Puffy and his girlfriend want to get married by a judge at the courthouse. However they go to a wrong door and he's mistaken for a defendant in a murder trial.
Puffy and his girlfriend want to get married by a judge at the courthouse. However they go to a wrong door and he's mistaken for a defendant in a murder trial.
1926-12-27
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The just-out-of-college, effete son of a no-nonsense steamboat captain comes to visit his father whom he's not seen since he was a child.
A butterfly collector unwittingly wanders into an Indian encampment while chasing a butterfly, but the tribe has resolved to kill the first white man who enters their encampment because white oil tycoons are trying to force them from their land.
Charlie, a wandering tramp, becomes a circus handyman - soon the star of the show - and falls in love with the circus owner's stepdaughter.
In Midnight Madness millionaire diamond miner Michael Bream (Clive Brook) discovers that the woman he’s marrying — funfair shooting-gallery hostess Norma Forbes — is a gold digger. So Bream decides to teach her a lesson, and forces her to live with him in the remote African outback where, eventually, she realizes her true affections.
When Max's friends doubt his acting ability, he invites them to a dramatic theatrical performance.
Max and his wife each blame the other for a nagging tongue. Max offers to bet his wife fifty pounds, even money both ways, that she will be the first to speak or make a sign after the acceptance of the bet. His wife accepts the wager, and the two young people allow their flat to be burgled rather than move or murmur. Max sits out the ordeal in agony, up to the time the burglar attempts to kiss his wife. Then, with a yell, he rises to punch the burglar's head. There is joy in the punch, but less in the drawing of the check.
Max is in love with a charming girl, who also is already affianced to another. Does Max despair? Never. The debonair gentleman sets his wits to work to frustrate his rival's little game, and though he meets with several rebuffs in the end he is successful. Even then the rival, on the eve of his wedding, tries to turn the tables on Max, and very nearly succeeds, but with the little lady's help Max finally wins. The story is full of quaint and whimsical humour, which culminates in some exceedingly funny scenes before a mirror, in which Max sees strange visions.
An important example of amateur filmmaking during this era, That Ice Ticket was made by Angela Murray Gibson who ran Gibson Studios in the small community of Casselton, North Dakota. Gibson cast community members in her productions, taking on multiple roles herself, writing, directing and acting in the films, operating the camera during filming, then processing the footage and editing the finished picture together. Here she plays a young woman managing multiple male suitors with the "help" of her mischievous kid brother.
Harry Beaumont and Bessie Learn are in love, but their respective uncle and aunt, back fence neighbors, feud bitterly with each other and insist the youngsters have nothing to do with each other. The young leads come up with a plan in this pleasant Edison comedy. (IMDb)
The film begins with an obese woman going to the shoe store and insisting she's a size 3 1/2--though she's obviously much larger. Then, out of the blue, a cat and a stick figure appear and make fun of the woman--making fat jokes and the like.
After amusements working in a restaurant, a waiter uses his lunch break to go roller skating.
A pawnbroker's assistant deals with his grumpy boss, his annoying co-worker and some eccentric customers as he flirts with the pawnbroker's daughter, until a perfidious crook with bad intentions arrives at the pawnshop.
Upon receiving an inheritance from her late uncle, a woman starts a fortune-telling business designed to make her dreams come true.
A collection of five silent comedy shorts co-starring Roscoe "Fatty" Arbuckle and Buster Keaton, and produced by their own Comique Film Company: THE BELL BOY (1918), THE BUTCHER BOY (1917), OUT WEST (1918), MOONSHINE (1918), and THE HAYSEED (1919). Volume One of a two-volume DVD series from Kino Video. Musical score by the Alloy Orchestra.
A collection of five silent comedy shorts co-starring Roscoe "Fatty" Arbuckle and Buster Keaton, and produced by their own Comique Film Company: BACK STAGE (1919), GOOD NIGHT, NURSE! (1918), CONEY ISLAND (1918), THE ROUGH HOUSE (1918), and THE GARAGE (1920). Volume Two of a two-volume DVD series from Kino Video. Musical score by the Alloy Orchestra.
The relatives of a rich old woman unsuccessfully try to have her declared insane, so they can divide up her money. To show them that there are no hard feelings, she invites them to her estate for the weekend so she can decide to whom she actually will leave her money when she dies. Soon, however, family members begin turning up dead.
Wrongfully jailed for arson, political activist Leopold Dilg escapes and takes refuge at the house of his childhood friend, Nora, unaware that she has recently rented it to a high-principled lawyer. Hilarity ensues as Nora tries to hide Leopold's identity from Professor Lightcap, while the two men enjoy spirited debates about their conflicting views of law.
Mr. Snookie steals an umbrella and then, while trying to help a woman to cross a puddle, the Tramp appears and intervenes.