A spontaneous street movie, a record of ‘swinging London’ where Erkki Kurenniemi had travelled to assess the commercial potential of his instrument DIMI-A.
A spontaneous street movie, a record of ‘swinging London’ where Erkki Kurenniemi had travelled to assess the commercial potential of his instrument DIMI-A.
1971-01-01
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Sohrab, a young Iranian soldier, finds himself face-to-face with his fellow citizens during a demonstration.
A man gets into a terrible traffic accident in the middle of nowhere, and two religious zealots try their best to "save" him.
Two estranged brothers are forced to meet at the family's beach house to settle legal matters after their father passes away. In the midst of their disagreements they discover that they have more in common than they thought.
A workaholic father comes home to discover his twin daughters have built a digital android doppelgänger that they lovingly call D.A.D.
Inés works as a seamstress in a sweatshop where pregnancy tests are periodically administered. When she becomes pregnant, she is sure that her condition will get her fired. She does everything she can to keep it a secret.
Calliope Wallace, always searching for a new mystery to solve, uncovers the ancient relics belonging to her new home's previous owners; including one strange teddy bear.
Through a series of elaborate chalk drawings, a girl who is deaf is able to hear again.
While striving for the top digital messenger spot Flash makes a fatal error putting young love in jeopardy. Now he must risk everything he has worked for in order to make it right or save his reputation.
Dummy Ache is a 1936 American short comedy film directed by Leslie Goodwins. An assuming husband, suspicious of his wife, follows her for the day. Misunderstandings, mishaps, and hijinks ensue. It was nominated for an Academy Award at the 9th Academy Awards in 1936 for Best Short Subject (Two-Reel). Preserved by the Academy Film Archive in partnership with Library of Congress. Motion Picture, Broadcasting, and Recorded Sound Division in 2013.
Patrick Henry's rousing speech before the Virginia legislature argues for colonial independence.
Joe Cobb is a wealthy child who longs for a baby brother. His nursemaid takes him to the other side where he meets some kids his age (the rest of Our Gang) where Joe offers three dollars for a baby. Farina finds a fellow African-American neighbor woman who lets him mind her infant which he then paints white and sells to Joe. The rest of the gang has set an assembly-line system that washes, dries, rocks, and feeds male and female babies.
A Pete Smith Specialty short on saving an important dinner after the household's cook suddenly quits.
It's the Fourth of July and the mother of Our Gang member Joe Cobb is doing a brisk business at her fireworks stand. Briefly left in charge of the stand, Joe does his best not to blow up himself or his friends, but a poorly-aimed skyrocket owned by Allen "Farina" Hoskins triggers a somewhat premature but undeniably spectacular display of pyrotechnics.
Ko-Ko and Fitz emerge from an inkwell into the sultan's harem.
A simple filmed performance featuring Cantor, done up in his stage minstrel makeup, allegedly at the Ziegfeld Theatre Roof Garden, but actually filmed on a soundstage at the Paramount Astoria studio.
A movie filmed almost entirely in the interior of a house on the outskirts of S.C. de Bariloche, on the shores of Nahuel Huapi Lake, over the course of one full winter and the beginning of a spring. The camera, through frame-by-frame tracking and panning shots, goes along revealing furniture, corners, objects and books, using rails in the first instance and a calibrated disk mounted on a tripod in the second. The house vibrates with its own life, revealing almost ghostlike traces and vestiges while the human presence is barely suggested. These shots alternate with others of the landscape: a lake, snow, bushes rattled by the wind, the passing of the seasons, external signs that accentuate the solitude of the interior spaces.
A ‘divertimento’ performed in an abandoned premises of an Algerian tourist center, uninhabited in winter.
A walk in a wheat farmland in the a village. While moving between the tall sheaves, the walker’s restless eye surveys the fields, the cattle, and settles on the faces of the residents of the small town. Brief animation exercises repeat, and the sketch the figure of a contemplative walker.