Oriana Fallaci, the Italian journalist who is noted for her provocative interviews, interviews the leader of the Islamic Revolution, the Ayatollah Ruhollah Khomeini, on Sept 12, 1979. For 10 days Oriana Fallaci waited in the holy city of Qum for her interview with the 79 year old Ayatollah, who is the de facto ruler of Iran. On Sept. 12, she was led into the Faizeyah religious school, where Khomeini holds his audiences. She was accompanied by two Iranians Nyho and Iran prime minster Banisadr who had helped set up the interview and who served as translators. Oriana Fallaci, barefoot, enveloped in a chador, the head to toe veil of the Moslem woman, was seated on a carpet, when the Ayatollah entered, and the recorded interview could begin.
Oriana Fallaci, the Italian journalist who is noted for her provocative interviews, interviews the leader of the Islamic Revolution, the Ayatollah Ruhollah Khomeini, on Sept 12, 1979. For 10 days Oriana Fallaci waited in the holy city of Qum for her interview with the 79 year old Ayatollah, who is the de facto ruler of Iran. On Sept. 12, she was led into the Faizeyah religious school, where Khomeini holds his audiences. She was accompanied by two Iranians Nyho and Iran prime minster Banisadr who had helped set up the interview and who served as translators. Oriana Fallaci, barefoot, enveloped in a chador, the head to toe veil of the Moslem woman, was seated on a carpet, when the Ayatollah entered, and the recorded interview could begin.
1979-09-26
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The extraordinary story of the Irish War of Independence (1919-22): from the failed insurrection of 1916, the detailed account of how pro-independence Ireland rebuilt a movement whose efforts would eventually lead to the creation of a new nation. (Documentary film based on the miniseries of the same title.)
At first glance, Matthew VanDyke—a shy Baltimore native with a sheltered upbringing and a tormenting OCD diagnosis—is the last person you’d imagine on the front lines of the 2011 Libyan revolution. But after finishing grad school and escaping the U.S. for "a crash course in manhood," a winding path leads him just there. Motorcycling across North Africa and the Middle East and spending time as an embedded journalist in Iraq, Matthew lands in Libya, forming an unexpected kinship with a group of young men who transform his life. Matthew joins his friends in the rebel army against Gaddafi, taking up arms (and a camera). Along the way, he is captured and held in solitary confinement for six terrifying months.
Throughout the Islamic world, each year hundreds of women are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families. They may have lost their virginity, refused an arranged marriage or left an abusive husband. Even if a woman is raped or merely the victim of gossip, she must pay the price. Crimes of Honour documents the terrible reality of femicide – the belief that a girl’s body is the property of the family, and any suggestion of sexual impropriety must be cleansed with her blood. We meet women in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of women who have committed themselves to the protection of young women in danger of losing their lives.
The Quran is the Holy Book of Islam, a religion shared by more than a billion followers worldwide. For the Muslim tradition, since its revelation to the Prophet Muhammad between the year 610 and 632 of the Christian era in Mecca and Medina, the Koran is immutable, and has remained maintained. However, recent discoveries of Koranic manuscripts analyzed by scientists, dated around the year 680 - the oldest known in the world - revealed that the Koran has a history. During the first century of Islam, and before the canonical version of the Caliph Uthman imposed itself, the holy book of Islam would have known competing versions, a different organization of the suras, variable readings due to a writing, in its beginnings, very rudimentary… It is to this meeting of knowledge, at the crossroads between the Muslim tradition and scientific research, that this journey to the origins of the Koran invites.
This short 19-minute documentary is an intimate and moving exploration of the profound and far-reaching impact of surveillance on Muslim American individuals and communities. Premiering at the 2017 Tribeca Film Festival, WATCHED is told through the personal experience of two women, both coming of age in New York. The film charts the devastating toll of surveillance and reveals the scars it leaves behind.
This program illustrates how video activists have developed sophisticated use of small format video, with poetic and powerful imagery, complex mixes of sounds and scores and an effective editing style that belies the urgency under which it is being made. The video movement in Taiwan has made successful use of home cassette distribution, via both mail and street vendors. The Green Team collective has pioneered in this effort with over 100 titles in distribution, documenting the struggles of farmers, students, workers and environmentalists.
"Nasr Hamed Abou Zayd is not Godot, and the expectation promised by the title is misleading: this great gentleman is present in almost every shot. Who is he? An Egyptian Muslim theologian of international reputation, he has published exegeses of the Koran which led to his being condemned for apostasy. Exile, forced divorce from his wife Ibtihal Younes since his marriage was subject to annulment, separation from his son, such are the consequences of his writings. But Abou Zayd has not given up, residing in Leiden in the Netherlands, he continues, always on the road, to give conferences, to explain with great serenity his positions in public debates, on television, etc. C It is this particularly impressive dedication that Mohammad Ali Atassi's camera recorded over a period of six years.
After the elections that followed the Tunisian revolution, as well as the violence that shook the country, an author seeks to make a film on women's issue in his motherland. He makes his questioning the subject of his film and starts a journey.
Composed of stills by renowned Magnum photographer Susan Meiselas taken in 1978 and 1979 during the overthrow of the fifty-year dictatorship of the Somoza family. Written in the form of a letter from Meiselas to Karlin, it is a ruminative and often profound exploration of the ethics of witnessing, the responsibilities of war photography and the politics of the still image.
Shot in 1983–84 and focusing on the work of the Historical Institute, this film witnesses how Nicaraguans are recovering their history, the memory of Sandino’s struggle, to transform their sense of identity.
Through the eyes of journalists and photographers working at Barricada, the official publication of the FSLN, the film observes the problems of putting socialism into practice, with reports on the war, the economy, the prison system and the political process leading up to the 1984 elections.
A portrait of a remote area in the rural north of Nicaragua facing difficulties with the revolutionary process. It follows Marlon Stuart, the regional FSLN political organiser, at the time of the 1984 elections.
A group of exceptional young ladies in Khartoum are determined to play football professionally. They are prepared to defy the ban imposed by Sudan's Islamic Military government and they will not take no for an answer. Their battle to get officially recognized as Sudan's National Woman's team is fearless, courageous and often laughable. But their struggle is unwavering. Through the intimate portrait of these women over a number of years we follow their moments of hope and deception. Despite the National Football Federation getting FIFA funds earmarked for the women's teams, this team continues to be marginalized. However, there is a new spark of hope when the elections within the federation could mean real change of the entire system.
The film is about aftermaths and reckonings. Revisiting material for his earlier 4-part series, Karlin returns to Nicaragua to examine the history of the Sandinista government, consider its achievements, and assess the prospects for democracy following its defeat in the general election of 1990.
'Karama has no walls' is set amidst Yemen's 2011 uprising. The film illustrates the nature of the Yemeni revolution in stark contrast to the gross violations of human rights that took place on Friday, March 18th 2011. Juma'at El-Karama (Friday of Dignity) marks a turning point in the Yemeni revolution as the tragic events that took place on this day -when pro-government snipers shot dead 53 protestors - shook the nation and propelled hundreds of thousands more to flock to the square in solidarity with their fellow citizens. Through the lenses of two cameramen and the accounts of two fathers, the film retells the story of the people behind the statistics and news reports, encapsulating the tragic events of the day as they unfolded.
Life on the road in India, showing the traffic, people and animals.
Historian Tom Holland traces the origins of Isis’ barbaric and sadistic violence which it claims is justified by the tenets and scriptures of Islam.
Arab-American filmmaker Yumna Al-Arashi embraces the rhythmic rituals that have run alongside Islamic tradition throughout the centuries in this surreal and poetic short film. Piecing together old and new, Al-Rashi's dream-like imagery breathes fresh air to a subject hardly seen in positive light.
With the help of hidden camera, Danish TV 2 documents how a known Danish imam teaches Muslim women about Islam's violent rules of adultery.