Guyanese painter Aubrey Williams (1926-1990) returns to his homeland on a “journey to the source of his inspiration” in this vivid Arts Council documentary, filmed towards the end of his life. The title comes from the indigenous Arawak word ‘timehri’ - the mark of the hand of man - which Williams equates to art itself. Timehri was also then the name of the international airport at Georgetown, Guyana's capital, where Williams stops off to restore an earlier mural. The film offers a rare insight into life beyond Georgetown, what Williams calls “the real Guyana.” Before moving to England in 1952 he had been sent to work on a sugar plantation in the jungle; this is his first chance to revisit the region and the Warao Indians - formative influences on his work - in four decades. Challenging the ill-treatment of indigenous Guyanese, Williams explored the potential of art to change attitudes. By venturing beyond his British studio, this film puts his work into vibrant context.
Himself
Guyanese painter Aubrey Williams (1926-1990) returns to his homeland on a “journey to the source of his inspiration” in this vivid Arts Council documentary, filmed towards the end of his life. The title comes from the indigenous Arawak word ‘timehri’ - the mark of the hand of man - which Williams equates to art itself. Timehri was also then the name of the international airport at Georgetown, Guyana's capital, where Williams stops off to restore an earlier mural. The film offers a rare insight into life beyond Georgetown, what Williams calls “the real Guyana.” Before moving to England in 1952 he had been sent to work on a sugar plantation in the jungle; this is his first chance to revisit the region and the Warao Indians - formative influences on his work - in four decades. Challenging the ill-treatment of indigenous Guyanese, Williams explored the potential of art to change attitudes. By venturing beyond his British studio, this film puts his work into vibrant context.
1987-01-01
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A documentary short which follows follow Quandamooka artist Megan Cope in the creation of her work 'Whispers' and the lead up to the opening of the exhibition at Sydney Opera House in 2023.
Featuring footage spanning from 1901 to 1985, this little-seen footage has been found from all across the UK. This programme allows an exploration into stories of migration, community and also the struggle against inequality, while also providing the opportunity to celebrate black British culture and life on screen. Films in the programme include: Miners Leaving Pendlebury Colliery (1901), Hull Fair (1902), For the Wounded (1915), From Trinidad to Serve the Empire (1916), Hello! West Indies (1943), Mining Review 2nd Year No. 11 (1949), To the Four Corners (1957), Black Special Constable (1964), Black Police Officers (1966), Cold Railway Workers (1964), Nigerian Wedding in Cornwall (1964), Coloured School Leavers (1965), London Line No. 373 (1971), African Student Families (1975), Liverpool 8 (1972), Blood Ah Go Run (1982), The Jah People (1981) and Grove Carnival (1981)
The tender and tragic love story of French painter Pierre Bonnard and his wife and lifelong model Marthe. The artist recorded their relationship on canvas and, 50 years after his death, these paintings have established him as one of the masters of colour and light.
Marion is an artist with FSH, an incurable muscular myopathy. She guides us on the path she has taken to no longer identify with her illness.
Since 1963, the Austrian avant-gardist Hermann Nitsch has created a series of live happening, which (like Otto Muehl's Sodoma) combine cruelty, sexuality, defilement, and visual shock for purposes of purification, and "ab-reaction" of sado- masochist impulses. This is a film record of his most controversial creation: the crucifixion of a young woman, the disembowelling of a lamb carcass, and her defilement with it. —Peter Gorsen, Sexualaesthetik, 1972
Explores the paths being forged by six modern artists, giving us rare insight into the minds behind this rousing new wave of painting.
London, England, 2008. Some of the most distinguished experts on the work of Italian artist Leonardo da Vinci (1452-1519) gather at the National Gallery to examine a painting known as Salvator Mundi; an event that turns out to be the first act of one of the most fascinating stories in the history of art.
A lyrical film ode to the odehimin or heart berry. A two-spirit Anishnaabe person finds themself in a dark place with their body. They undertake a healing journey, stating aloud their intentions and reconnecting with the land and the water for strength. As they get more in touch with their body and the beings around them, we begin to see them heal.
Alma W. Thomas lived a life of firsts: the first Fine Arts graduate of Howard University (1924), the first Black woman to mount a retrospective at the Whitney Museum of American Art (1972), and the first Black woman to have her paintings exhibited in the White House (2009). Yet she did not receive national attention until she was 80.
The world’s museums are closed. What are you missing? Take a real-time walk through the Louvre towards the “greatest painting ever” and contemplate what it would be like to be there yourself.
The Algonquin once lived in harmony with the vast territory they occupied. This balance was upset when the Europeans arrived in the 16th century. Gradually, their Aboriginal traditions were undermined and their natural resources plundered. Today, barely 9,000 Algonquin are left. They live in about 10 communities, often enduring abject poverty and human rights abuses. These Aboriginal people are suffering the threat to their very existence in silence. Richard Desjardins and Robert Monderie have decided to sound the alarm before it's too late.
THE STORY WON’T DIE, from Award-winning filmmaker David Henry Gerson, is an inspiring, timely look at a young generation of Syrian artists who use their work to protest and process what is currently the world’s largest and longest ongoing displacement of people since WWII. The film is produced by Sundance Award-winner Odessa Rae (Navalny). Rapper Abu Hajar, together with other creative personalities of the Syrian uprising, a post-Rock musician (Anas Maghrebi), members of the first all-female Syrian rock band (Bahila Hijazi + Lynn Mayya), break-dancer (Bboy Shadow), choreographer (Medhat Aldaabal), and visual artists (Tammam Azzam, Omar Imam + Diala Brisly), use their art to rise in revolution and endure in exile in this new documentary reflecting on a battle for peace, justice and freedom of expression. It is an uplifting and humanizing look at what it means to be a refugee in today’s world and offers inspiring and hopeful vantages on a creative response to the chaos of war.
This feature-length documentary chronicles the Sundance ceremony brought to Eastern Canada by William Nevin of the Elsipogtog First Nation of the Mi'kmaq. Nevin learned from Elder Keith Chiefmoon of the Blackfoot Confederacy in Alberta. Under the July sky, participants in the Sundance ceremony go four days without food or water. Then they will pierce the flesh of their chests in an offering to the Creator. This event marks a transmission of culture and a link to the warrior traditions of the past.
Documentary telling the story of the women who fed the life and art of Pablo Picasso, many of whom would find themselves damaged forever by the experience of being his partner.
Since its opening in 1948, The Farnsworth Art Museum has been a source of community pride and a beacon that draws visitors to Rockland each year. Told through first person interviews with Rockland natives and residents, historical photographs and footage, the film follows the museum’s growth from the reading of Lucy Farnsworth’s will, through the construction of the museum facility, to the internationally renowned institution that it is today.
A 1993 portrait of rock singer and poet Nick Cave, a versatile artist who gained importance over the years. Jacobson also wrote the scenario that was built around a long conversation with the singer. From Australia and his work with the Birthday Party to his current city, Berlin, with The Bad Seeds.
In the north of the state of Pará is the largest block of protected forests in the world; an area of Amazon rainforest the size of the UK and home to a multitude of stories. Indigenous people, ranchers, squatters, quilombolas, businessmen and politicians reflect in their own way the impacts of the possible expansion of the BR-163 into the forest, as far as the border with Suriname. The highway project was created at the time of the military dictatorship, and until today as a shadow over the region. But this is not a movie about a road. It is a film about the abysses that separate those who share the same land.
This candid New York love story explores the chaotic 40-year marriage of famed boxing painter Ushio Shinohara and his wife, Noriko. Anxious to shed her role as her overbearing husband's assistant, Noriko finds an identity of her own.
Artist, anarchist, drop-out, paperless immigrant: Giovanni Segantini was all of this. He created, usually under the open sky, monumental, idealized alpine landscapes. In the course of his lifetime, he climbed ever higher in search of more light, finally dying at 41 in an Engadin alpine hut at 2700m. The film offers insight into his difficult childhood and boyhood, shares his inner processes and crises as a painter, as well as his contradictory dealings with motherly love and eroticism – and ultimately his desperate struggle against death…