
There is only one animal living in the zoo - the giraffe. No one but the little girl goes to see her. To attract visitors, the director of the zoo orders an advertising giraffe. But then it turns out that people are only fascinated by artificial giraffes, they are not interested in a living animal. The general "giraffe boom" begins. The film ridicules the fascination with "mass culture" not from the real and the living, but from the imitation and the artificial.


There is only one animal living in the zoo - the giraffe. No one but the little girl goes to see her. To attract visitors, the director of the zoo orders an advertising giraffe. But then it turns out that people are only fascinated by artificial giraffes, they are not interested in a living animal. The general "giraffe boom" begins. The film ridicules the fascination with "mass culture" not from the real and the living, but from the imitation and the artificial.
1986-09-12
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8.0Emergence Collapse, the collaborative project of Berlin-based artist and filmmaker Rainer Kohlberger and Viennese electronic music producer Jung An Tagen is nearly beyond description (and perception): An assault on the senses that is at once euphoric and harrowing, at once completely alien and uncannily evocative, their work is perhaps the perfect artistic manifestation of existential angst. Jung An Tagens frighteningly frenetic and earsplitting dissonance is complimented perfectly by Rainer Kohlbergers constantly evolving, neon-tinged visual freak-out. The result is relentless and painfully overwhelming, but like a horror movie, Emergence Collapse demands – and ultimately rewards – your attention.
8.4Walking towards the fire. In a ceaseless stream of light, people, landscapes and objects lead us to mysterious regions. French filmmaker Patrick Bokanowski’s work is hard to classify - and all the richer for it. Together with his wife Michèle, whose musique concrète compositions form the basis of the sound design, Bokanowski offers a prolonged, dense and visually visceral experience of the kind that is rare in cinema today. Difficult to define and locate, its strangeness is quite unique.
6.9Pari, a 14-year-old girl, dreams of becoming a pilot while growing up in a society that doesn’t allow her to dream.
3.5Every time a Soviet apparatchik presses a button, something explodes.
6.7Manatsu and her friends receive an invitation to a dance party from the Healin' Good♥Pretty Cure team, however it starts in just three minutes. They head out for "Dancing Island" with great haste, but unexpected things occur. Will the Tropical-Rouge! Pretty Cure team safely arrive at the dance grounds and Tropica-shine while dancing with the Healin' Good team?
0.0An awkward fast-food worker gains a new perspective on life while competing for customers against an excessively happy-go-lucky rival.
7.3Wile E. Coyote is chasing the Road Runner (still) and comes across the Acme Book of Magic. With the power to levitate heavy boulders, fly on broomsticks, and transfigure anything to suit his need, it seems like Wile E. finally has a chance at getting his breakfast... but then again, this is Wile E. Coyote we're talking about.
6.2Mickey's orphans ask for a story; Mickey casts himself as Jack in Jack and the Beanstalk. He starts with the climbing of the beanstalk; after evading the giant a few times, he ends up inside a cheese sandwich, and then in the giant's mouth, where he ultimately grabs onto a pipe and gets pulled out by the giant. In the ensuing chase, Mickey launches a pepper bomb to slow the giant down, then outruns him coming down the beanstalk and sets the stalk on fire.
6.2Mickey's film is having a premiere, and all the stars turn out at the Chinese Theatre. Among those shown: Laurel and Hardy, the Marx Brothers, Jimmy Durante, Clark Gable, Sid Grauman, Mae West. The picture, Galloping Romance (Pegleg Pete kidnaps Minnie, and Mickey gives chase on a variety of animals), starts, and everyone in the audience sways along to the music, then rolls in the aisles with laughter. After, everyone comes on stage to congratulate Mickey; Garbo smothers him with kisses.
6.7Mickey's a shovel operator and laborer at a construction site; Minnie is delivering box lunches; Pete is the foreman. Mickey pays more attention to Minnie than to his work, and keeps having accidents (mostly involving the blueprints Pete is holding). Pete steals Mickey's lunch, so Minnie offers him one on the house. While he's eating, Pete kidnaps Minnie; Mickey fights him, but the tide turns when Minnie dumps a load of hot rivets into Pete's pants...
5.8Mickey Mouse's new job at Tony's Pet Store is jeopardized when Beppo the Gorilla escapes and kidnaps Minnie. Mickey fights back with the help of the other animals in the store.
5.9Mickey Mouse and his friends stage their own production of Harriet Beecher Stowe's Uncle Tom's Cabin.
6.4Mickey's in trouble when Pluto and Fifi eat Minnie's chocolates.
6.3Bosko runs a movie theater that shows a wacky newsreel with Jack Dumpsey, a slapstick short from Haurel and Lardy, and a turn-of-the-century melodrama starring Honey.
6.3Mickey has built a robot to compete in the boxing ring against the giant gorilla, the Kongo Killer. Whenever it hears Minnie's car horn, it goes crazy and starts punching any picture of Killer that it sees, even if it's on a brick wall, thus hurting itself. Mickey manages to barely patch his robot together to take on Killer, but after some early success, it gets pummeled by the ape. Minnie fetches the car horn, which brings it back, and it trounces Killer, then flies apart.
6.7The three little kittens have lost their mittens and are sent to bed without dinner. From their room, they see the Milky Way and sail up to it, using a basket and helium balloons, passing through some fanciful astronomical bodies, until they reach a Milky Way filled with every conceivable form of milk.
0.0A castaway's efforts to make contact with would-be rescuers finally leads to his discovery, but his savior has plans of his own in Dutch director Frodo Kuipers' desert island saga.
7.0A swimming champion longs to recover his lost childhood in French directors Tom Haugomat and Bruno Mangyoku's haunting film about nostalgia, memory and the disappointments of adult life.
In a vibrant Afro-futuristic village powered by invention and imagination, two inseparable friends, Aisha and Neumy, set out on one last daring adventure before life pulls them in different directions. When a sudden power outage threatens to ruin their cosmic plans, Aisha’s determination sparks a bold idea that tests the limits of friendship, courage, and creation itself.