Live at Capital Centre, Largo, Maryland (October 15, 1975) Get it Like You Used To Be, Station Man, Spare Me a Little of Your Love, Rhiannon, Why, I’m So Afraid, Oh Well, Green Manalishi, World Turning, Blue Letter, Hypnotized
Live at Capital Centre, Largo, Maryland (October 15, 1975) Get it Like You Used To Be, Station Man, Spare Me a Little of Your Love, Rhiannon, Why, I’m So Afraid, Oh Well, Green Manalishi, World Turning, Blue Letter, Hypnotized
1975-10-15
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Christine McVie is undoubtedly the longest-serving female band member of any of the enduring rock ‘n’ roll acts that emerged from the 1960s. While she has never fronted Fleetwood Mac, preferring to align herself with ‘the boys’ in the rhythm section whom she first joined 50 years ago, Christine is their most successful singer-songwriter. Her hits include ‘Over My Head’, ‘Don’t Stop’ and ‘Everywhere’. After massive global success in both the late 1970s and mid-1980s, Christine left the band in the late 1990s, quitting California and living in semi-retirement in Kent, only to rejoin the band in 2013. In this 90-minute film, this most English of singers finally gets to take centre-stage and tell both her story and the saga of Fleetwood Mac from her point of view.
This rare Fleetwood Mac documentary provides an intimate look at the original band as led by Peter Green, during the 1960s British blues boom.
Fleetwood Mac are one of the biggest-selling bands of all time and still on the road. Their story, told in their own words, is an epic tale of love and confrontation, of success and loss. Few bands have undergone such radical musical and personal change. The band evolved from the 60s British blues boom to perfect a US West Coast sound that saw them sell 40 million copies of the album Rumours. However, behind the scenes relationships were turbulent. The band went through multiple line-ups with six different lead guitarists. While working on Rumours, the two couples at the heart of the band separated, yet this heartache inspired the perfect pop record.
Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.
When a gangster named Heeralal gets arrested, he befriends Johny, a petty thief, in prison. He seeks Jony's help in executing his mission of smuggling a few diamonds. Johny, however, is an undercover CID officer named Sohan.
Drop out of school to ride with the Merry Pranksters. Form America’s most enduring jam band. Become a family man and father. Never stop chasing the muse. Bob Weir took his own path to and through superstardom as rhythm guitarist for The Grateful Dead. Mike Fleiss re-imagines the whole wild journey in this magnetic rock doc and concert film, with memorable input from bandmates, contemporaries, followers, family, and, of course, the inimitable Bob Weir himself.
Set in the year 1970, the story of a love that was prevented because of the difference in status between Klao, a young poor farmer, and Thongkwao, the beautiful daughter of Thongkon, a wealthy man in the village.
Adaptation of 'The Flying Dutchman', recorded at the Bavarian State Opera.
Based on Rosetta Cucchi’s new staging of Umberto Giordano's Fedora at Teatro Carlo Felice, Ipanov bears witness to incessant survivor guilt, unable to escape restless remembrances of his ill-fated family and strongest regrets – betrayal, disgrace, loss and abandonment.
TWICE Season’s Greetings is an annual package consisting of year planners and a behind the scenes DVD.
The reunion of three friends, among tango, dance, music and the opportunity of a trip that will take them as in their good old days to travel the route of the country.
At Salzburg Festival, Cecilia Bartoli shines as Ariodante with her dazzling coloratura in a highly acclaimed new production by the German director Christoph Loy, who is known for his clever psychological stagings. Loy turns Handel's splendid baroque opera into an exciting and differentiated reflection on gender roles.
Big Night Of Musicals staged by The National Lottery at the AO Arena Manchester features a blockbuster bill including the casts of the nation’s most popular musicals.
Basically, Kafka’s Metamorphosis is unfilmable. After all, the author didn’t want visual representations to appear of the insect Gregor Samsa turned into; readers should visualise that themselves.
A short film released alongside AFI's 2003 album Sing The Sorrow. The four members of AFI search to obtain a mysterious box that bears a resemblance to the album's artwork. There are two separate soundtracks for the film, one composed by AFI guitarist Jade Puget, and one composed by AFI bassist Hunter Burgan.
"Manon Lescaut is a heroine I believe in," wrote Giacomo Puccini to his publisher Giulio Ricordi. Experience Puccini's third opera and first big success in Götz Friedrich's landmark 1983 production at the Royal Opera House. The extraordinary Plácido Domingo and Kiri Te Kanawa take on the roles of the Chevalier Des Grieux and Manon Lescaut, accompanied by the Royal Opera House Choir and Orchestra under the direction of Giuseppe Sinopoli.
The concert of the AIGEL group, where Aigel Gaisina and Ilya Baramiya perform their debut album "1190" in full for the first time. A unique location was chosen for the performance — the building of the abandoned AS hotel on the Adriatic coast, which has been empty for about 20 years.
The troubadour of rap hedonism of the 2010s, who became one of the main voices of protest in the 2020s at the peak of his form.
In an exclusive concert for VotVot, the master visits the most diverse periods of his legendary discography.