Black and white evokes nostalgia for The Great Depression. Things were so cheap, including lives. We see daredevils (desperate people) compete for money prizes. Baby prepares for WW2. [Originally a 70mm projection-performance, 1982, by Ken and Flo Jacobs. From THRILLS AND CHILLS (Castle Films, c. 1930)].
Black and white evokes nostalgia for The Great Depression. Things were so cheap, including lives. We see daredevils (desperate people) compete for money prizes. Baby prepares for WW2. [Originally a 70mm projection-performance, 1982, by Ken and Flo Jacobs. From THRILLS AND CHILLS (Castle Films, c. 1930)].
2019-09-15
0
January, 1947. The public receives the news of Al Capone's death with indifference, although twenty years earlier he had ruled Chicago's crime underworld with brute force and corrupting many touchable individuals. Until the day the head of the Untouchables Brigade, Eliot Ness, entered the scene. Since then, a cruel battle between the two of them began, a battle that ended in trial, conviction, disease, insanity and death.
In his first one hundred days in office, in a effort to stem the effects of the Great Depression, President Roosevelt created many new federal agencies. They gave jobs and relief to people and transformed the American landscape with public works projects. Nowhere was this transformation more apparent than in Mayor Fiorello La Guardia's New York City. Together Roosevelt and La Guardia expanded and redefined the role of government in the lives of the American people.
Riding the Rails offers a visionary perspective on the presumed romanticism of the road and cautionary legacy of the Great Depression. The filmmakers relay the experiences and painful recollections of these now-elderly survivors of the rails. Forced to travel more by economic necessity than the spirit of adventure, the film's subjects dispel romantic myths of a hobo existence and its corresponding veneer of freedom. Riding the Rails recounts the hoboes' trade secrets for survival and accounts of dank miseries, loneliness, imprisonment, death, and dispossession. Sixty years later, the filmmakers transport their subjects back to the tracks, where the surging impact of sound and movement resuscitates memories of a shattered adolescence and devastating rite of passage.
A documentary that traces the origins of the political power structure that rules our nation and the world today. The modern political power structure has its roots in the hidden manipulation and accumulation of gold and other forms of money.
"My last image of Jonas."—Ken Jacobs
Every American who has listened to the radio knows Guthrie's "This Land Is Your Land." The music of the folk singer/songwriter has been recorded by everyone from the Mormon Tabernacle Choir to U2. Originally blowing out of the Dust Bowl in Depression-era America, he blended vernacular, rural music and populism to give voice to millions of downtrodden citizens. Guthrie's music was politically leftist, uniquely patriotic and always inspirational.
Period music, film clips and newsreel footage combined into a visual exploration of the American entertainment industry during the Great Depression.
Jacobs’s hypnotic “3-D” adaptation of New York 1911, a long-forgotten Swedish documentary restored by MoMA in 2017, is representative of his current work.
First two-cycle Eternalism. Interesting for the contrast of movements and depth configurations but also in indicating an end to the display and releasing the viewer, but with the option of repeating.
As the unemployed Frank is sinking into depression, his son's naive but optimistic twist on the situation could be Frank's way out.