind which fragile loving souls are hidden.
After the death of their child, Thomas, Louis and Anna try to overcome this tragic event. While one of his father's friend try to help him, Louis begin to fall in madness by following instructions coming from a mysterious creature in his dream.
Tuuli and Kaspar needed a break from the city so they escaped for some alone time to a cabin in the wilderness. Or so they thought.
Egyptian gods summon the angel Lucifer, in order to usher in a new occult age.