This new extra begins with a look back at the movie's impact at the time it was made. It goes on to explore filmmaking techniques, the human character drama in the film, crafting key scenes, the film's terrors and tensions, John Williams' score, cast and performances, Spielberg's passion for Arrival, the film's legacy and the spirit it maintains today, and more. Speakers include Spielberg, J.J. Abrams, and Denis Villeneuve.
This new extra begins with a look back at the movie's impact at the time it was made. It goes on to explore filmmaking techniques, the human character drama in the film, crafting key scenes, the film's terrors and tensions, John Williams' score, cast and performances, Spielberg's passion for Arrival, the film's legacy and the spirit it maintains today, and more. Speakers include Spielberg, J.J. Abrams, and Denis Villeneuve.
2017-09-19
6
Arriving in Moscow, Chechen War veteran Danila meets Konstantin, an old friend who tells him that his twin brother has been forced into signing a crooked contract with a US ice hockey team. Soon after this meeting, Danila discovers Konstantin dead and he sets out to avenge his death; a journey that leads him to Chicago and a whole new experience.
A man decides to cook for himself and finds a revolver (which may have belonged to John Dillinger) hidden in his kitchen.
A woman watches time pass beside the suitcases of her ex-lover (who is supposed to come pick them up but never arrives) and a restless dog who doesn't understand that his master has abandoned him.
A young man falls for a young woman on his trip home; unbeknownst to him, her family has vowed to kill every member of his family.
The New Year That Never Came is a tragicomedy whose action takes place in a single day, before the counter-revolution of 1989, in which the characters search for normality, safety, love, freedom and meaning in an absurd world.
Inspector Lavardin is called to a provincial village to investigate a murder – only to find that one of his ex-lovers is the victim’s widow.
A killer for the Russian Mafia in Vienna wants to retire and write a book about his passion - cooking. The mafia godfather suspects treason.
Following the events of The Sheriff and the Satellite Kid, Sheriff Hall and H-725 (using the official identity of Charlie Warren) still get no rest from the military - because the little alien has not yet grasped the meaning of keeping a low profile. They are constantly on the move, and H-725's father has had to pick them out of a tight spot too many times already.
Happily married with a daughter, Marc is a successful real estate agent in Aix-en-Provence. One day, he has an appointment with a woman to view a traditional country house. A few hours later, Marc finally puts a name to her face. It's Cathy, the girl he was in love with growing up in Oran, Algeria, in the last days of the French colonial regime. Marc hurries to her hotel. They spend the night together. Then she's gone again. And Marc's mother tells him Cathy never left Algeria. She was killed with her father in a bombing just before independence...
Actress Myrtle Gordon is a functioning alcoholic who is a few days from the opening night of her latest play, concerning a woman distraught about aging. One night a car kills one of Myrtle's fans who is chasing her limousine in an attempt to get the star's attention. Myrtle internalizes the accident and goes on a spiritual quest, but fails to finds the answers she is after. As opening night inches closer and closer, fragile Myrtle must find a way to make the show go on.
On her way to visit her childhood home in a colonial outpost in Northern Cameroon, a young French woman recalls her childhood, her memories concentrating on her family's houseboy.
A look at the life of photographer Robert Mapplethorpe from his rise to fame in the 1970s to his untimely death in 1989.
Salam, an inexperienced young Palestinian man, becomes a writer on a popular soap opera after a chance meeting with an Israeli soldier. His creative career is on the rise - until the soldier and the show's financial backers disagree about how the show should end, and Salam is caught in the middle.
Rivaling Pirates and Spanish gold are the ingredients for this story. Blackie the pirate is the one who first hears from this shipment of gold when he encounters "Don" Pedro. He thinks of a plan to find this ship and its gold. His counter player is the vice roy of the Spanish kolony. When they visit one of the pirate settlements, they find three other pirate captains over there. One of them sells goods and prisoners from his latest capture. Don Pedro recognizes the wife of the vice roy, and Blackie buys her. However, one of the pirate captains, Skull, knows also who she is, and tries to make a deal. Blackie refuses, and Skull makes a deal with the other two pirate captains to plot against Blackie.
The interests, obsessions, and fantasies of two singular artists converge in this inspired collaboration between Agnès Varda and her longtime friend the actor Jane Birkin. Made over the course of a year and motivated by Birkin’s fortieth birthday—a milestone she admits to some anxiety over—Jane B. by Agnès V. contrasts the private, reflective Birkin with Birkin the icon.
Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap!thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.
A tragedy strikes a young woman's life without warning or reason. She continues living while searching for meaning in a lonely world.