Us Reborn (Ô Truie) is an experimental short movie showing human and trash organicity.
Becoming A
Becoming B
Us Reborn (Ô Truie) is an experimental short movie showing human and trash organicity.
2020-04-12
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A normal day for little Riko at home and at school. A vivid snapshot pervaded by the calm flow of reality that creates an authentic sense of wonder.
During the quarantine, some dedicated students have decided to adapt an Eugen Ionesco play into a short film. They all filmed themselves at home. This version isn't looking for coherence. The only 3 characters of the play are portrayed by many actors which have all provided a different view over their essence and mannerism.
An unconventional scientist, struggling to care for his terminally-ill wife, embarks on a journey to develop a cure for her. However, his methods of treatment and tampering with human DNA, could lead to the extinction of humanity.
An actress struggles to control her emotions during an audition for a TV commercial. Watch here: vimeo.com/429096682
A young girl will do anything to meet her favorite Instagram influencer.
This psychedelic horror short inspired by vintage cinema follows a raped girl's descent into derangement and makes the audience feel as claustrophobic as the character.
Neil Bishop has spent his whole life living on the fringes of society. His only interaction with people is through his job as a lost luggage courier. One day, Neil delivers luggage to a woman in suffering, and he discovers someone like him. In this dreamlike psychological thriller, Neil Bishop sets out to make today, unlike any other day.
Dementia draws a woman into a world of memory loops, losing her love her spirit, her present her past.
An experimental docu-fiction short from hours of collected material shot by the director. Different scenes, from drunk parties with friends to shots of the Dutch landscape during a train ride, are cut together to see if a narrative story can be constructed from nothing but randomly shot footage.
For a young boy, ordinary facts and things of daily life seem to have great importance.
In this child's game, a live-action boy and girl draw characters and compete who is better. The girl draws a flower and the boy draws a car that runs it over. Then a drawn lion chases a drawn girl, until it all becomes frightfully serious.
The silent film is about a depressive lady of the last century who travels through time to a beach of current times, but ends up coming across a completely polluted environment.
Inside the claustrophobic scenery of a fancy apartment in the city of Frankfurt three men and a woman lock themselves in for ten days. Oskar and Julia are a couple. They have sex and let themselves be filmed. Benjamin and Bastian are behind the camera, trying to get pictures of absolute intimacy. Closeness as it can only be found among lovers.
Diwan, a lyric anthology, an outdoor movie with people. With people living in the surrounding precious and very beautifully photographed nature, are neither more nor less than one part of it. What Nekes manages there with landscape, as a cunning and quote many fine artist in a medium that runs in time, as he defeated the time changed, by themselves for change of scenery uses, as it interferes with the laws of chronology through the rewind ability of the camera or destroyed, which is a compelling and highly aesthetic experimental company.
First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.
Bressane's second London film, shot in six days in his apartment. "I had seen the French avant-garde films of the 1920's and naturally the title cites Breton. But underneath it can also be read in many ways. It is a cinema that is invented on the spur of the moment, like you invent an instrument to play music and then abandon it. This film came out like an improvisation, a total risk. It is a deconstruction of meaning but not in the analytical, intellectual sense. I have always tried to lose myself with my films. There is no trace of American or French underground cinema. If anything, it is the idea of home movies, there were many ideas for digital films long before digital film existed. This film made itself, it was like a jazz improvisation. Amor Louco is a lost object, it doesn't speak any language, it has no signs, no letters, no captions. And in the scene where the cataract is cut with the razor blade, it was the adventure of the film itself that was put to the test".
Michael and Eric, two young men on a collision course with the world around them. As they race violently towards each other their world comes crashing down, changing their lives forever.
Against the backdrop of an unfathomable megalopolis, in a story that follows the associative qualities of a dream logic, the protagonists quote from concepts of neo-liberal elitism, and a mix of religious delusions and hallucinations of the apocalypse. The film begins in a sacral space, where Randi, a figure that references Ayn Rand, transforms a parapsychological medium into two digital clouds and sends them on a journey through a megalopolis in full growth. There they materialize as two bodies, which go by the names of Mr. Freedom and Ms. Independence.
A man is in self-quarantine in a housing building that is under construction. But the place is so chaotic that he isn't able to sleep. One day he goes over to the local zoo and attempts to sleep there.