Shakespeare: Found in Translation(NaN)

Game Over?(en)

This documentary shows how one of the biggest youth theatres in Europe dealt with the COVID-19 pandemic.

Talking Hands(fi)

Spring is coming. Deaf-mute girl and boy feel the warmth of the sun on their faces, the air is flooded with light. The world of these young people lacks sound and their language is different, but they are happy about spring and each other.

Louder Than Words(en)

Jill and Michael Stark are both deaf, as are their two children. Stuck between two cultures and wanting the best future for their children, they make the controversial choice for both of their children to undergo surgery for cochlear implants. They are part of only a handful of deaf parents in the US to choose implants for their children. After this seven year journey, was the result of the cochlear implant what they had hoped for?

Je suis tes yeux(fr)

Elsa(en)

A Deafblind fencer and author competes in all arenas just for the right to be seen.

Crip Camp: A Disability Revolution(en)

Down the road from Woodstock in the early 1970s, a revolution blossomed in a ramshackle summer camp for disabled teenagers, transforming their young lives and igniting a landmark movement.

Plating Blind(en)

Nathan Quinell is a fully trained chef… he also happens to be legally deaf and blind. That’s never stopped him from chasing his dreams to become a full-time cook, but now Nathan must prove himself to his peers, his students and potential employers.

Seeing Voices(de)

Terwijl het liefde was(nl)

Artistic director of the National Theater Eric de Vroedt writes and directs a performance about his own mother Winnie, who passed away in 2020. This piece, titled The Century of My Mother, is a family story about the migration from the Dutch East Indies to the Netherlands. It is De Vroedt's way of examining the relationship with his mother and not having to say goodbye to her yet: 'I can let her live on stage, but when the curtain falls, when the play is completely finished, then she is really dead'.

I'll Come to You with Deaf Eyes(fr)

This film is a letter to my friend Vincent who died ten years ago. Vincent was Deaf. He introduced me to his language, his culture, his world. Through Vincent ‘s life, the film will examine the roots of the distress that plagues the Deaf, and also explore a rich and fascinating world, a people that struggles to preserve its Sign Language and Culture.

The Year We Thought About Love(en)

With passion, wit, intelligence and attitude, an LGBTQ youth theater group creates a play about love in all its forms, while bonding together to make change in their own lives. With candor, they tell their stories through intimate interviews, entertaining and powerful clips of their self-written plays, and glimpse into their everyday lives. Members range from a transgender woman being kicked out of her home, to a runway model who likes men’s clothing, to an out gay man accepted unconditionally by his mother. The plays they write and perform are close to their experiences and not only provide catharsis but insight into what it means to be gay, lesbian, transgender, or just queer. It’s an inspirational work of art about the hardships one faces in realizing that they are different and the courage it takes to find the pride within that.

Glittering Hands(ko)

Despite being deaf Sang-kuk never forgets to smile while he makes furniture. Kyung-hee can't hear either but with her natural beauty and outgoing personality, she enjoys her job at a sign language interpretation center. Between them they have hearing daughter Bora who is a director and a son named Kwang-hee. When, after moving eight times since marriage, Sang-kuk wants to move one more time, Kyung-hee opposes him. In filming the silent world of her parents, the director discovers new stories coming from herself, who grew up moving back and forth between two worlds-one of silence and the other of sound.

Deaf(es)

Martinez's second feature documentary assembles a theatre group of deaf actors in order to portray their lives and at the same time avoid any pedagogic representation of the non-hearing people. Coming from different environments and provinces, la troupe has to overcome various difficulties to put on stage their last play, hoping to attract an audience beyond the Argentine deaf community.

Viktor(uk)

Viktor, who was born deaf, worships the figure of the samurai warrior. When bombs start falling on his countryside home in Kharkiv, his quasi-romantic obsession with war is put to the test.

The Tuba Thieves(en)

A spate of robberies in Southern California schools had an oddly specific target: tubas. In this work of creative nonfiction, d/Deaf first-time feature director Alison O’Daniel presents the impact of these crimes from an unexpected angle. The film unfolds mimicking a game of telephone, where sound’s feeble transmissibility is proven as the story bends and weaves to human interpretation and miscommunication. The result is a stunning contribution to cinematic language. O’Daniel has developed a syntax of deafness that offers a complex, overlaid, surprising new texture, which offers a dimensional experience of deafness and reorients the audience auditorily in an unfamiliar and exhilarating way.

It Fell on Deaf Ears(en)

Because Quebec Sign Language cannot be captured on paper, videography has revealed itself to be the best way to represent this visual language. The first ‘comic strip’ in sign language, the film depicts snatches of conversations between various deaf and hearing protagonists. A visit to a silent world, where the hearing impaired ask us to listen to them.

Koko: A Talking Gorilla(fr)

A documentary that follows Dr. Penny Patterson's current scientific study of Koko, a gorilla who communicates through American Sign Language.

Breaking Silence(en)

A portrait of a Deaf activist and his formerly incarcerated daughter who build new bonds through their experiences in the criminal justice system.

Cloud Making Machine(en)

Firas, Jallow and Batoul just arrived in Berlin. They meet one another in a theatre group. They are searching for the good life in Germany - yet things don’t turn out the way they hoped. Through video letters, they reveal their deepest emotions to their families and friends back in their war-torn or poverty-stricken home countries.

Stage Changers(en)

A group of young, passionate theatre makers have just been presented with an opportunity that could change their lives forever. A huge company in the UK have invited them to pitch a large-scale work that would see them go from making theatre for audiences of 100 people, to making a show that plays to more than 1,000 people a night. This group of aspirational artists have always been driven by hopes and dreams, but their dreams have never been this big.