A playwright has his career ruined when he is drunk on the first night. His wife dies having left him, and when his daughter triumphs in the revival of the play he dies contented.
A playwright has his career ruined when he is drunk on the first night. His wife dies having left him, and when his daughter triumphs in the revival of the play he dies contented.
1939-12-01
0
The Heart-throb story of a Broadway HIT - and a Miss!
The TV-play from the set of Inferno at "Strindbergs Intima Teater", directed by Anna Pettersson and with Siri Hamari in the role of Strindberg, is a lively tale of boundless dreams and frightening fantasies. With the help of magic, music effects and film, Strindberg's portrayal of the creative crisis and the search for new forms. During Strindberg's chaotic time in France and Austria in 1894-1896, his so-called Inferno year, he performed alchemical experiments, tore his hands and suffered hallucinations. In the village where he closes in, he is called the cuckoo. In another country, a little daughter is waiting for her father. This version has been called an "age performance", performing arts that suit all ages. And the finely nuanced and detailed presentation would surely have appealed to the scientist Strindberg.
Woyzeck takes psychotropic drugs and punishes himself physically. He has no choice. It's his living. With what he earns selling his body and by working in a restaurant and in subway tunnels, he just about makes ends meet. Coming home to his wife Marie and his infant child, he’s an impotent wreck -- and definitely unable to afford the earrings he sees Marie wearing one day. She’s frustrated and the jewelry is a gift from the local pimp. Woyzeck wasn't supposed to find out. But he has. Plagued by voices, he loses his already weak grip on reality. He retreats into the tunnels with Marie and the baby. There Woyzeck is the master of life and death.
The brutes and the belles. The gadflies and the good ol' boys. The taboos and the profound truths. They're all part of a tennessee state of mind -- a realm of places, personalities and ideas. Williams is front and center for this exploration, reading from his works, placing them in the context of his life, and serving as guide in visits to his career-shaping refuge in New Orleans and his later-day writing quarters in Key West. Also, dramatizations by distinguished actors -- including Jessica Tandy, Broadway's original Blanche DuBois, in a recreation of her A Streetcar Named Desire triumph -- give flesh-and-bone immediacy to some of the writer's famed works. In his own words. In his own places. The resilient character and memorable characters of one of our greatest writers reside in Tennessee Williams' South.
A group of people are trapped in a theatre and one of them is a killer.
Perdita is a brave, intelligent and much-loved girl, but something is not quite right in her world. Join her on a journey through magic and mayhem as she uncovers her story – the girl who was once lost and then found. This exciting new version of The Winter's Tale is the perfect introduction to Shakespeare for younger audiences. Warning: watch out for pursuing bears.
In a chaotic 19th-century Paris teeming with aristocrats, thieves, psychics, and courtesans, theater mime Baptiste is in love with the mysterious actress Garance. But Garance, in turn, is loved by three other men: pretentious actor Frederick, conniving thief Lacenaire, and Count Edouard of Montray.
A haunted theatre, filled with the vengeful spirits of a tragically-trapped performance troupe murdered in a fire 13 years ago, waits for the once-grand palatial playhouse to re-open with a new show - and bring in new victims.
From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.
Film homage to the great Spanish poet Federico García Lorca, in which they dramatize fragments of his poems and the play "La casa de Bernarda Alba". From his texts, the voice of the poet himself weaves the plot. His characters come to life: El Amargo, which runs from a poem taken from "El Cante Jond" to the "Romancero Gitano". The Woman, blurred and present in so many of his poems. The Mother, a living synthesis of his play-writing. The balcony is open from the hidden Granada to exciting New York. From the rider of tireless riding to the mysterious baroque of Holy Week. From the first babble of the poet to his violent death. Spain is behind its lyric. Also in many images and tensions of the film. The argument of this one wants to approach the argument of a poet. His life and his work, united irremediably.
Owen, the prodigal son, returns to rural Donegal from Dublin. With him are two British army officers. Their ambition is to create a map of the area, replacing the Gaelic names with English. It is an administrative act with radical consequences.
The local theater in Armstadt has to take a step back; the budget gets cut due to less audience. However, the actors try their best to prepare for a new piece.
In the aftermath of a nuclear disaster, a starving family find hope in a charismatic hotel owner. Lured by the prospect of a free dinner, they discover that the evening's entertainment blurs the lines between performance and reality. Will they wind up the spectators or the spectacle?
The elderly Arnolphe has decided to marry a young woman, Agnes, whom he has fallen in love with. She is too young and innocent to realize what plans he has for her. But Agnes and Arnolphe's young friend, the dandy Horace, have fallen in love with each other. Their love is a threat to Arnolphe's attempt at getting married. Can the cunning Arnolphe stop them?
Erik, in love with Magda, the fiancée of Georg, his boss, secretly sends her roses every night.
Show girl Jill Deverne is married to song writer Fred Deverne, and everyone is involved in the Broadway night life and endless parties. Jill is being pursued by a gangster, and she leaves her husband after he spends the night with a floozie. Jill ends up as the gangster's moll, but she soon gets tired of the lifestyle.
Susan is about to be married, but the wedding may get called off after her fiancé summons three former beaus. Each reveals a different portrait of Susan: one describes her as a naive country girl who reluctantly becomes an actress, another paints a picture of a gay party girl and and the third describes a serious intellectual.
A fading actor best known for his portrayal of a popular superhero attempts to mount a comeback by appearing in a Broadway play. As opening night approaches, his attempts to become more altruistic, rebuild his career, and reconnect with friends and family prove more difficult than expected.
A country girl (Simone Berriau) finds work as a chorus girl in Paris, gets embroiled with a bad egg, and then finds true love with a good-looking milkman.