Teruo Ishii Fan Club(2006)

The Mythology of Star Wars(en)

George Lucas discusses how Joseph Campbell and his concept of the Monomyth (aka the Hero's Journey) and other concepts from mythology and religion shaped the Star Wars saga.

On the Trail of Ed Wood(en)

A documentary on the life and career of filmmaker Edward D. Wood Jr., with clips from his films and interviews with the cast and crews of some of his films.

The Cemetery of Cinema(fr)

Thierno Souleymane Diallo sets out with his camera in search of the birth of filmmaking in Guinea. Charming and determined, he traces his country’s film heritage and history and reveals the importance of film archives.

My Best Fiend(de)

A film that describes the love-hate relationship between Werner Herzog and Klaus Kinski, the deep trust between the director and the actor, and their independently and simultaneously hatched plans to murder one another.

Altman(en)

Robert Altman's life and career contained multitudes. This father of American independent cinema left an indelible mark, not merely on the evolution of his art form, but also on the western zeitgeist. With its use of rare interviews, representative film clips, archival images, and musings from his family and most recognizable collaborators, Altman is a dynamic and heartfelt mediation on an artist whose expression, passion and appetite knew few bounds.

Spielberg(en)

A documentary on the life and career of one of the most influential film directors of all time, Steven Spielberg.

François Truffaut: My Life, a Screenplay(fr)

At the end of his life, gravely ill, François Truffaut took refuge with his ex-wife Madeleine Morgenstern. She tried to keep him occupied during his long agony. The filmmaker confided in his friend Claude de Givray, with the intention of writing his autobiography. Too weakened, he abandoned the project. The film reveals part of this final story.

Jacques Rozier: From One Wave to Another(fr)

Jacques Rozier or the fierce, independent itinerary of a filmmaker in perpetual disarray, admired by his peers and pampered by the critics.

Jacques Demy: The Pink and the Black(fr)

Jacques Demy’s ability to enchant audiences was rooted in his personal struggles and doubts as a showman, establishing him as one of French cinema’s greatest artists.

Plan 9 From Syracuse(en)

On August 15th, 2006, filmmaker Ryan Dacko set out to get a 30-minute meeting with a major Hollywood producer by running on foot from Syracuse, New York to Hollywood, California.

El día que me callé(es)

Victor was victim of a violent attack during the government of León Febres Cordero in 1987. More than 30 years later, he decides to free himself from the weight of the secrets and ghosts that has carried for many years and speak out.

Sous le soleil de Pialat(fr)

In just ten films, Maurice Pialat painfully rose to the top of the cinema, draining into his legend a mad demand for truth as much as memorable fury to achieve it. With "L'Enfance nue", his first feature film at the age of 43, the filmmaker immediately made his mark, this "art of making things authentic", according to Chabrol. But throughout an unclassifiable filmography in the form of an autobiography, from a break-up to his fatherhood in wonder, through the agony of his mother, the filmmaker does not get rid of the feeling of being misunderstood, despite international recognition.

Quicksand(en)

"A week before he passed away, my grandfather shared with me his former aspirations of becoming a filmmaker. After many trials, a narrow escape from the Nazis and immigration to the United States, the dream slowly but surely came true. surely passed out. After his passing, I discovered a treasure trove of dust-covered 8mm film archives that had apparently not been seen by anyone for at least a generation. Mesmerized, what unfolded before me was something something most people, myself included, had never seen before: the development and complete decline of the human body and mind. Motivated by my grandfather's unrealized cinematic dreams, I decided to reconstruct a film that he had already made involuntarily." Lance Oppenheim

The Degenerate: The Life and Films of Andy Milligan(en)

Before unsung gay NYC exploitation maverick Andy Milligan died of AIDS, he cranked out grindhouse-ready shock and so-bad-it’s-good schlock movies throughout the late 1960s and ’70s. Yet, as captured in this fascinating documentary, his life and on-set persona were messy, complicated, and unforgettable.

Clint Eastwood: Hollywood Outlaw(en)

Film clips and interviews with biographers and colleagues chart the prolific, six-decade career of maverick actor-director Clint Eastwood.

Entretien en six temps avec Gilles Groulx(fr)

This feature-length documentary brings together six of the rare television interviews given by Gilles Groulx between 1966 and 1983. Through these interviews, the filmmaker's ethical and aesthetic concerns are revealed. A striking coherence emerges in his thinking regarding his conception of cinema and the role the filmmaker should play in his culture and society.

Martin Ťapák(sk)

The Long Voyage of the Yellow Bus(pt)

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

Heavenly Bodies(en)

A group of filmmakers shadow some glamour photographers in order to discover the skill involved in getting 'magic' to appear on the photos.

Amir Naderi by Amir Naderi(fa)

Iranian film director Amir Naderi talks to Zar Amir Ebrahimi about his career in this documentary directed and produced by Ebrahimi and broadcast by BBC World Service and BBC Persian. Amir Naderi is one of the most influential figures of Iranian modern cinema. He was born in 1945 in the Persian Gulf port of Abadan. Orphaned at an early age and living the life of a street urchin, Naderi had to survive by selling ice, working as a shoeshine boy and recycling empty beer bottles. He developed his knowledge of cinema by watching films in the theaters where he worked at a very young age. He began his career by taking pictures for some notable Iranian features. In the 1970’s, he started directing his own films, and made some of the most important movies of the New Iranian Cinema. After moving to New York in the early 90’s, Amir Naderi continued to make films. They have premiered at the Venice, Cannes, Tribeca, and Sundance Film Festivals.