CRAZY BELCHES OUT A GHOST. From there on the two women, almost Siamese in their connection, will fight until one remains. The film's explores cinema and dance from a perspective outside either discipline's language
Crazy
The ghost
CRAZY BELCHES OUT A GHOST. From there on the two women, almost Siamese in their connection, will fight until one remains. The film's explores cinema and dance from a perspective outside either discipline's language
1996-11-11
10
Two women, almost Siamese in their connection, will fight until one remains
MARCIAL’S VERSION juxtaposes reality with illusion, in a manner reminiscent of the ‘Film Noir’ style of the 40’s. Filmed in the underbelly of Buenos Aires, the film plunges the viewer in the murky investigation of a crime where love, money and betrayal are all intricately woven together. With seductive strains of Tango in the background, the viewer is jarred by the counterpoint between Marcial's discourse - his version of the events as told to the police - versus the truth on the screen.
After another deadly shark attack, Ellen Brody decides she has had enough of New England's Amity Island and moves to the Caribbean to join her son, Michael, and his family. But a great white shark has followed her there, hungry for more lives.
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Starflight One, a commercial aircraft that can whisk passengers around the globe in a matter of hours, embarks on its maiden voyage. The trip goes horribly awry, however, when the aircraft is forced out of the atmosphere and into outer space. As it is too dangerous to attempt reentry, Captain Cody Briggs, his passengers and his crew brave declining levels of oxygen while NASA scientists scramble to launch a rescue mission in a race against time.
Luke Skywalker leads a mission to rescue his friend Han Solo from the clutches of Jabba the Hutt, while the Emperor seeks to destroy the Rebellion once and for all with a second dreaded Death Star.
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The life of a married Munich technical draftsman with a son.
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After losing sight in 1983, John Hull began keeping an audio diary, a unique testimony of loss, rebirth and renewal, excavating the interior world of blindness. Following on from the Emmy Award-winning short film of the same name, Notes on Blindness is an ambitious and groundbreaking work, both affecting and innovative.
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A light grey room. A slender woman of 50 and a 12 year old boy. Joined together like the links of a chain. Changing positions at a constant rate. One flowing movement. Never losing touch with each other. A game played by a mother and her child. A kind of tango. Sound of feet. Breathing. Faint smiles. Until suddenly the woman's hands let go of each other.
Tchai is the word used by Ju/'hoansi to describe getting together to dance and sing; n/um can be translated as medicine, or supernatural potency. In the 1950's, when this film was shot, Ju/'hoansi gathered for "medicine dances" often, usually at night, and sometimes such dances lasted until dawn.
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A group of dancers congregate on the stage of a Broadway theatre to audition for a new musical production directed by Zach. After the initial eliminations, seventeen hopefuls remain, among them Cassie, who once had a tempestuous romantic relationship with Zach. She is desperate enough for work to humble herself and audition for him; whether he's willing to let professionalism overcome his personal feelings about their past remains to be seen.
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