Anfitrión
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Testigo contemporáneo
Voz de la Televisión
2019-11-23
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Marion Stokes secretly recorded television 24 hours a day for 30 years from 1975 until her death in 2012. For Marion taping was a form of activism to seek the truth, and she believed that a comprehensive archive of the media would be invaluable for future generations. Her visionary and maddening project nearly tore her family apart, but now her 70,000 VHS tapes are being digitized and they'll be searchable online.
Vancouver-based voice artist Ashleigh Ball has been the voice of numerous characters in classic cartoons such as Care Bears, Strawberry Shortcake, Cinderella and more. When Ashleigh was hired to voice Apple Jack and Rainbow Dash for Hasbro's fourth series to use the My Little Pony name - My Little Pony: Friendship Is Magic - she had no idea she would become an Internet phenomenon and major celebrity to a worldwide fan-base of grownups. Bronies are united by their belief in the show's philosophy. This documentary gives an inside view of the Pony fan-world, and an intimate look at the courage it takes to just be yourself...even when that means liking a little girls' cartoon.
The rare short film presents a curious dialogue between filmmaker Julio Bressane and actor Grande Otelo, where, in a mixture of decorated and improvised text, we discover a little manifesto to the Brazilian experimental cinema. Also called "Belair's last film," Chinese Viola reveals the first partnership between photographer Walter Carvalho and Bressane.
Australian-made film with Steven Spielberg, Stan Deyo, Stanton Friedman, Dr. Alan Hynek, Jacques Vallee, Ken Arnold, Betty Hill and Ray Palmer (publisher of the Shaver Mystery). This rare TV documentary gave birth to The Cosmic Conspiracy and contains clips of the first episode of Star Wars and Jaws.
In 1942, television was born in Paris, rue Cognacq-Jay. Today, around 60% of programs are filmed in Plaine-Saint-Denis. Baptiste Morel receives various guests to return to this story.
Experimental film fragment made with the Edison-Dickson-Heise experimental horizontal-feed kinetograph camera and viewer, using 3/4-inch wide film.
The encounter of three movies, three territories. A personal story that portrays, through experiments revealed by images and extracts from a diary, lived meetings and inhabited places filled by forces of nature, colors, incidents and struggles.
Arab-American filmmaker Yumna Al-Arashi embraces the rhythmic rituals that have run alongside Islamic tradition throughout the centuries in this surreal and poetic short film. Piecing together old and new, Al-Rashi's dream-like imagery breathes fresh air to a subject hardly seen in positive light.
Documentary celebrating the British sitcom and taking a look at the social and political context from which our favourite sitcoms grew. We enjoy a trip through the comedy archive in the company of the people who made some of the very best British sitcoms. From The Likely Lads to I'm Alan Partridge, we find out the inspiration behind some of the most-loved characters and how they reflect the times they were living in.
The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.
The film consists of three sequences shot by a fixed camera: the first shows the balcony of a hospital with patients (soundtrack from the film "Vivre sa vie" by Jean-Luc Godard), the second is a scraped wall and the third is a crossroad with pedestrians and cars (sound taken from the film "The Time-Machine " by George Pal).
A walk through England’s south coast evokes the artists who lived and worked there.
A day-in-the-life documentary with Garry Marshall. Marshall was an executive producer for ABC and was responsible for such hit shows as Laverne and Shirley, Happy Days, and Mork and Mindy. This tape features several behind the scenes segments from these shows' productions. Marshall is also interviewed about the nature of television production and comedy.
Chantal Akerman reads a script detailing the woes that befell her on the day she thought about "The Future of Cinema". The camera continuously rotates 360 degrees around her apartment as she rereads the script at an exponentially increasing speed. At its heart, an homage to Godard.
The Iranian filmmaker Narges Kalhor, daughter of a former advisor of Ahmadinejad's, has been living in exile in Germany for four years. When she hears that the fellow Iranian rapper Shahin Najafi, who is also living in exile in Germany, faces death threats and has to hide because of one of his songs, she doesn't hesitate and has to find him. On her search she encounters fear everywhere. Narges Kalhor has to face her inconvenient memories of suppression, hatred and anger for her past in Iran.
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
Beaches are closed during the COVID-19 pandemic. Nevertheless, the middle class must survive the tropicals.
"…elegant yet rustic in its simplicity of execution; tugged gently toward different sides of the set by hints of color and motion interactions, positive and negative spaces, etc., and the unyielding delivery on one of the great apotheoses of poetic cinema at fade-out time." – Tony Conrad