Bob Carter and "Loot" Follet, are two thieves who locate themselves in the unused part of the New Hampshire home of Aunt Mehitable and her niece Dorcas. Loan shark Jonathan Squoggs presses Mehitable for payment of the mortgage, and the two crooks decide to help the ladies when they consult their Ouija board to find a hidden treasure. Finding the treasure reveals a surprise thief and a chance for new lives for the crooks, Dorcas, and Mehitable.
'Loot' Follett
Jonathan Squoggs
Bobby
Bob Carter and "Loot" Follet, are two thieves who locate themselves in the unused part of the New Hampshire home of Aunt Mehitable and her niece Dorcas. Loan shark Jonathan Squoggs presses Mehitable for payment of the mortgage, and the two crooks decide to help the ladies when they consult their Ouija board to find a hidden treasure. Finding the treasure reveals a surprise thief and a chance for new lives for the crooks, Dorcas, and Mehitable.
1921-03-06
6
Love and betrayal filmed in the cold around Augusta, Maine.
Camera iris opens to six ponies with decorated harnesses and plumed halters, standing in the center of a stage with a painted backdrop of mountains. Cuts to two ponies on a seesaw, with a moustached man in a white uniform with dark piping and a white cap holding their leads. A second trainer in a dark suit can also be seen occasionally with the ponies. Individual ponies perform a variety of tricks, including rolling a slatted barrel across the stage with front legs and then with a nose, knocking over the barrel, "limping" across the stage with one front leg held off the ground, and pushing the trainer over with a nose-butt.
With more than 50 million Latinos now living in the United States, Latinos are taking their seat at the table as the new American power brokers in the world of entertainment, business, politics and the arts. As Latinos’ influence in American society has soared, they have entered mainstream American culture, and the proof is in the music. Executive produced by legendary music mogul Tommy Mottola, THE LATIN EXPLOSION: A NEW AMERICA features a dazzling array of artists at the center of Latino cultural power and influence, including Marc Anthony, Emilio Estefan Jr., Gloria Estefan, José Feliciano, Eva Longoria, George Lopez, Jennifer Lopez, Los Lobos, Cheech Marin, Ricky Martin, Rita Moreno, Pitbull, Romeo Santos, Shakira, Thalía and Sofía Vergara. Narrated by John Leguizamo.
"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri
After the death of his mother, a man tries to discover a meaning to his life, to the universe and to rebuild a relationship with the only family he has left: his gay brother.
820 years ago, Mujaka, the lord of werewolves finally visits Raizel after a long journey. But the werewolf Maduk interferes in a war of human plotting some scheme. Raizel and Mujaka fall into a hand of tragic destiny, fighting with each other desperately leaving their friendship behind.
A lost penguin rescued from an oil spill transforms the life of a heartbroken fisherman. They become unlikely friends, so bonded that even the vast ocean cannot divide them.
Maria is a young, struggling actress with promise. When an emerging Italian director casts her to headline a new film alongside an American superstar, her dreams are coming true. But what seems like a big breakthrough turns out to be the start of a living hell. That movie is THE LAST TANGO IN PARIS. The actress is Maria Schneider.
Mustapha, a cab driver in Paris, charges a customer in a hurry, without realizing that he is in a hurry to escape his pursuers after robbing a jewelry store. The next day, reading the newspapers, Mustapha becomes aware of the role he has played in this affair, and would gladly assist the police if a fortuitous incident didn't make him fear the criminals' vengeance. It's a cruel dilemma in which he is both suspected by some and threatened by others. Weak but honest, he manages to get out of this predicament at the risk of his life!
Doctor Eva Marini takes up a position at an army base to investigate the sexual behavior of the Italian male soldier and soon finds out she's taken on more than she bargained for.
Hits, whips and clips are what this snowmobile video dvd is about. For the 9th year in a row Frontier Films releases another incredible sledding film. Innovation is the force behind this snowmobile video dvd. From long distance jumps to a new variation of the backflip this film packs it all in. It also showcases the backcountry Redbull Fuel and Fury contest in Alaska where the best sledders in the world showed up to give it their all. Deep powder and big mountain cliff drops really round this film out. The athletes in this film search out the hits, ride their favorite whips and go big to get the clips! Starring; Ross Mercer, Christoph von Alvensleben, Kyle Armbrust, Randy Sherman, Cody Borchers, Geoff Kyle and many more of todays most talented sledders. This film is approximately 45 minutes long with an extra behind the scenes bonus film giving the viewer over 75 minutes of footage. Shot on 16mm film, digital video and even some High Definition Video for the highest quality film.
Keith Emerson, Greg Lake and Carl Palmer first joined forces in 1970 and went on to become a global success story. After a break in the eighties, they reunited in the early nineties and took to the road once more. In 1997 they made their debut at the Montreux Jazz Festival with a performance that included all their trademark virtuosity and showmanship. The show includes classic tracks from across their career including Karnevil 9, Hoedown, Take A Pebble, Lucky Man, Tiger in the Spotlight, Tarkus and Fanfare for the Common Man. Recorded live on July 7, 1997 at the Audtitorium Stravinski, Montreux Jazz Festival (Switzerland). Programme copyright 2010.
In the fields of Cserefa the pig of a miner digs up red earth. Szántó discovers, that the hill hides good quality bauxite, suitable for open cast mining. First he is laughed at, later silenced, because opening of a mine would hurt the interests of the "water lobby" and the tourist industry.
The ostensibly calm and courteous Gerald Ballantyne lives in and embodies modern suburbia. But he is haunted by the memory of a recent car crash and hounded by his estranged wife and her demands for divorce. Slowly, a festering insanity takes over and unwilling to face the outside world he embarks on a lunatic experiment. Confining himself to his middle-class home, he eschews contact with others and survives entirely off 'food' which he can find in his house. Based on JG Ballard's The Enormous Space.
New Orleans, LA, USA on July 13, 1978 1.Let It Rock (Chuck Berry cover) 2.All Down the Line 3.Honky Tonk Women 4.Star Star 5.When the Whip Comes Down 6.Beast of Burden 7.Lies 8.Miss You 9.Just My Imagination (Running Away with Me) (The Temptations cover) 10.Shattered 11.Respectable 12.Far Away Eyes 13.Love in Vain (Robert Johnson cover) 14.Tumbling Dice 15.Happy 16.Sweet Little Sixteen (Chuck Berry cover) 17.Brown Sugar 18.Jumpin' Jack Flash Encore: 19.Street Fighting Man
A film in the style of 1950's b-pictures: "X: The Fiend from Beyond Space" and "The Wall People"
Due to the impact of the global Coronavirus pandemic, the author of the film comes back to her birthplace after having spent the last 10 years abroad. She goes about her daily routine under lockdown along with her parents: her father teeming with good humour who takes government restrictions with reservations, and her mother who voluntarily locks herself in her room because of fears she could infect other flatmates with the virus she may not even have. Sara Shazli observes city bustle outside the windows and domestic life through the camera lens in her own perspective, treating familiar situations with both tragic and comic distance. Being locked down with her parents helps her in rediscovering family ties and her relationship to home.