A respectable businessman leaves his wife and daughter for the clutches of a cold, heartbreaking female.
John Schuyler, a happily married lawyer, is appointed diplomat and sent to England. Due to an unfortunate accident, his wife and child can not come along with him. On the ship to England, Schuyler meets the notorious Vampire - a relentless gold digger who causes the moral degradation of those she seduces, first fascinating and then draining the very life from her victims.
Nan Reynolds encourages her copywriter husband Bill to open his own agency. Nearly out of business, he finally gets a client. Former girlfriend Patricia Berkeley writes a very successful commercial for the client and neats up their old romance. Wife and girlfriend struggle over Bill.
Spoiled rich boy Johnny Bromley, goaded by the sneering laughter of the cheap Dot and by his father's open contempt, retires to a prizefighters' training camp for rehabilitation. There he meets Jenny Killian, daughter of the camp owner whose encouragement and love help him overcome the unpleasant memories of Dot's accusations of cowardice. When at last he is a success, he wins the hand of Jenny in marriage and his parent's forgiveness; upon meeting his former rival (The Broker) with Dot, he surprises him with a swift punch in the jaw.
Paris vamp Ernestine Bergot, posing as wealthy Englishwoman Sarah Brandon, goes to work on aging Count Ville Handry after first warming up on Malgat, a banker whom she ruined. Ernestine convinces the count to marry her despite his daughter's strenuous objections and then gains complete control of his fortune. Her steady milking of his funds makes the count decide to kill himself, but just as he is about to do it, Malgat, who has managed to catch up with Ernestine, exposes her to the authorities. Then, instead of the count, it is Ernestine who commits suicide rather than submit to arrest. A lost film.
A chorus girl gains infamy after the suicide of her beau.
Jealous of her son Oliver's interest in Penelope Mason, Mrs. Newell takes him to a resort where he is easy prey for designing Enid Morton. After some near-disastrous situations with Enid's suspicious husband, Penelope comes to Oliver's rescue at Mrs. Newell's request.
Newly arrived in town Nat and Gabe accept a dinner invitation from the volatile Hungarian Helene and her boorish husband Sasha. Whilst the other guests, ex-Bananarama member Marty, Angie, who 'makes bullets' and the supposedly suicidal Danny are affable enough, Nat and Gabe are shocked by their hosts' very public rows and Gabe's attempt at peace-making is awkwardly received. Nat is taken aback when virtual stranger Helene confides in her about Sasha's suspected infidelity and Gabe is rudely rebuffed when he tries to have a heart to heart with Sasha. After Helene physically attacks her husband the newcomers are desperate to leave but when Danny drops a bombshell Gabe is torn between responsibility and the easy way out.
A domineering,reclusive, and ostentatiously pious widow in a small Spanish town keeps such close watch on her daughters that they are unable to have normal social lives. However, the eldest is allowed to become engaged to an unprincipled young man, primarily for the financial advantages it will bring the mother, Bernarda. Jealousy and envy ensues among the other daughters.
For thousands of years, evidence of life after death has eluded mankind. Science is about to change that. With the help of a physicist, a blind medium, and Thomas Edison’s final experiment, Brayden Taylor embarks on a quest to contact his deceased fiancee. For his love to transcend dimensions, he must defy the laws of quantum physics. He must defy the balance nature demands. He must defy ... Einstein’s God Model.
A man who has been living overseas for many years returns home to find his sister and widowed mother are making a living by taking in lodgers and murdering them.
An impoverished advocate faces challenges after he falls in love with a wealthy woman who has a look-alike courtesan sister.
Uma (Mumtaz Shanti) and Babul (Suresh) are poor and homeless siblings. Both of them have got singing talent but are unable to find any job. Then they meet Nirmal who is younger brother of theater owner Janki Babu. Nirmal persuades his brother to give them a chance. After seeing their talent, Janki Babu also admires Uma and gives her leading role at his theater. Then Nirmal and Uma fall in love with each other and get married. However, Nirmal has a misunderstanding that his elder brother also likes Uma and wanted to marry her. He does not approve of Uma's job in theater but himself is struggling to find a job. Uma leaves the job and they also also leave Janki babu's house. Now they have a small baby daughter, Manju. But soon they see the true face of poverty and struggle to cope with it.
A young Vishwak meets Sweta and falls in love with her. Their relationship begins to dwindle when Vishwak becomes increasingly manipulative and selfish to succeed in life.
Svetlana Vasilievna is a young, energetic woman who often changes jobs, accustomed to achieving the goals that she has set for herself in life. Her next desire is to marry a "creative, intelligent" person. After a lengthy search, she chose an elderly, but well-mannered, intelligent official Vladimir Dmitrievich Lobanov. Svetlana believes that with the help of connections and sober calculation, you can achieve everything: well-being, respectability, even personal happiness. She does not notice that the fulfillment of her desires does not at all make the person close to her happy. The payback turns out to be unexpected and terrible.
Four different women discuss life, love and marriage with people from their past and present during the course of one day at a café in Seoul.
Experimental anthology film consisting of nine segments - Contrasts, The Janitor, The Plumber, Another Wet Dream, The Happy Necrophiliacs, On a Sunday Afternoon, A Face, Politfuck, Flames - all focused on 70s sex, love and politics.
In 1927 colonial Indonesia, a young woman trapped as a Dutch man's concubine fights for dignity in a world that sees her as nothing more than property.