A play by Terence Rattigan about the stories of several people staying at a seaside hotel in Bournemouth which features dining at "Separate Tables."
Miss Meacham
Charles Stratton
Jean Stratton
Doreen
A play by Terence Rattigan about the stories of several people staying at a seaside hotel in Bournemouth which features dining at "Separate Tables."
1970-03-15
0
The story revolves around three characters Hasubhai (Siddharath Randeria), his daughter Kajal (Leena Shah) and his Manager Rasik (Ashish Bhatt). Having a typical Baniya mentality, Hasubhai wanted his daughter Kajal to marry his employee Rasik. However, Kajal is in love with an Ad film Maker. The laughter ride begins when Hasubhai and Rasik take the challenge to induce Kajal for marriage. Will Hasubhai and Rasik win the battle? To find out, watch this breathtaking humorous play. Starring: Siddharth Randeria, Ashish Bhatt, Sachi Joshi, Leena Shah, Rahul Patel, Suraj Vyas,Tanvi Abbas, Himanshu Upadhyay, Mulik Pathak, Krupa Chandera, Yatin Parmar Directed By Siddharth Randeria
In occupied Paris, an actress married to a Jewish theater owner must keep him hidden from the Nazis while doing both of their jobs.
A group of teenagers living in a housing project in the outskirts of Paris rehearse a scene from Marivaux's play of the same name. Krimo is determined not to take part, but after developing feelings for Lydia, he quickly assumes the main role and love interest in the play.
Young Shakespeare is forced to stage his latest comedy, "Romeo and Ethel, the Pirate's Daughter," before it's even written. When a lovely noblewoman auditions for a role, they fall into forbidden love -- and his play finds a new life (and title). As their relationship progresses, Shakespeare's comedy soon transforms into tragedy.
The life of Irishman George Howard who buys an English theatre and strives to improve the standard of musical entertainment. Set in the late 19th and early 20th centuries and loosely based on fact.
Marcelline is an actress. Forty, single and childless, she begins rehearsals for Turgenev’s A Month in the Country. Denis, the director, admires her greatly and promises he’ll make her happy on stage — she will shine. But things don’t go to plan.
"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.
The originality of the show lies in the gap between the narrative provided by the voice-over (omnipresent) and the visible, concrete actions played on stage by the characters in an almost silent film: their play, sometimes very poetic, transcends narration. As a result, not only is the spectator's emotion intense, but the philosophical reflection on the meaning (s) of the work emerges: since Man sells his thought, his body, his time, in exchange for a salary, since he is constantly in exchange, barter, link, is he a "merchant"? What is he walking towards?
Gennareniello, a crazy inventor, is married to Concettina and lives at home with his son Tommasino, full of tics, his spinster sister and with Matteo, a drawing master who makes plans for his inventions. Driven by his friends, the man courts the young teacher Anna and when his wife notices it, he is forced to run away from home, overwhelmed by the scorn of derision of friends and acquaintances who come to disguise him as a dandy, thus offending his dignity.
Thanks to the legacy of an English lord, the cobbler Andrea has become a baron and now has delusions of nobility: he wants a high-ranking marriage for his stepdaughter Virginia and does not recognize the brothers of his wife, Rosina and Michele, even after the latter has saved the his house from a fire. Virginia does not like her promised Marchese Alberto, but Felice Sciosciammocca, a shy and poor master of calligraphy, who reciprocates her. But when Felice learns that the girl will soon marry another, out of spite he accepts the court of the late Marquise Zoccola, Alberto's mother.
Desires, obsessions and unfulfilled love - the psychedelic formula of the play pushes the previous boundaries of communication with the audience.