A bereaved woman utilizes near-future tech, in an attempt to recall the comfort of a mundane memory with a recently lost loved one.
Emery
Eve
A pair of Chicagoans meet-cute one chilly evening leading to an all-night affair and a quaint morning after... well mostly quaint 💕
This spaghetti western presents a fictitious version of the often filmed legend of Pat Garrett and Billy the Kid. Billy becomes innocently an outlaw while protecting his mother, but then turns into a trigger happy killer. When he falls in love he tries with the help of Pat Garrett, a fatherly friend, to change back. However, circumstances force Billy to become violent again and it is Garrett who is credited with the killing.
A young photographer's home is haunted by it's former residents.
When two rival crews head into the desert to shoot a reality show based on a buried Navajo treasure, they discover that truth is not only stranger than fiction, it's more dangerous. Something wants them from digging deeper and from escaping the desert alive.
A young man talks to his psychiatrist about strange visions he has been having in his dreams.
When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.
People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.
A young father and his two children struggle to find harmony after his wife leaves them for another man.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
A forged 500-franc note is passed from person to person and shop to shop, until it falls into the hands of a genuine innocent who doesn't see it for what it is—which will have devastating consequences on his life.
Accio and Manrico are siblings from a working-class family in 1960s Italy: older Manrico is handsome, charismatic, and loved by all, while younger Accio is sulky, hot-headed, and treats life as a battleground — much to his parents' chagrin. After the former is drawn into left-wing politics, Accio joins the fascists out of spite, but his flimsy beliefs are put to test when he falls for Manrico's like-minded girlfriend.
Follows a young cyclo driver on his poverty-driven descent into criminality in modern-day Ho Chi Minh City. The boy's struggles to scratch out a living for his two sisters and grandfather in the mean streets of the city lead to petty crime on behalf of a mysterious Madame from whom he rents his cyclo.
An opportunistic singer woos a wealthy widow to boost his career.
A crafty child who wants to see his mother again after her death, finds a way to do it.
This is not a film by Khavn. A crime-thriller retro-road movie based on the Kuratong Baleleng Rubout Massacre of 1995.
Captain Kirk. T.J. Hooker. Denny Crane. Big Giant Head. Alexander the Great. Henry V. Priceline’s Negotiator. These are but a handful of the innumerable masks worn by William Shatner over seven extraordinary decades onstage and in front of the camera. A peerless maverick thespian, electrifying performer, and international cultural treasure, Bill (as he prefers to be called), now 91 years young, is the living embodiment of his classic line “to boldly go where no man has gone before.” In unprecedented fashion, You Can Call Me Bill strips away all the masks he has worn to embody countless characters, revealing the man behind it all.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
Moments before her son Satv'k's retrieval by the state, Parser makes one last attempt at bolstering his faith in the fabled Indigo Child.
A WLW romance/drama about two girls torn apart by heartbreak, although all they have for one another is love.
In Genghis Khan's last days, an encounter with a Wizard sends him to the Moon. Just as the Mediaeval anti-hero thinks he's made his greatest conquest, he finds himself on a spiritual quest, realizing the absurd clash between one man's need and the silence of the Universe.
A man gets in a cab to meet a client. A bizarre car crash happens, and, throughout the story, the different characters seem to have some sort of connection with that fact.
Based on the real life story of Sagawa, a Japanese student who killed, dismembered and ate a young Dutch girl in Paris.
The theme of death is heavily interwoven in Smolder’s surreal salute to Belgian painter Antoine Wiertz, a Hieronymus Bosch-type artist whose work centered on humans in various stages in torment, as depicted in expansive canvases with gore galore. Smolders has basically taken a standard documentary and chopped it up, using quotes from the long-dead artist, and periodic statements by a historian (Smolders) filling in a few bits of Wiertz’ life.
"Queen of Hearts: A Twin Peaks Fan Film, is both a prequel, starting with FBI Agent Dale Cooper (Nico Abiera) meeting his mentor Windom Earle (Paul Griffith Springer) and Earle's wife (and Cooper's eventual lover) Caroline (Charlotte Roi) and the fallout surrounding those relationships, as well as a sequel, following Annie Blackburn (Madison Bates) after her escape from the Black Lodge on a new mysterious and dangerous adventure."
In this short film, Sarah and Matt have a 'unique' relationship. But when they throw a Halloween party, things take a turn for the worse.
Fatima and the group of her high school friends will get their bachelor degrees. A question arises in each of them: to continue their studies in Mayotte, or leave for France. For Fatima, when love appears the choice gets complicated.
A young beautician, newly arrived in a small Louisiana town, finds work at the local salon, where a small group of women share a close bond of friendship and welcome her into the fold.
Downtrodden writer Henry and distressed goddess Wanda aren't exactly husband and wife: they're wedded to their bar stools. But, they like each other's company—and Barfly captures their giddy, gin-soaked attempts to make a go of life on the skids.
The film tells the story of two good friends who live together, Andrew, an agoraphobic travel agent who works from his home, and Dave, a loser who works in an office where he is treated with contempt. Just when it seems things can't get any worse for the two, the entire world outside of their house disappears and is replaced with an endless white void.
Rayvenn and Lourenço find themselves in new relationships but will their political differences drive them apart?
It's Maxim's birthday. He's 8 years old. He lives together only with his mother in a village not so close to the big city. For his birthday, his mother will take him to Bucharest, to McDonald's. There, Maxim hopes to meet his father.
A humoristic turbo drama. Floyd, after being dumped by his girlfriend, suffers from psychological problems manifested as a little demon who disrupts his everyday life. Floyd has to go through great depths before he can continue his life.
Paul lives alone with his mother Virginie. Weakened by disease, she is unable to go about their daily life anymore. Paul, driven by the unbreakable bond of love that exists between him and his mother, tries to take matters into his own hands.