The Idol of Paris is based on Paiva, Queen of Love, a novel by Alfred Schirokauer. Set in the mid-19th century, the film traces the rags-to-riches story of a girl named Theresa. Sleeping her way to the top, she becomes a highly sought-after Parisian courtesan, one worthy of the attentions of the Emperor Napoleon. But Theresa has no time for the Emperor, not with such virile lovers as Hertz around and about.
Antoine
Barucci
The Idol of Paris is based on Paiva, Queen of Love, a novel by Alfred Schirokauer. Set in the mid-19th century, the film traces the rags-to-riches story of a girl named Theresa. Sleeping her way to the top, she becomes a highly sought-after Parisian courtesan, one worthy of the attentions of the Emperor Napoleon. But Theresa has no time for the Emperor, not with such virile lovers as Hertz around and about.
1948-04-24
0
A thirteen-year-old French girl deals with moving to a new city and school in Paris, while at the same time her parents are getting a divorce.
A young French teenage girl after moving to a new city falls in love with a boy and is thinking of having sex with him because her girlfriends have already done it.
Paradise Found is a biography about the painter Paul Gauguin. Focusing on his personal conflict between citizen life and his family life and the art scene in Frane. In an incredible imagery montage Gauguin manages to make a successful living in the South Pacific, while being in opposition to France.
The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
Parisian everyman Antoine Doinel has married his sweetheart Christine Darbon, and the newlyweds have set up a cozy domestic life of selling flowers and giving violin lessons while Antoine fitfully works on his long-gestating novel. As Christine becomes pregnant with the couple's first child, Antoine finds himself enraptured with a young Japanese beauty. The complications change the course of their relationship forever.
Antoine is now 30, working as a proofreader and getting divorced from his wife. It's the first "no-fault" divorce in France and a media circus erupts, dredging up Antoine's past. Indecisive about his new love with a store clerk, he impulsively takes off with an old flame.
After a chaotic night of rioting in a marginal suburb of Paris, three young friends, Vinz, Hubert and Saïd, wander around unoccupied waiting for news about the state of health of a mutual friend who has been seriously injured when confronting the police.
George, host of a television show focusing on literature, receives videos shot on the sly that feature his family, along with disturbing drawings that are difficult to interpret. He has no idea who has made and sent him the videos. Progressively, the contents of the videos become more personal, indicating that the sender has known George for a long time.
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
Zed is an American vault-cracker who travels to Paris to meet up with his old friend Eric. Eric and his gang have planned to raid the only bank in the city which is open on Bastille day. After offering his services, Zed soon finds himself trapped in a situation beyond his control when heroin abuse, poor planning and a call-girl named Zoe all conspire to turn the robbery into a very bloody siege.
A seemingly simple taxi ride across Paris evolves into a profound meditation on the realities of the driver, whose personal life is in shambles, and his fare, an elderly woman whose warmth belies her shocking past.
An unconventional romantic comedy about a young American photographer and a French girl with a taste for the macabre. Paul & Paulette’s chance encounter on a Parisian boulevard sparks an unusual friendship that grows around a dark game; reenacting scenes of notorious crimes from bygone eras at the sites they occurred. As their morbid road trip approaches the more recent past it becomes more uncomfortable, blurring the lines between reality and fantasy, but finding a surprising joy in the darker corners of humanity.
Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.
In the carefree days before World War I, introverted Austrian author Jules strikes up a friendship with the exuberant Frenchman Jim and both men fall for the impulsive and beautiful Catherine.
Paris, 1967. Disillusioned by their suburban lifestyles, a group of middle-class students, led by Guillaume (Jean-Pierre Léaud) and Veronique (Anne Wiazemsky), form a small Maoist cell and plan to change the world by any means necessary. After studying the growth of communism in China, the students decide they must use terrorism and violence to ignite their own revolution. Director Jean-Luc Godard, whose advocacy of Maoism bordered on intoxication, infuriated many traditionalist critics with this swiftly paced satire.
A recently widowed American begins an anonymous sexual relationship with a young Parisian woman.
After completing his military training, young Léo, a taciturn soldier with family problems and secret addictions, is assigned to one of the units that patrol the streets of Paris in search of possible terrorist threats as part of Operation Sentinelle.
In 1980 the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.
Louise, who has just written a novel, comes to Paris to meet with a potential publisher. While in the city, she stays with her older sister, Martine, who in many ways is the exact opposite of Louise: she lives in a fashionable neighborhood, is cold to others, and has snobby friends, while Louise lives in a small town and is thoroughly unpretentious. Louise's apparent happiness -- and similarities to their mother -- gradually gets on Martine's nerves.