La force du rire(2019)

Into the Spotlight(en)

On the heels of a tragedy and the COVID-19 pandemic, a Dallas-based theatre troupe comprised of people with intellectual and developmental disabilities are determined to write, rehearse, and perform their 11th annual original musical.

Resurrecting Hassan(en)

Traces the lives of the Hartings, a blind Montreal family of three who make their living singing in the city's subway stations. The Hartings lost their only sighted child Hassan in a tragic drowning accident, and have since turned to the teachings of Russian mystic Grigori Grabovoi, hoping to resurrect their son. Resurrecting Hassan is an exploration of this family's legacy of grief, tragedy and abuse; the film will follow them on their path to redemption.

Vertrauensmann(de)

How do you find your place in an ableist world as a person with a disability? Disabled Hugo Schmidt talks to the almost 90 year old Franz-Josef Sauer, who was left with a walking impairment by a tuberculosis infection in his childhood. In the 1990s Sauer received the German Federal Cross of Merit for his achievements in the disabled community. As a public servant in Münster and Düsseldorf he worked on several projects which still benefit his disabled peers. Sauer and Schmidt discover that, although they were born almost 70 years apart, their paths in life are not that different from each other.

The Gimp Monkeys(en)

What has four legs, five arms and three heads? The Gimp Monkeys. Craig DeMartino lost his leg after a 100-foot climbing fall. Pete Davis with born without an arm. Bone cancer claimed Jarem Frye's left leg at the age of 14. While the three are linked by what they are missing, it is their shared passion for climbing that pushed them towards an improbable goal - the first all-disabled ascent of Yosemite's iconic El Capitan.

#AbroHilo(es)

Humor shapes the way Spaniards interact on Twitter: all sorts of topics can be used to make a joke and many anonymous commentators can become celebrities and compete with professional comedians. But sometimes certain jokes that defy political correctness have a high price for those who dare to make them, jokes that can freeze the smiles of thousands of people whose prejudices can put an end to some very successful artistic careers.

George Carlin: Life Is Worth Losing(en)

Carlin returns to the stage in his 13th live comedy stand-up special, performed at the Beacon Theatre in New York City for HBO®. His spot-on observations on the deterioration of human behavior include Americans’ obsession with their two favorite addictions - shopping and eating; his creative idea for The All-Suicide Channel, a new reality TV network; and the glorious rebirth of the planet to its original pristine condition - once the fires and floods destroy life as we know it.

Please Make Me Look Pretty(ko)

One hot summer, Eun-hye, a jobless who’s just knitting at home, becomes popular at ‘Munho River Market’ as an artist who draws ‘not pretty face’ pictures. When customers ask her to draw them to look pretty, she replies “But you’re already pretty”. Eun-hye takes great care for a long time to express each people’s personality and says that everyone is born pretty from the beginning. And now the number of happy faces has already reached 2,000.

I Am Richard Pryor(en)

The life story of Richard Pryor (1940-2005), the legendary performer and iconic social satirist who transcended racial and social barriers with his honest, irreverent and biting humor.

The Secret Life of Bob Monkhouse(en)

The extraordinary story of comedian Bob Monkhouse's life and career, told through the vast private archive of films, TV shows, letters and memorabilia that he left behind.

Adam Carolla: Not Taco Bell Material(en)

Not Taco Bell Material is Adam Carolla’s first ever stand up special based on his New York Times best-selling autobiography. The performance showcases Adam’s incredible improvisational comedy skills featuring tales from his youth, told through stand-up comedy and photos. It’s hilarious, poignant, and even inspiring.

Reengineering SAM(en)

Sam Schmidt lived out his boyhood dream as an IndyCar racer, winning races and earning the title of IndyCar "Rookie of the Year" along the way. That dream came to an abrupt end when Sam crashed into a wall at 200 miles per hour, leaving him a quadriplegic. Reengineering SAM pulls the curtain back and shows up close the serious implications of a life of paralysis on Sam and everyone around him. Sam's accident rendered him physically helpless, never being able to brush his teeth, much less drive again, until a dedicated group of some of the brightest minds today stepped up to build him a car that he could drive, using only his head. Through groundbreaking adaptive technologies, Reengineering SAM chronicles Sam Schmidt's inspirational road back to the Indianapolis Motor Speedway and shows the promise of freedom and mobility for almost anyone confined to a wheelchair.

Ramba Zamba(de)

Ramba Zamba: a theater with handicapped and non-handicapped people/actresses and actors, which has been living and working on inclusive integrative togetherness impressively every day for thirty years now. The film accompanies the mentally and physically impaired actresses and actors for six months through the theatrical production of the play GOLEM, from the beginning of rehearsals to the premiere. In doing so, the film is also partly influenced by the portrayed persons themselves, quasi inclusively co-determined, by them capturing their own view and perception, their view of reality itself on film.

Mermaid(es)

Documentary that tells the story of Vianney Trejo, a young woman who struggles every day despite her disability. We go through her daily routine, as well as her passion, swimming, where she has consistently achieved triumphs and has been considered for international competitions.

Bob Monkhouse: The Last Stand(en)

Summer 2003 and Bob Monkhouse entertains a room full of comedians with stand-up, chat and a comedy masterclass. It proved to be his final gig. The night became the stuff of legend among comedians, but was never transmitted until now.

Richard Pryor: Live on the Sunset Strip(en)

Richard Pryor's stand-up act includes his frank discussion about his freebasing addiction, as well as the infamous night on June 9, 1980 that he caught on fire.

F#Ck Nick Cannon(en)

In his follow up to his tremendously successful debut comedy special 'Mr. Showbiz,' the comic-actor-musician-host responds to anyone who's ever said: 'F#ck Nick Cannon.' A recent health scare has changed how he sees the world and he is here to share his unique perspective on getting older, raising his children, and living with his famous wife (Mariah Carey). Nick Cannon doesn't care what the haters think, and that's what gives him his hilarious edge. Taped at the River Rock Casino in Vancouver, BC.

Kaya Yanar - Reiz der Schweiz(de)

Stand-up comedian Kaya Yanar dissects the allure of Switzerland through the eyes of a German who's lived there.

Passage à l'âge adulte(fr)

My Way to Olympia(en)

The film director Niko von Glasow undertakes a journey to athletes, who compete at the Paralympic Games in London 2012. He himself is a short-armed avowed hater of sport who cannot understand how anyone could take on such an odeal voluntarily. Even more since everyday life for people with a disability is most often challenging enough. He meets U.S.archer Matt Stutzman, Norwegian table tennis player Aida Dahlen, German swimmer Christiane Reppe, Greek boccia player Greg Polychronidis and a Sitting Volleyball team. Niko neither spares the athletes nor himself asking questions about life, sport and fears. With an ever growing appreciation for sport Niko attends the Paralympic Games and travels back to the ancient city of Olympia, where everything began and where boccia playing is prohibited.

I Didn't See You There(en)

As a visibly disabled person, filmmaker Reid Davenport is often either the subject of an unwanted gaze — gawked at by strangers — or paradoxically rendered invisible, ignored or dismissed by society. The arrival of a circus tent just outside his apartment prompts him to consider the history and legacy of the freak show, in which individuals who were deemed atypical were put on display for the amusement and shock of a paying public. Contemplating how this relates to his own filmmaking practice, which explicitly foregrounds disability, Davenport sets out to make a film about how he sees the world from his wheelchair without having to be seen himself.