"8 Poems of Emigration" is a found footage film that focuses on the migration crisis. The film, while focusing on the immigration and immigration issue caused by the wild global capitalism, consists of the images and the found footage from the recording of the work named "8 Poetry of Immigration" that John Berger read to the audience in 2007 at the Fine Arts Center in Madrid. The narrative of the movie is revealed by the conflict between image and sound order. With the out-of-context (misuse) use of commercial images and music, the film creates a critical structure that opposes capitalism.
Director Miriam Pucitta grew up as the child of Italian migrant workers in Switzerland in the 1960s and 1970s. She herself has only fragmentary memories of this time; her mother and other relatives evade Miriam's questions. Together with her daughter Giulia, she researches her family's living conditions in Switzerland and finds a new understanding of her parents' difficult decisions.
Mali - Algeria - Libya - Italy. Issa’s escape from West Africa to the European mainland lasted ten years. Everything was supposed to be better here. But when he arrived in Rome, the only thing waiting for the young man was a life of homelessness and unemployment – which meant no money to send home. Drissa and Sekou share a similar fate, waiting in Italian asylum centres for a residence permit. Then there’s Bubu, who, forced to move from job to job, is unable to settle down. And lastly comes Alassane, who lives without identity papers in a state of constant uncertainty in a refugee camp near Rome. They all have one thing in common: after a gruelling odyssey, none of them has found the Italy they were hoping for when they arrived. Disillusioned, they find themselves in a vacuum of waiting, reflecting on the time they live in and the time that lies ahead.
"It's very strange, on stage I always feel very good, but during the two hours before, there is fear, uneasiness, a great sadness" declared Yves Montand to the press in 1980. To commemorate the 100 years of his birth, this portrait rich in archives and songs unfolds the career of a music-hall artist with unforgettable charisma.
A high-rise apartment built in the 1960s provides housing for 2500 people from 42 nations. Separated from the city by a river and bounded by towering sandstone cliffs, everyone attempts to live and survive in their own way. Foreigners who have a go at being Swiss, and Swiss who observe with scepticism. They meet in the corner shop run by an Iraqi living in exile, send their kids to a children’s club managed by a missionary, and old drinking mates meet regularly over a beer in the neighbourhood’s only bar. Despite all the differences, they are rather proud of the fact that they come from here.
On the occasion of the fortieth anniversary of the death of Louis de Funès, this documentary by Jacques Pessis pays tribute to the cult actor by retracing his career through excerpts of his greatest successes in the cinema and in the music hall, never-before-seen archives, as well as testimonies from personalities and relatives.
The film explores the reasons for emigrating from Italy and describes the feeling of being a stranger in one's own country after many years in Switzerland. It is the sequel to Emigrazione.
In 1976, Indonesian contemporary poet, Sutardji Calzoum Bachri, reads his poetry collection titled 'Amuk'. After 37 years, the sound record archive of that event is found in Jakarta Art Council. Using the archive, Rencong a.k.a DANGERDOPE, a hip-hop DJ from Aceh staged a music show.
Werner Herzog's documentary film about the "Grizzly Man" Timothy Treadwell and what the thirteen summers in a National Park in Alaska were like in one man's attempt to protect the grizzly bears. The film is full of unique images and a look into the spirit of a man who sacrificed himself for nature.
In an early work, video artist Dara Birnbaum records a cross section of fellow passengers aboard the Staten Island Ferry while en route to the Statue of Liberty. Asking subjects to use her video camera to capture their own views of the iconic monument, Birnbaum creates an homage to the immigrant experience.
Marion Stokes secretly recorded television 24 hours a day for 30 years from 1975 until her death in 2012. For Marion taping was a form of activism to seek the truth, and she believed that a comprehensive archive of the media would be invaluable for future generations. Her visionary and maddening project nearly tore her family apart, but now her 70,000 VHS tapes are being digitized and they'll be searchable online.
Charming amateur film featuring the Eisner family, who emigrated to Britain from Romania the year this film was made.
The extraordinary story of disco queen Donna Summer through a rich archive of unpublished film excerpts, home video, photographs, artwork, writings, personal audio and other recordings that span the life of one of the most iconic performers ever to shake a room to its timbers. From her early career with Giorgio Moroder in Germany, to later years more focused on spirituality and family life as a shelter from troubles associated with both notoriety and intimate wounds, her story is all the more special for being told in the first person – both singular and plural.
The film takes its title from a short documentary 'Diviner Water in Luppitt' (1976), housed in the South West Film and Television Archive (SWFTA) in Plymouth. ‘Diviner’ is a term originating from the 15th century to describe a person who might use special powers to predict future events, or for someone who seeks out water under the ground with the use of a divining or dowsing rod. ‘Diviner’ is formed almost entirely from moving image material held at SWFTA, apart from the opening sequence, which was filmed on 16mm in the archives. ‘Diviner’ meditates on our understanding of the transmitted image, and suggests that history, rather than occurring within a linear narrative, is cyclical and bound to repeat.
November 22, 1963, John Fitzgerald Kennedy was assassinated in Dallas. Through the perspective of various stakeholders, Patrick Jeudy attempts to trace step by step the progress of this black day in American History.
The definitive documentary on the history of nudity in feature films from the early silent days to the present, studying the changes in morality that led to the use of nudity in films while emphasizing the political, sociological and artistic changes that shaped that history. Skin will also study the gender inequality in presenting nude images in motion pictures and will follow the revolution that has created nude gender equality in feature films today.