Under The Influence: New York Hardcore(NaN)

Mother, I've Pretty Much Forgotten Your Face(ja)

Pig heads, intestines, megaphones: all these and more have been thrown into crowds of loyal fans following the influential punk band THE STALIN or any of number of Michiro Endo's other bands since 1980. Taking a step in front of the camera, however, Endo offers a very different kind of encounter in this inspiring self-portrait. "Mother, I've Pretty Much Forgotten Your Face" follows the artist, a native of Nihonmatsu, Fukushima, on the 2011 nationwide solo tour celebrating his 60th birthday, which was interrupted by the Great East Japan Earthquake. Traveling, performing and talking with fellow musicians and activists, Endo reflects on the past and future of Fukushima, the legacy of Hiroshima, his upbringing and his feelings about his mother, communicated in the song from which the documentary is named.

The Rezillos Documentary(en)

Two brothers reflect on their chaotic journey to stardom, as part of the legendary punk rock bands The Rezillos & The Revillos. Navigating friendships, fame, and fallouts.

Revenge of the Mekons(en)

Documentary about the Mekons.

Stories from the She Punks(en)

Loud, fearless and (un)typical girls: Gina Birch (The Raincoats) and Helen Reddington (The Chefs), musicians and punk icons turned directors, serve up a fascinating documentary built on new interviews with the women who played instruments in punk bands in the 1970s. In accounts laced with wit, honesty and insight, pioneering players including the Adverts’ Gaye Black (bass), Palmolive from The Slits (drums), Shanne Bradley from The Nips (bass), Jane Munro from The Au Pairs (bass), Hester Smith and Rachel Bor from Dolly Mixture (drums and guitar), bassist Gina and guitarist Ana Da Silva from The Raincoats, as well as many others, we hear about acquiring instruments, learning to play, forming bands and getting gigs.

Traffic Control: The People's War on Internet Porn(en)

A documentary that follows a new piece of legislation on its way to Capitol Hill. The Internet Community Port Act, also known as CP80 or Community Port 80, asks that adult content be placed on separate channels (ports) on the Internet so that parents can keep it out of their homes and schools. What ensues is a ferocious debate between parents, pornographers, doctors, technologists, addicts, business owners and children. But one voice is missing: our political leaders.

Fracus & Darwin With MC Enemy: Blu The Roof(es)

There Is No Authority But Yourself(en)

A Dutch documentary about the history of the anarchist punk band Crass. The film features archival footage of the band, and interviews with former members Steve Ignorant, Penny Rimbaud and Gee Vaucher.

Käseburg(de)

Crock of Gold: A Few Rounds with Shane MacGowan(en)

A celebration of the Irish punk/poet Shane MacGowan, lead singer and songwriter of The Pogues, that combines unseen archive footage from the band and MacGowan’s family with original animations.

The Bearded Lady Also Sells The Candy Floss(en)

Documentary about the music of Billy Childish and his bands, The Musicians Of The British Empire, and Wild Billy Childish & The Chatham Singers

HERE and NOW - ToNick Live 2021(cn)

Electrifying performances of hook-heavy rock and pop funk music.

Who Is Poly Styrene?(en)

Originally aired as part of the Arena series, this BBC biography of Poly Styrene of X-Ray Spex. She is one of the first black women singer-songwriters in the early New Wave/Punk scene.

SLC Punk(en)

Two former geeks become 1980s punks, then party and go to concerts while deciding what to do with their lives.

Step Up and Be Vocal(en)

Interviews from 1999, with some queer artists, activists and bands about queer punk, feminist concepts and actions. Filmed during a trip to San Francisco.

Born in Heinola(fi)

A story of five Finnish youth growing up during the devastating '90s recession. They live in the small timber industrial town of Heinola. As the parents of these young teens struggle through hard economic times, the five very different youths meet by coincidence to form the punk band Apulanta.

Sickened No More: Documenting the Life and Death of Weekend Nachos(en)

In 2004 a group of friends took the stage at a small coffee house in Dekalb Illinois with the sole purpose of pissing off everyone. Surprisingly, enough people liked what the band was doing that they continued to play music under the name Weekend Nachos. This documentary simply tells the story of Weekend Nachos.

On Tour: Alejandro Escovedo(en)

Alejandro Escovedo’s music ranges over an emotional depth that embraces all forms of genre and presentation in search of the healing truth of honesty. His earlier days in the punk band, The Nuns has inspired an ongoing rootsy edge, making his songwriting unpredictable, from hard edged rock to ballad-like emotional expressions. In this episode, Alejandro reveals the man behind the music with his backing band, The Sensitive Boys.

Dead Kennedys: Fresh Fruit for Rotting Eyeballs(en)

Fresh Fruit for Rotting Eyeballs features a brief history of the Dead Kennedys' early years up to their first UK tour, never before seen live performances, interviews with Klaus Fluoride and East Bay Ray, comments by music journalists, and insights from the key people involved with the recording of the DK's first album. Jello Biafra's 1979 run for mayor is also highlighted.

Assjack: Gates of Hell(en)

A "best of" compilation of live clips of various ASSJACK shows taped live at Alley Katz in Richmond, VA from 2003 - 2006 and clips of 1 show from May 2005 at Bluecats in Knoxville, TN. Special cameos by Dancing Outlaw Jesco White, Randy Blythe from Lamb of God and Chris Arp from Psyopus.

The Story of Skinhead(en)

Don Letts examines the history of this notorious subculture in a fascinating documentary, which features interviews with members of different skinhead scenes through the decades. Beginning in the late 1960s, Don fondly recalls a time of multiracial harmony as youngsters bonded over a love of ska, reggae and smart clothes as white working-class kids were attracted to Jamaican culture and adopted its music and fashions. But when far-right politics targeted skinheads in the 1970s and 1980s, an ugly intolerance emerged, and Don reveals how the once-harmonious subgroup has since struggled to shake this stigma.