From 1950 to 1953, one hundred thousand children were orphaned by the Korean War. With no resources to mend the wounds, the two sides, North and South, took different paths to find homes and families for the war orphans. While the children of South Korea were sent to Europe and the United States through ‘International Adoption’, the children of North Korea were distributed across Eastern Europe through a method called ‘Commissioned Education’. As a result, more than five thousand children from the North had to spend nearly a decade living in foreign lands across Eastern Europe. This story is a record of their lives, which used to be kept hidden from the rest of the world. There is a key to understanding how North Korea's closed political structure began and how the ‘Juche ideology’ was formed in this documentary movie. Understanding North Korea in the 1950s is an important way to understand North Korea at present.
A filmmaker's insight into the biggest gathering on earth -the Kumbh Mela.
Hong Kong, 1978. South Korean actress Choi Eun-hee is kidnapped by North Korean operatives following orders from dictator Kim Jong-il.
A cafe is growing, tucked in to the mountainside air raid shelter of the DMZ borderlands. A light light flickers, illuminating the past, present, and future. I'll see you at the DMZ! Shim was a free, one-day pop-up cafe staged in Yangji-ri village’s air raid shelter at the Korean DMZ. Referencing Korean cafe culture’s fixation on third place, the DMZ’s evolution from security tourism, to ecological peace tourism, and its repurposing as art production site, Shim attempts to intervene and align the past and present. Yangji-ri was one of many minbuk propaganda villages established by the Park Chung Hee regime in the 1960s to showcase the farming bounty and prosperity of the south for a North Korean gaze. The village was formerly part of the Civilian Control Line (CCL) until 2013 when it was reterritorialized as a normal part of South Korea.
In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.
John Ford's documentary about the early battles of the Korean War, shot in color.
A look into the lives of Malawi's 1 million plus orphans in the wake of the AIDS pandemic. It offers hope and real solutions to the challenges that people face living in extreme poverty.
Eighteen months in the life of 89 years old Viola Dees as she tries of persuade Los Angeles authorities that she can care for her grandson, 9-year-old Walter.
The Democratic People's Republic of Korea is a country with a very strong social cohesion and the unprecedented admiration of the people for their leader, which is absolutely unique and incomprehensible especially from a Western point of view. The native Korean director Sung-Hyung Cho tries to understand this by accompanying several Koreans from different backgrounds in their daily lives. The film shows the country and its people in a way, as it is rarely done in Western media, non-judgmental and respectful towards the people.
The movie recalls children who suffered mental and physical harm both during the last century, particularly in religious orphanages, and during the time of early modernperiod witch-hunts. It shows that the mindsets and behavioural patterns of both time periods are more alike than one might think.
In 1962, a U.S. soldier sent to guard the peace in South Korea deserted his unit, walked across the most heavily fortified area on earth and defected to the Cold War enemy, the communist state of North Korea. He became a star of the North Korean propaganda machine, but then disappeared from the face of the earth. Now, after 45 years, the story of James Dresnok, the last American defector in North Korea, is being told for the first time. Crossing the Line follows Dresnok as he recalls his childhood, desertion, and life in the DPRK.
Shrouded in secrecy and notoriously cash-strapped the North Korean regime has resorted to running one of the world's largest slaving operations - exploiting the profits to fulfil their own agenda. These bonded labourers can be found in Russia, China and dozens of other countries around the world including EU member states. Featuring undercover footage and powerful testimonials, we reveal the scale and brutality of the operation and ask what, if anything, is being done to stop it.
Operating under a pseudonym which means 'no boundaries' - North Korean defector Sun Mu creates political pop art based on his life, homeland, and hope for a future united Korea. His hidden identity is nearly compromised when a massive historical exhibit in Beijing is shuttered by Chinese and North Korean authorities.
Things That Do Us Part is a documentary that reframes the stories of three women fighters who dove into a tragic war in modern Korean history, using witness statements and reenactments.
One year after the Korean War, the conflict had reached a stalemate. The two opposing forces began to search for a way to end the grueling war of attrition, eventually settling on a modest village called ‘Pan Mun Jom’ near Gaeseong as the designated site for negotiations. Despite initial hopes for a quick resolution, the negotiating parties encountered obstacles that prevented an agreement. Disputes over the military demarcation line and the repatriation of prisoners of war thwarted their efforts. The film peels back the layers to reveal the untold story of Pan Mun Jom, shedding light on a history that has remained hidden until now.
Documentary focuses on Sona, the daughter of the director’s brother who moved to North Korea from Japan in the early 1970s. Through Sona, the film shows the generation that migrated from Japan to North Korea and their offspring who were born and raised in North Korea.
Swedish journalist visits Korea to report on the situation during the war
Director Junge was commissioned by the GDR in the country for the first time in the summer of 1970; his film In Syria auf Montage accompanies German engineers who train workers in the Homs textile factory. Shortly after filming ended, Hafez al-Assad put himself under the dictator. Twenty years later emerged ... the father stayed in the war over a youth club with Syrian orphans in Bad Saarow, whose fathers had died in the Lebanon war and accompanied them to Syria, where they were housed in separate, elite "schools of martyr children". Multi-faceted documents that oscillate between peaceful and tense, hopeful and unsettled.
A contemporary history of Korea(s) from a unique point of view that embraces the inner history of both South and North Korea in a single narrative.
Growing up in Masbate Province in the Philippines, Jary is neglected and shunned since the moment of his birth for one reason-- his appearance. His older sister, Jessa protects Jary through his early years, then takes him in as a young teen, to raise him alongside her own two children in a fragile house on a hill. Jessa seeks out the medical care Jary has been denied since birth. And more, the support to begin his physical and emotional recovery. Every Day After is a 35-minute documentary film that provides a more nuanced look at the complexities of the healing process we don’t often see. And honors the invisible labor of a sister whose love and action make it possible for Jary to experience the everyday joys and struggles of growing up.
The director's father, who did not know how to use a computer, left her an autobiography via email. It includes his whole life through many notable events such as the Korean War, the Vietnam War, 88's Seoul Olympic, New Town Development, etc.