An old member of Namsadang (a wayfaring group of Joseon Dynasty (1392-1910)) leaves his daughter Gye-yeon at a tavern of Hwagye Market, a traditional market located in Gurye, Jeollanam-do. Son of the tavern owner Seong-gi and Gye-yeon love each other, but the madam owner tries to separate them by sending Seon-gi to a temple. The old man comes back to take Gye-yeon and disclose a secret that the tavern owner is in fact his daughter, therefore Seong-gi is his grand son. Frustrated to hear that he cannot love Gye-yeon, Seong-gi goes for a long journey without destination as his ancestors of Namsadang have done.
An old member of Namsadang (a wayfaring group of Joseon Dynasty (1392-1910)) leaves his daughter Gye-yeon at a tavern of Hwagye Market, a traditional market located in Gurye, Jeollanam-do. Son of the tavern owner Seong-gi and Gye-yeon love each other, but the madam owner tries to separate them by sending Seon-gi to a temple. The old man comes back to take Gye-yeon and disclose a secret that the tavern owner is in fact his daughter, therefore Seong-gi is his grand son. Frustrated to hear that he cannot love Gye-yeon, Seong-gi goes for a long journey without destination as his ancestors of Namsadang have done.
1967-07-20
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Following a tragic accident that leaves him disfigured, crazed composer Erique Claudin transformed into a masked phantom who schemes to make beautiful young soprano Christine Dubois the star of the opera and wreak revenge on those who stole his music.
Patricia Highsmith's haunting story of a day in a young girl's life when a kind stranger comes to town.
Despite mixed emotions, Frederick Winterbourne tries to figure out the bright and bubbly Daisy Miller, only to be helped and hindered by false judgments from their fellow friends.
Chor Yuen started his directorial career with a bang. From its very first image, The Natural Son establishes Chor as a filmmaker of stylistic flourish, which would be sustained in various forms throughout his long tenure. Adapted from '30 cents' pulp fiction, it is a Kong Ngee melodrama made in the studio's mould, with Westernised characters and trendy middle-class lifestyles. Yet, Chor's first film is not exempt from the social urgency that characterises the Cantonese cinema of his father, Cheung Wood-yau. The film cloaks its entertainment in a moral deliberation on blood ties, its story about the raising of a bastard child a head-on challenge of archaic family values. An ostentatious start for a colourful and eventful career.
We all carry our leaves, some of winter, some of spring and summer. But all leaves grow, breathe and wither with time; and so do we.
Adaptation of Hermann Sudermann's novel about the troubled relationship between the strong willed Erdme and her irascible husband Jons in the Lithunian moors.
Rose and her daughter Sofia travel to the Spanish seaside town of Almería to consult with the shamanic Dr. Gomez, a physician who could possibly hold the cure to Rose’s mystery illness, which has left her bound to a wheelchair. But in the sultry atmosphere of this sun-bleached town Sofia, who has been trapped by her mother’s illness all her life, finally starts to shed her inhibitions, enticed by the persuasive charms of enigmatic traveller Ingrid.
Jonás and Raquel live in the field. Their life is happy and in harmony with the envoronment. One day, Néstor, Jonás's brother, visit them. He's captain in a fishing boat that has docked in a near village. Néstor told her brother the wonderful life in the sea, all money that he has won and the adventures that he has lived. Jonas decides go with him although Raquel doesn't accord. Comic book adaptation "Poor Sailor " by Sammy Harkham.
After ten years of marriage, a woman decides to tell her husband about her libertine past. A cascade of revelations follows, all as unexpected as they are funny.
'...is unsuitable for any man's love.' (Xi Xi, A Woman Like Me) Sum-yin patches up wounds, masks scars and performs other beautician services that, when done well - as she always does - bring comfort to her and appreciation from grateful families. But inside she's hurting. Her job as a mortuary cosmetologist makes her self-conscious about the smell of death that seems to be seeping through and under her skin and looming over her stagnant relationship with Kwan, her oblivious boyfriend. No amount of cigarettes and perfume and cleaning will rid of it. At some point, a decision has to be made.
Teresa is a spirited young girl chafing under the oppressive attitudes of 1930s society, and her father in particular. She fancies her poverty-stricken Latin tutor Johnathan Crow, without realising he merely considers her a pleasant diversion and nothing more, and eventually follows him from Sydney to London. En route she meets the gentle banker James Quick. Whilst navigating her relationships in London, including with a political poet bound for the Spanish Civil War, she experiences a transformation in her understanding of love. Based upon Christina Stead's best-selling Australian novel.
Chun-sam is working as a servant at Bong-pil's home to be his future son in-law. His daughter, Jeom-sun has grown enough to get wed. But her father thinks she is too young. But in reality he doesn't want to set her daughter with Chun-sam to begin with. Jeom-sun finds out, and picks up a fight with her father. When Chun-sam decides to play hard on his master, Jeom-sun takes Chun-sam's side.
Adada's poor husband suddenly strikes it rich. He changes his hovel for a beautiful home, but his character changes as well. He becomes overly proud and shows off his wealth. Adada, despising the money and what it has done to her husband, throws their savings into the river
In a hospital waiting room, a group of men arrive and meet one another. Choe, is the upbeat fellow who always thinks of the nation and its people. Cheon was wounded in the war and has fallen into despair. Then there's the dentist, run ragged by his hectic life. They commiserate over each man's lot in life and exchange stories about their love affairs.
Inside a café, on Christmas Eve. Chim Kei meets an enigmatic woman named Mimi Wong who introduces herself as the daughter of an upper-crust family. But the infatuated writer is struck by a spasm of sorrow when he later sees Mimi make her appearance as a taxi-dancer at a party. The lovers are reconciled by the story of her plight told by her sister Annie. However, Mimi goes missing on the engagement day. By a stroke of luck, Chim runs into the elusive woman again and finds out how she was forced into prostitution by her drug-addict husband, his childhood best friend and benefactor Chan Hung-kit. Chim leaves dejectedly, and has since been idling his days away. The frail Mimi confesses her love for Chim on her deathbed, and from not far away, Chan has ended his own life.
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
The plot adheres closely to the original novel, revolves around wealthy Maxim DeWinter, his naïve new wife, and Mrs. Danvers, the manipulative housekeeper of DeWinter's Cornish estate Manderley. Mrs. Danvers resents the new wife's intrusion and persuades the new wife that she is an unworthy replacement for the first Mrs. DeWinter, the glamorous and mysterious Rebecca, who perished in a drowning accident. The new Mrs. DeWinter struggles to find her identity and take control of her life among the shadows left by Rebecca.
"Family" (1953), which launched the Union Film legacy, "Spring" (1953) and "Autumn" (1954) are adaptations of Ba Jin's highly regarded novel "Torrent Trilogy". In "Family", director Ng Wui skilfully condenses the voluminous first part of the novel into an emotionally powerful and intellectually focused story of youngsters struggling to survive oppression and repression in a feudalistic family. This well-received film quickly established the company's reputation.
Ko Suk-ying is saddened over her arranged marriage as manipulated by her father Hak-ming. Ko Kok-sun's Cousin Chow Wai's spends the Mid-Autumn Festival before her marriage with the Kos. She has been in love with Sun. Sun finds out about her love for him when she is about to be married off, he is too weak to oppose to Wai's betrothal to another man. Sun's son, Hoi-sun, falls ill. Fearing the displeasure of his elders, Sun dares not consult a western doctor. Meanwhile, another dispute arises among members of the family over the ancestral land. When accused of being incompetent in his management, Sun takes the blame silently. Wai dies of grief while Hoi-sun becomes a victim of mistreatment. Sun is devastated at this double blow. Hak-ming instructs Sun to arrange for Ying's wedding. Knowing the kind of man Ying's fiancee is, Sun is reluctant. Not wanting to follow in Wai's footsteps, Ying fights for her own rights, and backed by an enlightened Sun, she leaves for a new start.