The documentary illustrates the history of the birth and development of the porticoes module in Bologna, starting from the Middle Ages. After a brief historical investigation on the origin of the arcades and on the revolution that affected urban architecture following their introduction, we analyze the social impact that these had, and still have, on the lives of Bolognese citizens. The porch, among other things, is presented as an architectural solution capable of facilitating meeting and communication.
A young student prepares his degree thesis on Pasolini and Bologna by investigating the relationship of the great intellectual with the city of his childhood and his studies. Following in the footsteps left by Pasolini in Bologna, the protagonist will tell, for the first time in the form of a documentary and with a rock narrative rhythm, the emotional, visceral but also controversial bond of Pasolini with Bologna until his final days, also characterized by severe criticisms of the “consumerist and communist” city, a symbolic terrain of the adverse social and economic metamorphosis from paleoindustrial to neo-capitalist society.
A small town in Salento, some Soviet rock bands, CCCP and an 8-day trip between Moscow and Leningrad. The incredible story of a tour between two worlds that would never be the same again.
In this poetic portrayal of Luigi Ghirri (1943–1992), a master of contemporary photography, the director gives voice and, in particular the image, to the protagonist. The photographer takes the audience on a tour of the outskirts of daily life as seen from the corner of his eye, the area in between what is artificial and authentic or grand and small – the meso-scale.
Confidential report on designer Dino Gavina's showroom created by Carlo Scarpa between 1961 and 1963. Restoration details and stills from a 1985 film by Ellis Donda.
After receiving a large sum of money on his bank account by mistake, a small-town thirtysomething dissatisfied with his life sees the opportunity of turning back the clock to when things were good, reliving the carefree life of an university student in a big city. Here, he falls in love with a girl and gets her pregnant. There's just one problem: he already has a wife and a daughter back home!
The story of Edgardo Mortara, a young Jewish boy living in Bologna, Italy, who in 1858, after being secretly baptized, was forcibly taken from his family to be raised as a Christian. His parents’ struggle to free their son became part of a larger political battle that pitted the papacy against forces of democracy and Italian unification.
A police inspector suspects a serial killer is afoot in the university city of Bologna, luring in his victims through online video chats before murdering them and assuming their identity.
Bologna, 1976. The paths of two aimless young friends intertwine with those of Radio Alice, a pirate radio politically aligned with the leftist student movement.
15-year-old Andrea lives in a world of his own, where an innocent friendship with a pretty girl becomes a full-blown romance. He invites her to a motor show in nearby Bologna, but she fails to show up at the bus station. Instead, Andrea is joined by his older sister Stefania–who's planning a runaway with her boyfriend Angelo.
Loud, fearless and (un)typical girls: Gina Birch (The Raincoats) and Helen Reddington (The Chefs), musicians and punk icons turned directors, serve up a fascinating documentary built on new interviews with the women who played instruments in punk bands in the 1970s. In accounts laced with wit, honesty and insight, pioneering players including the Adverts’ Gaye Black (bass), Palmolive from The Slits (drums), Shanne Bradley from The Nips (bass), Jane Munro from The Au Pairs (bass), Hester Smith and Rachel Bor from Dolly Mixture (drums and guitar), bassist Gina and guitarist Ana Da Silva from The Raincoats, as well as many others, we hear about acquiring instruments, learning to play, forming bands and getting gigs.
„Sookee - Von Seepferdchen und Schränken“ is an intimate portrait of Sookee, a queer-feminist rapper and activist, who has been fighting sexism, homophobia and racism in German hip hop culture.
Expressionist painter meets existentialist surfer as legendary documentary filmmaker Jack Bond follows the journey of the brilliant young British painter, Chris Moon, as he navigates the perilous art world and a demanding, often excruciating, relationship with his work.
Dorival Caymmi was one of the inventors of the Bahian imagination. In his 94 years of life, Caymmi composed, sang, wrote, illustrated and thought about his Bahia, even far from it. His family, partners, friends and fans remember his history, which made him one of the pillars of Brazilian culture.
Filmmaker Maxine Trump turns the camera on herself and her close circle of family and friends as she confronts the idea of not having kids. While exploring the cultural pressures and harsh criticism child-free women regularly experience, as well as the personal impact this decision may have on her own relationship, Maxine meets other women reckoning with their choice: Megan, who struggles to get medical permission to undergo elective sterilization, and Victoria, who lives with the backlash of publicly acknowledging that she made a mistake when she had a child.
The search for The Lost City of the Monkey God follows explorer Steve Elkins and a team of archaeologists, anthropologists, scientists and filmmakers in this true-life adventure as they overcome torrential rains, dense jungles, poisonous reptiles and deadly disease carrying flies to search one of the last unexplored places on Earth for a lost Maya city. Using cutting edge laser technology, they can "see" the city hidden in the impenetrable jungle and with the support of the president of Honduras and his army they are able to save the found city from certain destruction and looting and properly excavate and preserve their discovery and begin to solve the mysteries of the lost city.
The final hours/days, events and people leading up to the end of WWI.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.