The sets and costumes by Ponnelle are truly reflective of the 'grand style'. Plus the fact that the two lead characters are portrayed by top singers in their absolute prime - both Gruberova and Araiza weren't even 35 years old at the time of this performance, makes this production the most convincing both dramatically and musically. The conducting of Fischer is good - he makes the music come alive, much more so than the MET version.
Lescaut
Comte des Grieux
Guillot
De Brétigny
Poussette
Javotte
The sets and costumes by Ponnelle are truly reflective of the 'grand style'. Plus the fact that the two lead characters are portrayed by top singers in their absolute prime - both Gruberova and Araiza weren't even 35 years old at the time of this performance, makes this production the most convincing both dramatically and musically. The conducting of Fischer is good - he makes the music come alive, much more so than the MET version.
1983-12-28
6
"Manon", wrote Puccini to his publisher Giulio Ricordi in 1889, "is a heroine I believe in and therefore she cannot fail to win the heart of the public." This turned out to be a truly prophetic statement since none of Puccinis other world successes were received on their first nights as rapturously as Manon Lescaut. The popularity of Puccinis great masterpiece has never waned and the highly acclaimed Götz Friedrich production at Covent Garden was hailed as an operatic milestone. Two of the worlds leading stars--Kiri Te Kanawa and Placido Domingo--head a strong cast conducted by the brilliant Italian conductor Giuseppe Sinopoli.
Veronika and Boris come together in Moscow shortly before World War II. Walking along the river, they watch cranes fly overhead, and promise to rendezvous before Boris leaves to fight. Boris misses the meeting and is off to the front lines, while Veronika waits patiently, sending letters faithfully. After her house is bombed, Veronika moves in with Boris' family, into the company of a cousin with his own intentions.
Jerzy and Artur’s father dies, leaving behind a valuable stamp collection, which, they discover, is coveted by dealers of varying degrees of shadiness. The more involved the brothers get in their father’s world, the more dire and comical their situation becomes.
Unable, due to the seal of the confessional, to be forthcoming with information that would serve to clear himself during a murder investigation, a priest becomes the prime suspect.
After young playwright, David Shayne obtains funding for his play from gangster Nick Valenti, Nick's girlfriend Olive miraculously lands the role of a psychiatrist—but not only is she a bimbo who could never pass for a psychiatrist—she's a dreadful actress. David puts up with the leading man who is a compulsive eater, the grand dame who wants her part jazzed up, and Olive's interfering hitman/bodyguard—but, eventually he must decide whether art or life is more important.
A young girl, with an amazing ability to communicate with insects, is transferred to an exclusive Swiss boarding school, where her unusual capability might help solve a string of murders.
Soviet cosmonauts land on the planet Venus and find it teeming with life, some of it dangerous.
Fellini exposes his great attraction for the clowns and the world of the circus first recalling a childhood experience when the circus arrives nearby his home. Then he joins his crew and travel from Italy to Paris chasing the last greatest European clowns still live in these countries. He also meets Anita Ekberg trying to buy a panther in a circus.
Set in a sleepy Austrian mountain village, ex-detective Simon Brenner has grown weary of his job repossessing cars and embarks on an extended getaway to the countryside. But before long he becomes embroiled in the convoluted world of the locals of a supposedly quiet town.
Defying his parents, disaffected youth Hsiao Kang drops out of the local cram school to head for the bright lights of downtown Taipei. He meets Ah Tze, a young hoodlum, and their relationship is a confused mixture of hero-worship and rivalry that soon leads to trouble.
When the wife of a 17th century Kyoto scroll-maker is falsely accused of having an affair with his best employee, the pair flee the city and find themselves falling for one another.
With a serial strangler on the loose, a bookkeeper wanders around town searching for the vigilante group intent on catching the killer.
Arriving in Moscow, Chechen War veteran Danila meets Konstantin, an old friend who tells him that his twin brother has been forced into signing a crooked contract with a US ice hockey team. Soon after this meeting, Danila discovers Konstantin dead and he sets out to avenge his death; a journey that leads him to Chicago and a whole new experience.
In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.
The famous Italian football coach Oronzo Canà has retired to a villa in Apulia. Now, old and tired, he is enjoying a quiet life there, cultivating his vineyard, when suddenly he is summoned to Milan, in northern Italy. There the elderly chairman of a great Lombard ("Longobarda") club is suffering from dementia and has lost his powers of judgement, and the club's manager has been fired. He has decided to bring back Oronzo Canà as trainer, remembering him from his great football team of thirty years before, tasking him with bringing the club back to its old winning ways. Oronzo puts his trust in the intervention of a Russian billionaire who has bought the club for promotion. But it is a deception.
The family is pleasantly surprised and puzzled when Beethoven suddenly becomes obedient. Turns out it's a prince and the pauper scenario, with the real Beethoven now living with a pompous rich family.
After his revival in a hospital morgue, Jason fixes his vengeful attention on the Jarvis family and a group of hitherto carefree teenagers.
An expansive Russian drama, this film focuses on the life of revered religious icon painter Andrei Rublev. Drifting from place to place in a tumultuous era, the peace-seeking monk eventually gains a reputation for his art. But after Rublev witnesses a brutal battle and unintentionally becomes involved, he takes a vow of silence and spends time away from his work. As he begins to ease his troubled soul, he takes steps towards becoming a painter once again.
Eldorado, a fictitious country in America, is sparkling with the internal struggle for political power. In the eye of this social convulsion, the jaded journalist Paulo Martins opposes two equally corrupt political candidates: a pseudopopulist and a conservative. In this context, Paulo is torn between the madness of the elite and the blind submission of the masses. But, in this complex tropical reality, nothing really is what it seems to be.
Tony Award winner Bartlett Sher’s bold new production probes the psychological underpinnings of Verdi’s dynamic setting of Shakespeare’s great tragedy. At the helm of this performance is riveting conductor Yannick Nézet-Séguin, who brings out all the cascading emotions in Verdi’s turbulent score. Aleksandrs Antonenko is the Moor Otello, the triumphant general of the Venetian army who is ultimately brought down by the sly insinuations of his friend Iago (Željko Lučić). Sonya Yoncheva continues to win fans as Desdemona, Otello’s faithful and long-suffering wife. With Günther Groissböck as Lodovico and Dimitri Pittas as Cassio.
When the most voluptuous, sought-after courtesan in the world meets an ascetic monk whose life is devoted to God, you know erotic sparks are going to fly. And when the clash takes place in a glorious, but rarely performed, opera by Massenet, it’s a delight to the ear just as much as to the eye. Renée Fleming is every inch the glamorous Thaïs, swathed in elegant gowns designed by Christian Lacroix. Thomas Hampson is Athanaël, the tortured man of God. This production by John Cox, which premiered in December 2008, brilliantly sets the stage for a confrontation as old as civilization itself.
Audiences went wild for Bartlett Sher’s dynamic production, which found fresh and surprising ways to bring Rossini’s effervescent comedy closer to them than ever before. The stellar cast leapt to the challenge with irresistible energy and bravura vocalism. Juan Diego Flórez is Count Almaviva, who fires off showstopping coloratura as he woos Joyce DiDonato’s spirited Rosina—with assistance from Peter Mattei as the one and only Figaro, Seville’s beloved barber and man-about-town.
It is a rare opera indeed that calls for one soprano diva and no fewer than six tenors. Mary Zimmerman’s fanciful production of Rossini’s drama, designed by Richard Hudson and with choreography by Graciela Daniele, provides the perfect setting for superstar Renée Fleming’s captivating performance of the title role. A beautiful but evil sorceress in the times of the Crusades, Armida sets out to regain the love of the Frankish knight Rinaldo (Lawrence Brownlee) by putting her magical spells on him. She at first succeeds to draw him into her web of sorcery, but ultimately divine intervention—and his fellow soldiers—free Rinaldo from his enchantment—much to the vengeful fury of Armida and her demons.
Richard Eyre’s stunning new production of Bizet’s opera was the talk of the town when it was unveiled on New Year’s Eve 2009. Elīna Garanča leads the cast as the iconic gypsy of the title—a woman desired by every man but determined to remain true to herself. Roberto Alagna is Don José, the soldier who falls under her spell and sacrifices everything for her love, only to be cast aside when the toreador Escamillo (Teddy Tahu Rhodes) piques Carmen’s interest. With dances created by star choreographer Christopher Wheeldon and conducted by rising maestro Yannick Nézet-Séguin, this Carmen brings every aspect of Bizet’s tale to thrilling life, from its lighthearted beginning to its inevitably tragic climax.
Adaptation of John Gay's 18th century opera, featuring Laurence Olivier as MacHeath and Hugh Griffith as the Beggar.
The Pucchini opera "Turandot" will be shown completely new at the Gran Teatre del Liceu. The new production by the Spanish video artist Franc Aleu refers with a wink to the history of the Catalan institution: 20 years ago, this very opera was resumed there after a fire in 1994 severely damaged the theater.
David McVicar's production of Verdi's 1847 opera Macbeth.
Clay animation film by Guionne Leroy, based on the music of Henry Purcell's opera "King Arthur"
This all-star cast is framed by Peter Hall’s gritty, realistic production and conducted by James Levine, who brings out all the surging emotion and gripping drama in Bizet’s score. At the center of the story is Agnes Baltsa, whose smoky mezzo is tailor-made for the gypsy Carmen, an independent woman who glories in obeying only her own rules, but who is haunted by fate. Superstar tenor José Carreras is Don José, the solider from a small town who catches Carmen’s eye and is destroyed by his growing obsession with her. Samuel Ramey is the charismatic matador Escamillo, who lures Carmen away from Don José with tragic result. Leona Mitchell is Micaëla, the simple girl from Don José’s hometown who cannot save him. March 21, 1987 Matinee Broadcast.
Three arias from Antonín Dvořák´s fairytale opera Rusalka turned in to a movie, sung by Gabriela Beňačková (Rusalka), Libuše Márová (Witch), René Tuček (Hunter).
A short experimental film shot on Super 8, inspired by the music of Richard Wagner.
This is funny or rather crazy adaptation of classical opera Carmen inspired by famous czech theatre Ypsilon play of the same name shot at various bizarre locations such as airport, botanical garden and winter forest.
A young woman, married to a wealthy man, but miserably lonely; trapped within a world ruled with an iron fist. Katerina is driven by a lust for life and for love. Her husband, though, is impotent; her father-in-law a tyrant. No wonder, then, that she longs to free herself from this yoke. When Sergei starts work on the family estate, she sees in him a chance for salvation. However, their subsequent affair marks the beginning of a descent into crime.
Shostakovich’s satirical opera adapted from the classic short story by Nikolai Gogol. Baritone Eduard Akimov leads the cast as Kovalyov, the hapless bureaucrat whose nose has mysteriously gone missing.
John Adams’s mesmerizing score, in the powerful production of Penny Woolcock, tells the story of one of the pivotal moments in human history—the creation of the atomic bomb. Conducted by Alan Gilbert in his Met debut, this gripping opera presents the human face of the scientists, military men, and others who were involved in the project, as they wrestled with the implications of their work. Baritone Gerald Finley gives a powerful star turn in the title role as the brilliant J. Robert Oppenheimer.
Valery Gergiev leads the Vienna Philharmonic Orchestra in this production of Puccini's opera, recorded live at the Salzburger Festspiele in 2002. David Pountney's production features performances by Gabriele Schnaut, Paata Burchuladze, Johan Botha and Cristina Gallardo-Domas. This production uses Luciano Berio's 2001 completion of this unfinished opera.