In the hours leading up to Donald Trump’s unexpected victory on Election Day 2016, a cross-section of Americans go about their radically different lives: in Washington DC, Hillary Clinton’s Director of Video giddily anticipates a clean victory; in Massachusetts, a married couple who own a small business spar over how quickly Trump would be able to make America great again; in Utah, a Mormon mother canvases for a third party candidate; in West Virginia, a coal miner worries that the election could lead to the loss of his industry; in San Jose, a Mexican American “Dreamer” worries that the election could lead to deportation; in Alabama, a recently exonerated death row inmate celebrates his first time voting in over 30 years; and in Philadelphia, NPR’s Dave Davies follows the news of the day as it unfolds. As the country braces itself for a surprising turn of events, what emerges is a portrait of American democracy in all its chaotic glory.
In the hours leading up to Donald Trump’s unexpected victory on Election Day 2016, a cross-section of Americans go about their radically different lives: in Washington DC, Hillary Clinton’s Director of Video giddily anticipates a clean victory; in Massachusetts, a married couple who own a small business spar over how quickly Trump would be able to make America great again; in Utah, a Mormon mother canvases for a third party candidate; in West Virginia, a coal miner worries that the election could lead to the loss of his industry; in San Jose, a Mexican American “Dreamer” worries that the election could lead to deportation; in Alabama, a recently exonerated death row inmate celebrates his first time voting in over 30 years; and in Philadelphia, NPR’s Dave Davies follows the news of the day as it unfolds. As the country braces itself for a surprising turn of events, what emerges is a portrait of American democracy in all its chaotic glory.
2017-11-03
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The film gives a complex insight into the gap in political reality of Slovakia - one of the EU countries - which became visible after an investigative journalists Ján Kuciak and his fiancée has been brutally murdered at their home. Following mass demonstrations led to substantial changes in the country's government, but the film doesn't follow history, but much more the universal processes behind the curtain. Journalists, (ex?)-officers of secret services, lawyers and analysts helps to reveal detective story in search of whom ordered to murder a journalist and an innocent girl. But main concern of the film is to reflect mechanisms of oligarchy and mafias (including the Italian) to blackmail key players of the system, to influence public perception and to penetrate police, judiciary and the government in their efforts to rule the country in the ways leading to their profits.
In southern Italy, stateless migrants pick the tomatoes the rest of the world will taste. But what about these workers’ European dreams? Will they be ground to a pulp? Our canned tomatoes are picked by migrant workers who have come to southern Italy to realise their dream of Europe. However, they never get beyond the tomato fields. This documentary shows how the tomato broaches a broader issue. Will the pickers keep believing in their dream, or fight against a Europe where others reap the sweet rewards of their disillusion?
A documentary about the hearings of President Nixon's Commission on Obscenity, featuring adult-film producer David F. Friedman (one of the producers of this film) testifying before Congress, and involved in the production of one of his films, "Trader Hornee."
Paul Robeson: Here I Stand presents the life and achievements of an extraordinary man. Athlete, singer, and scholar, Robeson was also a charismatic champion of the rights of the poor working man, the disfranchised and people of color. He led a life in the vanguard of many movements, achieved international acclaim for his music and suffered tremendous personal sacrifice. His story is one of the great dramas of the 20th century, spanning an international canvas of social upheaval and ideological controversy.
Unknown short stories from the past, the present and the future of fascism and its relation to the economic interests of each era. We will travel from Mussolini’s Italy to Greece under the Nazi occupation, the civil war and the dictatorship; and from Hitler’s Germany to the modern European and Greek fascism.
This documentary tells of the extraordinary rise of Jair Bolsonaro, from relative obscurity to the ultimate seat of South American power. Told through intimate interviews with some of those closest to him including his eldest son Flávio, former government ministers, as well as his opponents, explore Bolsonaro’s brilliant yet ruthless journey to the presidency, with high-stakes drama, guns and God.
For decades, the United States has been fixated on incarceration, building prisons and locking up more and more people. But at what cost, and has it really made a difference? FRONTLINE goes to the epicenter of the raging debate about incarceration in America, focusing on the controversial practice of solitary confinement and on new efforts to reduce the prison population, as officials are rethinking what to do with criminals.
In the run-up to parliamentary elections in mid-October, Polish filmmaker Marcin Wierzchowski travelled across his country to gauge the atmosphere in a society that is more divided than ever.
Masao Adachi, the author and director of experimental works and pinku-eiga in the 1960s, was a member of the Japanese New Left that shifted from being a filmmaker to a guerrilla fighter. In 1974, he joined the Japanese Red Army in Lebanon, which worked closely with the Popular Front for the Liberation of Palestine. Filmmaker Lutz Dammbeck met Adachi in Tokyo in 2018 and talked with him about a wide range of topics, including art, revolution, the influence of western avant-garde art and American underground; the Japanese Red Army; collaboration with secret services; the role of the Left after 1968; and the reasons for failures of leftist ideas and strategies.
From his days of testifying at the Watergate hearings to advising recent presidential candidate Donald Trump, Roger Stone has long offended people on both sides of the political fence as a force in conservative America. Outspoken author, pundit, ahead of his time election strategist, this is his story.
Michael Moore's view on how the Bush administration allegedly used the tragic events on 9/11 to push forward its agenda for unjust wars in Afghanistan and Iraq.
A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.
Documentary about ex-Labour MP Oona King. Only the second black female MP and one of the most media friendly of the 'Blair Babes', her support for the Iraq War alienated her from her Muslim constituency in London's East End, and led to her defeat by George Galloway and his anti-war Respect Party in the 2005 election. King asked her childhood friend Nora Meyer to make a film about the issue but Meyer was also opposed to the war and wonders if her friend's youthful radicalism has been dulled. (Storyville)
Filmmaker Richard Symons asks members of the British government to support his campaign for truth in the Houses of Parliament, and attempts to get a pledge from MPs that they will never tell a lie. (Storyville)
A short documentary about the October 14 1979 March For Lesbian And Gay Rights in Washington D.C.
David Grubin's probing and perceptive biography reassesses the remarkable and tragic life of Bobby Kennedy, whose early life was spent in the shadow of his elder brother John. After JFK's assassination, he discovered his own identity in the forefront of American politics before his career was also tragically curtailed by an assassin's bullet.
Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.
Mexico, March 2015. Carmen Aristegui, incorruptible journalist, has been fired from the radio station where she has worked for years. Supported by more than 18 million listeners, Carmen continues her fight. Her goal: raising awareness and fighting against misinformation. The film tells the story of this quest: difficult and dangerous, but essential to the health of democracy. A story in which resistance becomes a form of survival.
Amid the civil-military dictatorship implanted with the 1964 coup, Sergio Muniz had the idea of making a documentary about the action of the Death Squad. At the time, the press still had some freedom to disseminate the work of these death squads formed by police officers of various ranks, and that he acted on the outskirts of cities like Sao Paulo and Rio de Janeiro. The victims of police repression (as today) were men, poor and black, and this condition is supposed criminals.