The TV-play from the set of Inferno at "Strindbergs Intima Teater", directed by Anna Pettersson and with Siri Hamari in the role of Strindberg, is a lively tale of boundless dreams and frightening fantasies. With the help of magic, music effects and film, Strindberg's portrayal of the creative crisis and the search for new forms. During Strindberg's chaotic time in France and Austria in 1894-1896, his so-called Inferno year, he performed alchemical experiments, tore his hands and suffered hallucinations. In the village where he closes in, he is called the cuckoo. In another country, a little daughter is waiting for her father. This version has been called an "age performance", performing arts that suit all ages. And the finely nuanced and detailed presentation would surely have appealed to the scientist Strindberg.
August Strindberg
The TV-play from the set of Inferno at "Strindbergs Intima Teater", directed by Anna Pettersson and with Siri Hamari in the role of Strindberg, is a lively tale of boundless dreams and frightening fantasies. With the help of magic, music effects and film, Strindberg's portrayal of the creative crisis and the search for new forms. During Strindberg's chaotic time in France and Austria in 1894-1896, his so-called Inferno year, he performed alchemical experiments, tore his hands and suffered hallucinations. In the village where he closes in, he is called the cuckoo. In another country, a little daughter is waiting for her father. This version has been called an "age performance", performing arts that suit all ages. And the finely nuanced and detailed presentation would surely have appealed to the scientist Strindberg.
2018-06-02
8
Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.
Hong Kong police agent Cheung (by Aaron Kwok) works undercover in Kang’s (by Sean Lau) drug cartel, while another undercover cop Au (by Louis Koo) successfully earns their trust in an incident, a brotherly-bond is built among the three. After the Police busts the syndicate in Hong Kong, Kang subsequently hides away in the Golden Triangle, by chance he receives a tip-off about the betrayal within his circle of trust…
A bookshop renowned for its rare works is mysteriously and filled with copies of a book entitled 1, which doesn't appear to have a publisher or author. The strange almanac describes what happens to humanity in a minute. A police investigation begins and the bookshop staff are placed in solitary confinement by the Bureau for Paranormal Research. As the investigation progresses, the situation becomes more complex and the book becomes increasingly well-known, raising numerous controversies. Plagued by doubts, the protagonist has to face facts: reality only exists in the imagination of individuals.
A girl wakes up in a huge secret laboratory, then accidentally meets another girl who is trying to protect her house from a gang. The mystery girl overthrows the gang with her unexpected powers, and laboratory staff set out to find her.
A modern-day lawyer is sucked into an international conspiracy after being accused of a murder she didn't commit. Her only chance of freedom lies in uncovering the secret of an old German WWII aeroplane, long buried deep beneath the ice, before the CIA.
After a twist of fate brings their families together for Christmas, Charlotte sets out to prove her old friend Jackie's life is too good to be true.
Dane ‘Marbles’ Marbeck can see ghosts, thanks to a homemade drug: his late father’s neurological medication mixed with marijuana. Officer Jayson Tagg, a wannabe super-cop on the trail of a serial killer, ends up murdered. So when Marbles’ mum plans to sell the family farm, and the only way of buying the house off her is taking the money offered by Tagg in exchange for his help, Marbles accepts. The unlikely duo of stoner medium and ghost cop struggle to reconcile their differences while they navigate their way through ghouls, perverts, a mysterious hooded figure, and an unexpected shot at love. It becomes clear the only way Marbles and Tagg will solve the case with their souls intact is to confront their deepest regrets and overcome their prejudices.
Ivan sets off on a dangerous mission into Syria to save his ex-commander Grey after his capture by ISIS. With the help of U.S. military patrols, he succeeds in freeing Grey and attempts to escape the country while being hunted by terrorists.
Ernesto lives in depression and decides to hire a hit-man to end his own life. However, his plan takes an unexpected turn when he meets Rita, whose love gives him a new reason to live.
After 25 years together, married life has taken its toll on Xavier and Sophie, so when Sophie decides to invite their neighbours over for dinner, Xavier is less than enthusiastic to say the least! He can’t stand how obviously still in love they are and their lack of discretion… especially at night! On coming face-to-face with the uninhibited couple, Xavier and Sophie will be forced to confront their own, sad reality, before finding themselves pushed into a corner by a somewhat… indecent proposal.
Musician Jon Batiste attempts to compose a symphony as his wife, writer Suleika Jaouad, undergoes cancer treatment.
The gang flies off to Africa for a video animal safari titled 'So Goodi!,' only to learn that - zoinks! - the creatures are actually shape-shifting jungle demons! In Homeward Hound, a "fiercely fanged" cat creature petrifies the competing pooches at a dog show, including the visiting Scooby-Doo! Finally, a giant Wakumi bird is stealing sculptures that are scheduled to be housed in a museum in New Mexico, Old Monster. There's never a dull moment when Scooby-Doo enters the scene!
Abby and Travis wake after a crazy night in Vegas as accidental newlyweds! With the mob on their heels, they flee to Mexico for a wild, weird honeymoon—but are they in for another disaster?
A hijacked 767 will crash in just 97 minutes when its fuel runs out. Against the strong will of NSA Deputy Toyin, NSA Director Hawkins prepares to have the plane shot down before it does any catastrophic damage on the ground, leaving the fate of the innocent passengers in the hands of Tyler, one of the alleged hijackers on board who is an undercover Interpol agent - or is he?
Alain and Diane have been together for 30 years. In his mind, Alain is still 30 years old. But the equation 30 years of routine feelings, empty nest (and incidentally a job where being 50 is like an incurable disease) creates a much less euphoric effect for Diane. She oscillates between depression and free fall - and the first one who says "hormonal" she smokes. Alain loves Diane like crazy and love is proof. He's going to do something crazy for her, something to make her feel vital again, to make her heart beat and youthfulness pulsate. The crazy thing? Leave her. The risk with electroshock ? Unknown: either it wakes up or it burns. They will take it, with their eyes closed.
After losing a family member to a violent crime, a shattered rideshare driver picks up a passenger that forces him to confront his grief.
Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.
A short kid from a Canadian army base becomes the international pop culture darling of the 1980s—only to find the course of his life altered by a stunning diagnosis. What happens when an incurable optimist confronts an incurable disease?
New York, 1937. A teenager hired to star in Orson Welles' production of Julius Caesar becomes attracted to a career-driven production assistant.
From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.
America, 1947. Despite hard choices and even harder knocks, Joe and Kate Keller are a success story. They have built a home, raised two sons and established a thriving business. But nothing lasts forever and their contented lives, already shadowed by the loss of their eldest boy to war, are about to shatter. With the return of a figure from the past, long buried truths are forced to the surface and the price of their American dream is laid bare.
A popular high school athlete and an academically gifted girl get roles in the school musical and develop a friendship that threatens East High's social order.
James Lapine's tribute to a life in the theater based on Moss Hart's autobiography of the same name, starring Tony Shalhoub and Andrea Martin. The play, narrated by an older Moss Hart, traces his life from being poor in The Bronx to becoming famous and successful as a Broadway writer and director.
Deformed since birth, a bitter man known only as The Phantom lives in the sewers underneath the Paris Opera House. He falls in love with the obscure chorus singer Christine, and privately tutors her while terrorizing the rest of the crew.
The true story of the first Marathi superstar Kashinath Ghanekar, chronicling his struggles and hardships in marriage and life to pursue his passion for acting and attain the unmatched heights of stardom in Marathi theatre and cinema.
An adaptation directed by Claude Whatham for the BBC's Theatre 625 slot. Essentially a recording of John Barton's acclaimed Royal Shakespeare Company production starring Catherine Lacey (the Countess), Ian Richardson (Bertram), Lynn Farleigh (Helen), Clive Swift (Parolles) and Sebastian Shaw (the King), it was broadcast on 3 June 1968.
Chick Williams, a prohibition gangster, rejoins his mob soon after being released from prison. When a policeman is murdered during a robbery, he falls under suspicion. The gangster took Joan, a policeman's daughter, to the theater, sneaked out during the intermission to commit the crime, then used her to support his alibi. The detective squad employs its most sophisticated and barbaric techniques, including planting an undercover agent in the gang, to bring him to justice.
In July of 1864, in an incident at the Ikedaya Inn in Kyoto, thirty Shinsengumi suppressed a cell of twenty Choshu revolutionaries, possibly preventing the burning of Kyoto. The incident made the squad more famous and led to soldiers enlisting in the squad. The leader is Hijikata Toshizo, who is said to have been a spoiled brat in his childhood. One day, Toshizo discovers a woman thief with a stolen purse. In the purse, a note mentioning the name of Ito Kashitaro is found detailing illegal operations. Toshizo fears will become true. There is a rift in Shinsengumi.
National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for twenty-five years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art.
Moby Dick is an unfinished film by Orson Welles, filmed in 1971. It is not to be confused with the incomplete (and now lost) 1955 film Welles made of his meta-play Moby Dick—Rehearsed, or with Moby Dick (1956 film), in which Welles played a supporting role. The film consists of readings by Welles from the book Moby Dick, shot against a blue background with various optical illusions to give the impression of being at sea. It was made during a break in the filming of The Other Side of the Wind. There is some ambiguity about what Welles intended to do with the footage, and how he was going to compile it. It remained unedited in his lifetime.
Dorothy Parker remembers the heyday of the Algonquin Round Table, a circle of friends whose barbed wit, like hers, was fueled by alcohol and flirted with despair.
During the quarantine, some dedicated students have decided to adapt an Eugen Ionesco play into a short film. They all filmed themselves at home. This version isn't looking for coherence. The only 3 characters of the play are portrayed by many actors which have all provided a different view over their essence and mannerism.
Rosario was unjustly condemned for a robbery committed in the theater where she worked as secretary of producer Gaston Leducq. When she leaves prison, she tries to prove her innocence to Gaston, but things do not happen as she expected.
Set halfway through the 17th century, a church play is performed for the benefit of the young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.
Cathy Marston's first work for the Royal Opera House Main Stage is a lyrical memoir of the momentous life of the cellist Jacqueline du Pré, from her discovery of the cello through her celebrity as one of the most extraordinary players of the instrument to her frustration and struggle with multiple sclerosis. Rich and poignant, joyous and tragic, The Cellist draws on the talents of The Royal Ballet's Principals, Character Artists, Soloists and Corps to tell the moving story of the cellist's life. Composer Philip Feeney incorporates some of the most moving and powerful cello music of Elgar, Beethoven, Fauré, Mendelssohn, Piatti, Rachmaninoff and Schubert into an exquisite score that is itself an homage to the cello.
Two childhood friends who have not seen each other for a long time decide to meet again. They talk and look for what could have caused their estrangement: words pronounced in a certain way, an intonation etc. Very quickly, an argument begins and turns into a settlement of accounts.