A short film about fatherhood and a tribute to those who were there.
Narrator
A short film about fatherhood and a tribute to those who were there.
2019-05-19
8
Upon realising her generation won’t have a future unless the world’s politicians act now on climate change, 15-year-old Greta Thunberg skipped school in August 2018 to protest outside the Swedish parliament. What started as a one person strike soon gained global momentum. We follow Greta and the organisers of the school strikes for climate as they are cementing a worldwide movement ahead of their first global protest that took place on March 15th, 2019. It was the biggest climate strike in history with up to 1.6 million students in more than 125 countries.
Mostly shot in San Francisco and Northern California, material filmed (using the camera almost as a p[r/a]inter, a means of shaping the visual world as film, but without reflection) in response to what that world was opening in me. "Material!" - analogies between weaving and spinning thread and images already a pattern within film history (e.g., in Deren) is here carried into further ramifications of unraveling and patterning in fabric- and cinema-making, as well as in personal and mythic dimensions. The open unfolding structure, which pulls away from the balanced design of much of my work, gives equal weight to the sound composition. Involves "opening" with its perils and ambiguities.
Hearts collide when the conniving Jaggan (Prem Chopra) convinces Kishan (Amol Palekar) that his wife, Shanti (Rakhee Gulzar), is having an affair with his brother Shambhu (Rajesh Khanna). Of course, all this is done so that Kishan will marry Jaggan's cousin Tulsi (Rekha) according to Jaggan's master plan … even though Tulsi would much rather marry Shambhu. Confused? Don't worry. So are these weary lovers!
Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices. This is as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere. It’s a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers. Fascinating. (Dangerous Minds)
In the dressing room of the French cinema, minutes before attending a lecture, François Truffaut recalls his trajectory
After being fired, Marcella, a gentle hearted mother going through separation, buys a tow truck; she gets trapped deeper and deeper in a cynical and aggressive world until a terrible opportunity shines in front of her.
Roopa lives a wealthy lifestyle with her widowed dad, Captain Suresh, and brother, Shekhar. After she returns from abroad, she is told that she must now prepare to get married to her betrothed, Ratan, who is the son of a close friend of Suresh. Everything changes suddenly when Roopa meets with a handsome young man, Raj, and both fall in love with each other.
Othilie spends her vacations with her uncle Antoine, an old lonesome bear. In charge of a regional park, Antoine lives a long way from Paris, in company of the shepherd Tambourin, whose frightening face hides the innocence of a new-born child. Since the arrival of Othilie, odd things happen. A slaughtered sheep is found and weird howls are sounding through the night. The wolves are not far away.
In 2021, scientists grew human stem cells in a monkey embryo, creating a human-ape hybrid. Previous experiments led to rumors of an actual live birth. Is this mad science? Is it immoral, even criminal? Or could creating hybrids now help us defeat disease?
Eccentric Professor Leviticus Wirtsus is obsessed with crossbreeding animals of different species. His research leads Wirtsus to discover a LSD-type substance called Fongaluli
A young man inherits a mansion in a Florida swamp from an uncle he never knew he had. When he, his assistant and the estate's executor arrive at the house, the audience catches sight of someone crawling in the window, though the house is supposed to be unoccupied. As the house staff begins to arrive they sense a strange presence in the house, and when a young woman no one knows runs into the house to escape a knife-wielding psycho, the occupants realize they may be in danger from both outside and inside the house.
The film revolves around a traditional Brahmin family and the fight between their beliefs and atheism.
There is a killer slashing his way through a public park. Cable TV Bounty Hunter, Hunter Murdoch and Investigative Reporter Gail Storm join a group of locals to try and stop the killers bloody trail of dead bodies........Will they?
A mustachioed dandy gallops up and scales a high tower to "rescue" a sweet, innocent-looking damsel. She captures him and ties him down, for what he thinks will be a kinky little tryst...
An interracial couple faces social tensions in the aftermath of the September 11, 2001 terrorist attacks. The film follows the perspective of Harpreet, a young Sikh-American man, as he cautiously navigates a sudden climate of fear and dangerous assumptions.
Set 1: Bertha(Grateful Dead cover) (>) Good Lovin'(The Rascals cover) It Must Have Been the Roses(Robert Hunter cover) (Tour Debut) Big River(Johnny Cash cover) (>) Dark Star(Grateful Dead cover) (verse 2) Next Time You See Me(Junior Parker cover) (>) Mississippi Half-Step Uptown Toodeloo(Grateful Dead cover) (>) Bird Song(Jerry Garcia cover) (>) Don't Ease Me In(Henry Thomas cover) Set 2: Iko Iko(Sugar Boy and His Cane Cutters cover) Sugaree(Jerry Garcia cover) China Cat Sunflower(Grateful Dead cover) (>) I Know You Rider([traditional] cover) (>) Uncle John's Band(Grateful Dead cover) (>) Drums(Grateful Dead cover) (>) Space(Grateful Dead cover) (>) Hell in a Bucket(Grateful Dead cover) (>) Wharf Rat(Grateful Dead cover) (>) Turn On Your Love Light(Bobby “Blue” Bland cover) Touch of Grey(Grateful Dead cover)
Internet comedian Carl Déman from the humor group JLC lived a life that looked glorious. But beneath the surface was a terrible gambling addiction that almost cost him his life. In 2019, he and other gambling addicts struggle to stay afloat in a contemporary age marinated in gambling advertising. Carl wants to ask those who make the advertising how they think and wonders why the advertising profiles now also come from the world of culture and entertainment.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
It adroitly tells the story of a "counter culture" young man who when his grandfather dies, packs the body in dry ice, and stores him in a Tuff Shed, waiting for the time when advances in modern medicine can bring him back to life. I am not making this up. Then our young men gets deported back to Norway on unrelated charges. Then, quite a while later, people look up and take notice ... "Hey ... there appears to be a frozen dead guy in that shed over there."
In 1957, Charles and Ray designed the Solar Do-Nothing Machine for Alcoa, the Aluminum Company of America. True to the Eameses’ belief that toys are not as innocent as they appear, the machine was one of the first uses of solar power to produce electricity. In the 1990s, Eames Demetrios discovered unedited footage of the wonderful machine. He cut it together to produce a new film that shares a bit of its flavor for future generations to enjoy.
Two queer Brazilians go skinny dipping in a lake where they talk about love, sex, colonialism and migration, on a pandemic summer afternoon in Berlin.
It's Nadine's first day of school, a significant historical event considered by her mother to be one of many "milestone days", which must be documented with a photo.
Filmmaker Carol Nguyen interviews her own family to craft an emotionally complex and meticulously composed portrait of intergenerational trauma, grief, and secrets in this cathartic documentary about things left unsaid.
When internationally renowned Haida carver Robert Davidson was only 22 years old, he carved the first new totem pole on British Columbia’s Haida Gwaii in almost a century. On the 50th anniversary of the pole’s raising, Haida filmmaker Christopher Auchter steps easily through history to revisit that day in August 1969, when the entire village of Old Massett gathered to celebrate the event that would signal the rebirth of the Haida spirit.
A many-faced view of humanity, of global man in all his forms and interests. Produced originally in 70 mm (with stereophonic sound) for showing at Man and His World, the Montréal fair that succeeded Expo 67, this film employs the multi-image technique. People of all places, origins, cultures, secular and religious, are here united and seen side by side, creating an impressive, inspiring and challenging portrait. The film's title appears in seven languages. Film without words.
Documentary about Giger's work for the movie Alien (1979).
Short documentary about social and economic situation in Galicia (Spain) in 1936
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Flubs and bloopers that occurred on the set of some of the major Warner Bros. pictures of 1938.
The ambitious Betsy is happy: she gets promoted to a leading management position. Her happiness is spoiled only a little by problems with a boyfriend who feels neglected and an harassing boss. She realizes much too late that her secretary Norma is after her job and step by step tries to ruin her career and private life.
Documentary about a boy living with his family in extreme poverty in Rio de Janeiro.