Anton Bruckner’s 6th Symphony was written between 1879 and 1881: a very happy time in his life. Unlike most of Bruckner’s symphonies, the 6th was not revised. Of all his works, this one seems to come from a single source of inspiration. Bruckner himself called it his “boldest” symphony – probably due to its extreme degree of motivic, rhythmic and harmonic originality. This live recording of the seldom-performed 6th Symphony is the next instalment of the acclaimed Bruckner cycle by the Staatskapelle Berlin and Daniel Barenboim. Anton Bruckner Symphony No. 6 in A major (original version) Daniel Barenboim, Conductor Staatskapelle Berlin Recorded live at the Philharmonie Berlin, 22 June 2010
Self
Utterly astounding, iridescent sand animation from Aleksandra Korejwo based around Bizet's Carmen.
A behind-the-scenes look at the Aldeburgh Festival and the opening by The Queen of the new concert hall at Snape.
Beth Gibbons (vocalist for acclaimed UK band Portishead) was formally invited to Poland in 2014 to sing soprano at Warsaw’s Grand Theatre. This performance forms the basis of the film and album titled Henryk Górecki: Symphony No. 3 (Symphony of Sorrowful Songs) performed by Beth Gibbons and the Polish National Radio Symphony Orchestra, conducted by Krzysztof Penderecki.
Go behind the scenes with one of London's most important musical institutions.
Letters, Riddles and Writs is a one act opera for television by Michael Nyman broadcast in 1991.
Can a work of art remain relevant 200 years after its creation? Ludwig van Beethoven’s last completed symphony proves it’s possible.
Ballerina Polina Semionova performs the mythic parts of Odette and Odile (white swan and black swan) with her great partner Stanislav Jermakov. The Zurich Opera House Orchestra is conducted by Russian musical director Vladimir Fedoseyev acclaimed in this repertoire.
A ruthless real estate agent discovers a passion for piano and auditions with help from a young virtuoso, but the pressures of his corrupt career threaten to derail his musical aspirations.
In 2005, the Staatsoper Berlin and its orchestra, the Staatskapelle Berlin under musical director Daniel Barenboim, celebrated a series of events to celebrate the 80th birthday of French conductor and composer Pierre Boulez. Artistically associated for decades with Barenboim and Berlin, Pierre Boulez is one of today's most distinguished composers and conductors. As part of the celebration, Boulez conducted a performance of Mahler's "Resurrection" Symphony at the Berlin Philharmonie. With his uncompromising approach to the score, Pierre Boulez's Mahler readings have long fascinated critics and audiences alike. Boulez eschews the romanticized readings common in performance tradition and, instead, reveals the real joy and terror in Mahler's large-scale symphonies.
Documentary about the state of the conducting world in the 1990s. Broadcast as part of the BBC OMNIBUS strand of documentaries.
Jenny is young. Her life is over. She killed someone. And she would do it again. When an 80-year-old piano teacher discovers the girl’s secret, her brutality and her dreams, she decides to transform her pupil into the musical wunderkind she once was.
In 2007, the Berliner Philharmoniker celebrated their 125th anniversary. Film director Enrique Sánchez Lansch took this occasion to tell a hitherto unknown chapter in the history of the Berliner Philharmoniker: the years of National Socialism from 1933 to 1945. The film, “The Reichsorchester”, made in collaboration with musicians of the orchestra and its archive.
Very few people really knew Herbert von Karajan. The conductor gave access to his private life only a little circle of strictly loyal people who kept their secrets even long after the maestro’s death. This documentary for the first time shows in the whole dimension the real man Karajan: not only the image of a dandy that he himself had shown to the public, but the unfiltered image of his personality. Newly discovered original film footage from the inner circle shows Karajan’s private life like it really was.
The first part of this Academy Award-winning short consists of a behind-the-scenes look at the Los Angeles Philharmonic Orchestra as it prepares to perform Ravel's "Bolero." Individual musicians offer their thoughts as workers set up chairs and music stands; there are also comments by conductor Zubin Mehta and scenes of Mehta and the orchestra rehearsing. The rest of the film features a complete performance of "Bolero" with striking images of the orchestra as the music relentlessly approaches its climax.
Johnny Green leads the MGM Symphony Orchestra in a medley of waltzes and other familiar pieces by three members of the Strauss family. Filmed in CinemaScope.
Animated interpretation of the Bizet opera, second in a trilogy.
Animated interpretation of the Bizet opera, first in a trilogy
In 1985, cameras take a look inside the Berkshire Music Center, the most prominent pre-professional classical music academy in the US. Seiji Ozawa, Leonard Slatkin and others work with the next generation younger conducting talent.
The film covers a hundred years in the lives of the Ricordi family, the Milan publishing house of the title, and the various composers and other historic personalities, whose careers intersected with the growth of the Ricordi house. It beautifully draws the parallel between the great music of the composers, the historic and social upheavals of their times, as well as the "smaller stories" of the successive generations of Ricordi.