2018-07-08
7
On her wedding day, all that stands between a young woman and marital bliss with her soon-to-be husband is surviving the chaos and expectations of family and friends, each intensifying her spiraling panic.
A film adaptation of the Holy Emperor story arc, which primarily depicted the conflict between Kenshiro and Souther. New characters Reina, one of Raoh's army officers who falls in love with him, and her brother Soga, Raoh's advisor, play an important part with much of the plot involving Raoh's relationship with Reina as he conquers the land; most of this portion is new content exclusive to this film. The other side of the story is the retelling of Ken's attempt to save and protect the villagers from Souther's army with the help of Shū. There is also a small subplot of Bart returning to his home.
A live broadcast of the Broadway hit "A Christmas Story: The Musical" in which Ralphie wishes for nothing more than a Red Rider BB Gun for Christmas.
Bakai is an old shepherd who lives in the country while his children have long grown accustomed to life in the city. When his youngest son pays him a visit, Bakai wants him to stay and help with the rigors of rural living.
Federico received a letter containing a few photos very involved with a girl. The problem is that his wife Alicia have seen those pictures, and decides to leave. To make matters worse, the next day comes to visit his uncle Federico millionaire and asks her maid to pose as his wife Alice for 24 hours so that it does not find out, but this will only the beginning of a big mess ...
Carmine Gallone and Amleto Palermi’s The Last Days of Pompeii 1926 stages in sumptuous colour tinting the epic fall of the ancient city buried by Mount Vesuvius’ eruption. Adapted from Edward Bulwer-Lytton’s love story, the film was innovative in its special effects and an early major box-office hit. A beautiful tinted restoration print was prepared using photochemical processes by Centro Sperimentale di Cinematografia-Cineteca Nazionale in the mid-1990s and the premiere screening of the restoration print was held in the amphitheatre in Pompeii, followed by a screening at the major restoration festival ‘Il Cinema Ritrovato’ in Bologna in 1998.
A lawman poses as an outlaw, steals $10,000 from a cattle thief, then promises to return the money if he can join the gang--while finding a way to expose them.
A hard-working mother hires a male nanny to take care of her son, but soon discovers that he is an antisocial psychopath bent on destroying her family.
In the 11th year of Kwang Hae-gun, Jo-seon soldiers go to war with China after an invasion. In the middle of Manchu, three people who have barely survived are being cornered by the Chinese forces, and begin a bloody battle not with their enemies but with their friends.
Life coach Sven travels to Thailand to fulfil his dreams as a writer. He meets Gitte a yoga-practising free spirit from Norway. Then along comes Anja, an editor who works for a Swedish publisher. What does he really want to do with his life, and who does he want to do it with?
Inspired by Carl Maria von Weber's Der Freischütz, the film opera Hunter's Bride traces the romantic rivalry between two veterans of the Napoleonic Wars who each vie for the heart of the same woman.
On November 17, 1994, Bob Dylan entered Sony Studios in New York City to tape an historic performance. Drawing from his extensive songbook of classics, Dylan brought the house down for two nights of shows comprising a long-awaited MTV Unplugged concert. Songs include Tombstone Blues, Shooting Star, All Along the Watchtower, The Times They are A-Changin', John Brown, Desolation Row, Rainy Day Women #12 and 35, Love Minus Zero/No Limit, Diginity, Knockin' on Heaven's Door, Like a Rolling Stone, and With God on Our Side.
Night of rain and thunderstorms. A lonely pianist gives shelter to a mysterious wanderer who believes he carries with him a kind of curse linked to the moon and the tragedies of humanity.
Working with the puppet from the SAW movies isn't as cool as everyone thought it would be.
A man (James Devereaux) sits on a park bench talking to the camera, trying to weave together a thought that won’t cohere while commenting on passers-by, his ‘guests’… Mysterious images intervene, overturning the serenity of the park-bench monologue. Rouzbeh Rashidi’s feature proves as engaging as it is elusive.