A problem area burdened by burning cars, stone throwing and crime. This is how the district of Hovsjö in Södertälje, Sweden, is often described. An image that is further reinforced when one day the school burns down, just when the autumn term is about to begin. But in Hovsjö there is also something completely different...
A problem area burdened by burning cars, stone throwing and crime. This is how the district of Hovsjö in Södertälje, Sweden, is often described. An image that is further reinforced when one day the school burns down, just when the autumn term is about to begin. But in Hovsjö there is also something completely different...
2010-01-12
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A documentary released in 1985 about the Mothers of Place Vendôme.
Milan, western suburbs. In one of the nine districts ("zone") of the city, the students of the "Rosa Luxemburg" trade school meditate over the meaning of living in the suburbs. And they do so using their smartphones, filming their days and looking for a common thread among their lives. Crossing and mixing video-diaries, documentary shooting and fictional scenes, the project struggles to take a definite shape: every character and perspective channels the tale in a different direction, escaping from linear narrative lines and bringing us to some kind of archipelago.
Originally founded as Freedman’s Town after the Civil War, The Fourth Ward is one of the oldest and most culturally significant black communities in Houston, Texas. In the 1970s, the city along with big business interests planned to redevelop the Fourth Ward in order to revitalize the dilapidated real estate and freshen the image of downtown Houston. The price of progress in this case would be the removal of many poor black families. The film explores a complex series of encounters with elected city officials, businessmen and the people of Fourth Ward in order to better understand how a city like Houston works. Who makes the decisions about where resources are spent and so determines the growth and wealth of the community.
Baltimore City officials asked drug kingpin Melvin Williams to stop the riots happened following Martin Luther King's assassination. After helping the authorities out, Williams was then labeled a threat, framed and incarcerated by a hypocritical society.
One country, two worlds. Montereau, suburb of Paris: in the lower part a normal urban centre; in the "upper city", on the hills, are the homes of Turkish immigrants, a population poised between two identities and cultures...
Since the end of World War II, one of kind of urban residential development has dominate how cities in North America have grown, the suburbs. In these artificial neighborhoods, there is a sense of careless sprawl in an car dominated culture that ineffectually tries to create the more organically grown older communities. Interspersed with the comments of various experts about the nature of suburbia
On Easter Sunday, 1939, contralto Marian Anderson stepped up to a microphone in front of the Lincoln Memorial. Inscribed on the walls of the monument behind her were the words “all men are created equal.” Barred from performing in Constitution Hall because of her race, Anderson would sing for the American people in the open air. Hailed as a voice that “comes around once in a hundred years” by maestros in Europe and widely celebrated by both white and black audiences at home, her fame hadn’t been enough to spare her from the indignities and outright violence of racism and segregation.
In the war zones of Mosul and Raqqa, then in Paris during the Yellow Vests uprising, filmmaker Florent Marcie confronts Sota, an AI robot, with the tragedy of mankind. As the story unfolds, the relationship that develops between man and machine questions our human condition and our future.
United States, September 1st, 2016. American football player Colin Kaepernick kneels during the national anthem, protesting police brutality against black people. Part of the population regards the gesture as an unacceptable affront to the flag. Later, he loses his place on his team. Today, however, he is considered by many as a true hero.
A Eurovision singer, Iceland's strongest woman, a male model, a plumber who wants to direct movies. They all work in the shopping mall that this documentary focuses on ... most of them want to get out, even just to the bigger mall down the road.
A feature-length documentary forming a diptych at each end of France. Two guided visits through the eyes of the people who inhabit each place. In Marseille, a deteriorated housing project is surrounded by walls cutting it off from the neighbouring private properties. In Calais, the fences and and the barbwire aim to push back the refugees hoping to reach the UK and build a better life there. "Écoute les murs tomber" (Listen to the Walls Fall) shows how human beings, moved by the desire to come and go, to live and to set themselves free from restrictions and dead ends, bypass what imprison them, prevent them and restrain them. When coming face-to-face with walls, "Écoute les murs tomber" offers pathways of hope.
Naples. Home of the unbowed, of madmen and paupers. A city that refuses to lick anyone's boots, let alone stoop to pretense. This documentary bad trip takes us on a tour of the city's dismal suburbs and into the homes of the marginalized and rejected: a man, a girl, and a masked boxer - three protagonists yearning for something else, although they're not quite sure what. (Karlovy Vary Film Festival 2019)
Between 1990 and 1993, at a time when rap was not yet on the radio in France, Olivier Cachin hosted a musical TV show on M6 called "RapLine". The show exclusively devoted to rap and other alternative music. This cult show presented all the facets of these emerging movements through interviews, lives and clips made especially for the show, around fifty clips were produced by RapLine. Another sequence of the show consisted of broadcasting new US rap clips subtitled in French.
Claire Simon portrays an important time for any individual, from 16 to 18 years of age. Set in the Paris suburbs in high school (for those lucky enough to go), teenagers chat after and even during class, sitting in the hallway or outside on a bench, looking at the city below them.