Upstairs-downstairs neighbors Dan and Mia have never met, but the thin floor between their apartments offers its own kind of intimacy. In an alternative reality where sounds – and the sensory memories that accompany them – can be captured in food storage containers, Dan approaches Mia with a proposal. He offers some of the sounds of his life in exchange for some of the sounds of hers.
Dan
Upstairs-downstairs neighbors Dan and Mia have never met, but the thin floor between their apartments offers its own kind of intimacy. In an alternative reality where sounds – and the sensory memories that accompany them – can be captured in food storage containers, Dan approaches Mia with a proposal. He offers some of the sounds of his life in exchange for some of the sounds of hers.
2019-03-09
6.5
A man with trouble sleeping volunteers for an overnight study and makes an unlikely friend.
The Russian version of the movie "Fight Club" is not just a Russian version of a well-known cult film, it is the result and of the hard work of two young men and their love for cinema, Alexander Kukhar (GOLOBON-TV) and Dmitry Ivanov (GRIZLIK FILM) , who are responsible for this project, from the development of its idea and the selection of the cast, to the organization of filming and financial support. Filming lasted a whole year. Everyday work, constant trips, searching for suitable film sets and an exhausting schedule - all this was not in vain and resulted in an unusually amazing and original project - the film "Fight Club", created in the very heart of southern Russia, in the city of Krasnodar, by two young people
In their farm house in a New York village, Ma Shelby prepares breakfast for her four children, Isaac, Tommy, Johnny and Susan, and then awakens them. The racket the boys make as they play and fight awakens their father, who spanks the eldest, Isaac. When a visitor chides Pa for not working, Ma sticks up for her husband, saying that he has a weak back and that he is waiting for a promised government job.
A farmer wakes up one morning to an unexpected apocalypse. As the last man alive, he decides to throw caution to the wind and start living his very best life.
Darrell Jacobs, a retired member of the mafia, who is dying of lung cancer, unknowingly puts a college student, Alicia Foret's life in jeopardy when they begin meeting in public.
Sexual adventures of a prostitute's son and a bordello owner, who like to swap women.
A young actress arrives late to a casting, making up a great excuse without knowing a small detail.
Light-hearted and occasionally unclothed adaptation of a British comic strip in the over-the-top, on-beyond-Bond spy fantasy vein. Based on the Daily Mail comic strip.
The film follows an emotionally harrowing journey endured by young gay photographer Alex, after he is diagnosed with peritoneal cancer. Abandoned by his brother and his on-again, off-again lover, Alex is forced to face his mortality and the loss of his sexual identity through sheer resilience. A devastating, but ultimately hopeful story of survival and resolve.
In São Paulo, Alberto is an insane and sadistic man that kills women, and lives with his mother that covers all his mess. When he kills his mother's employee Eliana, stabbing her in the bathtub, they bury her in the backyard of their house. Eliana's fiancé unsuccessfully seeks her out and when Alberto's mother advertises that she needs a driver, he applies for the job to sneak around the real estate trying to find Eliana.
College friends Devin, Jack, Shelly, Kristy, Shaun, and Flower rent a spacecraft to autopilot them to Centauri Five for a holiday break. Impatient over the rental agency restricting the ship’s speed to 10x, Devin and the others convince Shaun to remove the craft’s constrictor device. Doing so damages the computer’s automated systems, as well as the ability to send a distress beacon, causing the six friends to crash land on an uncharted alien planet.
David McVicar's spellbinding production of LE NOZZE DI FIGARO is set in 1830s post-revolution France, where the inexorable unravelling of an old order has produced acute feelings of loss. In the relationship between Finley's suave, dashingly self-absorbed Count and Röschmann's passionately dignified Countess, which lies at the tragic heart of the opera, the sexy ease between a feisty Figaro (Erwin Schrott) and a sassy Susanna (Miah Persson) is starkly absent, the tenacious spark between Marcellina (Graciela Araya) and Bartolo (Jonathan Veira) suggesting what might be rekindled. The production is superbly complemented by the beauty of Paule Constable's lighting and Tanya McCallin's evocative sets. Antonio Pappano conducts (and accompanies the recitatives) with invigorating wit and emotional depth.
Transformed into a salmon, an Indigenous street artist travels through decayed urban landscapes to the forests of long ago, in this sublime mixed animation.
The discharge of the nuclear sewage has brought great crisis to the environment. A particular mermaid becomes victim to it all.
12-year-old Terry is in emergency care with guardians after his mother’s arrest. Cheeky and living with a disability, he outwits one guardian and connects with the other in a surprising way.
Reclusively withdrawn Tobias is hospitalized in a psychiatric institution. Here, he meets the boy Emil, a boy with an entirely different view on life and the situation he and Tobias are in. The two boys develop a close friendship that puts the mind and boundaries of Tobias to the test.
The life of Fermín goes by, divided between his work as a diablero and the confinement he lives in within his house. Like him, other families live in a vecindad in the heart of Mexico City. One day, a company colluded with the government threatens to evict the vecindad tenants in order to build a mall. Facing the threat of an eviction, the tenants join in solidarity to come out of their self-absorption and fight for a common cause.
A teenage boy is in love with his straight best friend, but a traumatic experience has changed the dynamics between them.
Crocodile Dreaming is a modern day supernatural myth about two estranged brothers, played by iconic Indigenous actors David Gulpill and Tom E. Lewis. Separated at birth, they have different fathers. One is readily accepted as a full-fledged member of the tribe and is looked on to fulfill the duties of jungaiy, an important ceremonial role which obliges him to be caretaker for his mother's dreaming, the crocodile totem. The other, whose father was white, is younger and has had to struggle to fit into the tribe who see him only as a yella fella.
You Take Care Now, an early student film, is a perfect exemplar of Ann Marie Fleming's idiosyncratic vision and stands as one of her signature works. Made on 16mm, and incorporating found footage, original material, animation, and processed images (Vancouver's groundbreaking avant-garde cinema of the 1970s is a decided influence here), Fleming's film offers a visually dazzling, emotionally wrenching, oddly humorous account of two profound personal traumas.
A mother and her two daughters cross the banks of the North in search of a beach where the elder daughter left her best memories.
Adam returns after several years leaving his hometown of Toraja. All the feelings that he had before he departed years ago resurges as he meets his mother. Trying to be honest about he felt all these years, his mother surprises him instead.
A teacher tries to help a student so that she does not drop out of school. This leads him to receive accusations that get him into trouble.
Mildred's parents run a dying parlor out of their home. Today's client is not who she expects.
Two men sit next to each other on an autumn day in Central Park. They make small talk about the weather and the joys of summer. When the conversation turns personal, however, it becomes clear that this is no random encounter...
Two castaways separated by distance. All their hopes are pinned in the bottles that they just launch to the sea. A travel across the ocean looking for a hand to pick them up. Will they get someone to listen?
One man's fight against himself spirals recklessly out of control.
Darren, a keen gambler, finds himself having to escort an unknown woman on the other side of Paris for a Mafioso. Struggling with the implications of his involvement in the affair, Darren is forced to reconsider his values.
After fighting with her boyfriend on the street, in Brussels' African neighbourhood, Eva escapes into a hair salon. The women in the salon initially support her, seeing a woman in distress. But, when they find out what the fight was about, opinions differ.
12-year-old Mira is fascinated by her synchronized swimming trainer and tries to get closer to her, which quickly puts both of them in a situation that’s difficult to interpret.