Rember Yahuarcani is an indigenous artist from the Uitoto Nation who lives in Lima, Peru. From his clan, the White Heron, only two families remain in Peru. Rember's paintings are inspired by the stories his grandmother Martha told him before she died. However, he has never dived into the darkest part of his nation’s history: the indigenous massacre during the rubber boom. Martha is a survivor of the horror and she speaks to Rember in dreams guiding him in a spiritual journey back to the jungle. He first visits his parents, who are also artists, in the Peruvian jungle. And finally, he sails to La Chorrera, in Colombia, where he confronts the past and meets other members of his clan.
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Stonecutters emigrated from northern Italy to Barre, Vermont, the "Granite Capital of the World." Follow the artisans and their families from quarries, workshops and schools in Italy to granite carving sheds in New England, as they seek their own identities, choosing what to keep and what to cut away from their American and Italian legacies.
Examines the mesmerising construction of clear crystal glass pieces created by the craftsmen of Waterford. The process from the intense heat of the furnace to glass blowing, shaping, cutting, honing, filling and finishing is all depicted in this celebration of the art of creation of Waterford Glass. Academy Award Nominee: Best Live Action Short - 1976.
A behind-the-scenes look at the beloved public television personality's journey from humble beginnings to an American pop-culture icon. "The Happy Painter" reveals the public and private sides of Bob Ross through loving accounts from close friends and family, childhood photographs and rare archival footage. Interviewees recount his gentle, mild-mannered demeanor and unwavering dedication to wildlife, and disclose little-known facts about his hair, his fascination with fast cars and more. Film clips feature Bob Ross with mentor William Alexander and the rough-cut of the first "Joy of Painting" episode from 1982. Famous Bob Ross enthusiasts, including talk-show pioneer Phil Donahue, film stars Jane Seymour and Terrence Howard, chef Duff Goldman and country music favorites Brad Paisley and Jerrod Niemann, provide fascinating insights into the man, the artist and his legacy.
The Mona Lisa Curse is a Grierson award-winning polemic documentary by art critic Robert Hughes that examines how the world's most famous painting came to influence the art world. With his trademark style, Hughes explores how museums, the production of art and the way we experience it have radically changed in the last 50 years, telling the story of the rise of contemporary art and looking back over a life spent talking and writing about the art he loves, and loathes. In these postmodern days it has been said that there is no more passé a vocation than that of the professional art critic. Perceived as the gate keeper for opinions regarding art and culture, the art critic has supposedly been rendered obsolete by an ever expanding pluralism in the art world, where all practices and disciplines are purported to be equal and valid. Robert Hughes, however, is one art critic who has delivered a message that must not be ignored.
The short documentary ‘Complexos‘ features intimate and emotional views on how residents of favelas in Rio de Janeiro use media and arts to raise their voices and act for justice, dignity and respect. ‘Complexos’ is part of a collaborative process between the Finland-based Anti-Racism Media activism Alliance (ARMA Alliance) and the favela-based audiovisual collective Cafuné na Laje.
The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.
When Anna, a twenty-eight-year-old photographer, is put in charge of a report on the restoration works at The Ostend Museum of Modern Art, she discovers by chance five paintings signed Constant Permeke, whose power and mystery move and fascinate her.She decides to embark on a quest to find out about who Permeke actually was, the places where he lived, how he worked, what experiences he went through.
Das radikal Böse is a German-Austrian documentary that attempted to explore psychological processes and individual decision latitude "normal young men" in the German Einsatzgruppen of the Security Police and SD, which in 1941 during the Second World War as part of the Holocaust two million Jewish civilians shot dead in Eastern Europe.
Colleagues, professional journalists and users comment on the masterpiece of the first lady of Czech architecture, Alena Šrámková... It is devoted to the building of the Faculty of Architecture of Czech Technical University, the work of the first lady of Czech architecture, Alena Šrámková, and from a distance brings users' perspective on how the building has succeeded over 10 years. Journalists who have been dedicated to architecture for many years, such as Karolína Vránková or Matěj Beránek, also collaborated on the film, and Bára Kopecká was in charge of the dramaturgical supervision.
A huge collection of Russian modernist paintings enters the art market and European and American museums. Is it fake or real? And who is the mysterious man behind it?
This is the story of survivors of the Srebrenica genocide, the only holocaust in Europe since WWII. 8,372 Bosnian men and boys were killed in one week.Heartbreaking and mind blowing testimonials - the story told by survivors, contrasted by hauntingly beautiful landscapes and horrifying archive. The film portrays extraordinary characters, people who have been struggling to come to terms with the past as well as dealing with the harsh realities of living in one of the poorest countries in Europe. Their stories raise serious and profound questions about the nature of human existence, war and forgiveness.
It portrays a pioneering and risky work carried out in a small Xinane base, by FUNAI, near Parallel 10º South, west of Acre, on the border with Peru. In simple installations, in the middle of the jungle, the sertanista José Carlos Meirelles carries out the difficult mission of protecting the isolated Indians of the region, with the help of anthropologist Terri Aquino. With few resources, specialists perform their tasks tirelessly. In addition to carrying out a permanent negotiation with the riverside populations in the area, they also deal with the confrontation with traffickers and squatters who try to invade it.
What happened to painter Beatriz González, who made us laugh with the irony of her works, to get to the point of making a self-portrait that shows her crying naked? The path of the artist is intimately linked with the history of Colombia during the past fifty years.
Incident at Restigouche is a 1984 documentary film by Alanis Obomsawin, chronicling a series of two raids on the Listuguj Mi'gmaq First Nation (Restigouche) by the Sûreté du Québec in 1981, as part of the efforts of the Quebec government to impose new restrictions on Native salmon fishermen. Incident at Restigouche delves into the history behind the Quebec Provincial Police (QPP) raids on the Restigouche Reserve on June 11 and 20, 1981. The Quebec government had decided to restrict fishing, resulting in anger among the Micmac Indians as salmon was traditionally an important source of food and income. Using a combination of documents, news clips, photographs and interviews, this powerful film provides an in-depth investigation into the history-making raids that put justice on trial.
The Great Lakes and connecting waterways have remained the center of traditional and contemporary economies for centuries. Meet the Ojibwe and a tribe that was relocated to this region—the Oneida Tribe of Wisconsin who care for these lands. Natural resources are the Tribes’ main economy, including the famous Red Lake walleye and wild rice lakes.
All across Alaska, Native cultures have depended on the abundant natural resources found there to support their families, cultures and way of life. Now these resources are growing scarce, and the people who have relied on them for centuries have to find new ways to adapt.