The lost 1960s 8mm footage. Depicts the every day rituals of the passionate bikers related to El Forastero Motorcycle Club (EFMC) and the influential chopper builder and artist Tom Fugle.
The lost 1960s 8mm footage. Depicts the every day rituals of the passionate bikers related to El Forastero Motorcycle Club (EFMC) and the influential chopper builder and artist Tom Fugle.
1966-01-01
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A documentary about the people who ride their motorcycles around America. Filmed during the 1996 annual biker run held at Sturgis, South Dakota, it takes a close look at some of the different types of people who ride motorbikes, showing that they're not what popular stereotypes have portrayed them to be. Among the people followed are Alex and Martin, a middle-aged couple planning to attend the festival together, Ilene, who comes from a long line of bikers, and the rough-looking "Liddo" Jim, head of a group called the Ressurection Motorcycle Club.
Based upon Mick Farren's book,'The Black Leather Jacket', this documentary explores the history of this garment from it's utilitarian beginnings through to it's 'bad boy' reputation and considers whether it has now become emasculated by pop culture.
El Forastero Motorcycle Club (EFMC) is a 1% motorcycle club which was established after being turned down for a chapter by the Satan Slaves MC. The El Forasteros are well known for their criminal activities, and are considered by law enforcement to be among the many second-tier, after the "Big Four" gangs, outlaw motorcycle gangs operated as organized crime enterprises. The club was founded in Sioux City, Iowa, 1962, has chapters in Iowa, Minnesota, Kansas, and Missouri. The film depicts the every day rituals of passionate bikers. Filmed in 8mm.
The musical motorcycles hit Paris to a Cuban vibe.
Stuck in the notorious LA traffic, freeride motocrossers Tyler Bereman and Robbie Maddison escape the gridlock by parking their truck, hopping on their dirt bikes and ripping through the city.
A medieval reenactment troupe struggles to maintain its family-like dynamic amid pressure from local authorities, interest from talent agents, and their "King's" delusions of grandeur.
Three old friends, former members of the same biker gang, get together after many years for one last trip together. Time has passed but their friendship remains the same; and so does the sense of freedom in every mile.
Dre & Icy, two friends who, while on their annual road trip, make a wrong turn and discover a marijuana farm run by an old ruthless hillbilly. Thinking they've hit the jackpot, the two clear out the farm and head back to the city to sell their score. Little do they realize, the hillbilly is determined to get his crop back and has put a $100,000 bounty on their heads! It's a race against time for Dre & Icy, with one main goal. DON'T GET CAUGHT!
One hundred years after a nuclear war has devastated the planet, society has been reborn into two factions; the underground society and the scavangers above in the wastelands. A group of scavangers on bikes come across a town infested with flesh eating rats, and soon the gore is spilling everywhere.
Takuya Tsuda is a cop who loves motorcycles. One day a speeding motorcycle seriously injures a child and his investigations lead Takuya to Akio Yazawa, the boss of the Sakamoto Motorcycle Club.
A man flees with his girlfriend from a love-in and motorcycles to Mexico with drug smugglers.
Set in rural Nebraska following the First World War, six veterans on motorcycles ride into the sleepy little town of Bingo. The locals are friendly until one of the vets beats a local kid in a drag race, after which the six are driven out of town. After coming upon a small farm, the fugitives are allowed to hide out by the two sisters who run the place. Things go smoothly until one of the vets, after smoking the locoweed growing nearby, tries to rape one of the hosts. Being part Native American, her sister decides to get revenge by casting a hex that steadily does in each of the unwelcome guests.
Made on the occasion of March 8, it presents a series of brief portraits of women, from various professional fields, of different ages and even of different ethnicities, pointing out the benefits that the communist organization had brought to their daily lives. A special emphasis is placed on their status as mothers and on the role of nurseries and socialist kindergartens not only in making their lives easier, but also in giving them the time they need to build a career. Another concern of the filmmaker, starting from the concrete case of one of the protagonists, is to highlight the differences between the happy present and the not-too-distant past in which someone with her social status should have dedicated herself exclusively to raising children, in hygienic and extremely difficult lives.