In a Munich circus, Pierre, who has come to attend the funeral of his father, a famous illusionist, finds love in the arms of the beautiful Hildegarde. But he discovers that Hildegarde has a twin sister, Greta.
In a Munich circus, Pierre, who has come to attend the funeral of his father, a famous illusionist, finds love in the arms of the beautiful Hildegarde. But he discovers that Hildegarde has a twin sister, Greta.
1960-08-24
6.3
'Three's Company', the comedy centered on two attractive, young women who made the rent on their Santa Monica beach-side apartment by taking in a third roommate - a male forced to pretend he's gay to fool the landlords and the girls' parents. The series rocketed in the ratings as an instant hit - despite the outcry of critics and moralists - who objected to the double-entendres and quasi-sexual hijinks on the show. However, the true behind-the-scenes story of 'Three's Company' will expose a once idyllic workplace that deteriorated into a battleground beset by business dealings, contact disputes, cast rivalries, clashes between producers and network executives and finally, a round of cast replacements which hastened the demise of the show.
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
Owen, a young man is dissatisfied with his life. He heads into the forest to escape and learns a lot during his time there.
‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.
This is yet another telling of the adventures of Tom Sawyer and Huckleberry Finn as the two try to clear their friend Jim of murder charges.
Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.
2023 marked the thirtieth anniversary of Maroun Baghdadi’s sudden and tragic death. Maroun was a Lebanese filmmaker who wrote and directed films during the Lebanese civil war and contributed to documentary and fiction filmmaking from 1973 up until his death in 1993. In this film, Feyrouz Serhal embarks on a day trip in Beirut and navigates the city that profoundly shaped Maroun’s journey in life and cinema. Here she encounters individuals who were close to him and who shared his experiences. And as she traverses Maroun’s life and career, the social and political backdrop moves to the foreground. The film reflects on the last fifty years of the history of the country from a present standpoint. Through Maroun’s story, we perceive how cinema can, beautifully and dramatically, portray our stories and discourse our life events..
How can we visualize Body Ownership? We connected Body Ownership with an I-perspective, looking for images that uncover the multiplicity of the ‘I’ First person plural. Strapping two body cameras (GoPros) to our chests, we move in direct body contact. Our premise is that both I-perspectives of the cameras are at interplay with each other, showing that gaze is never produced by a singular entity. Instead, it is the result of bodies touching and reacting constantly to each other. The body cameras are joined by an external camera – a third-person perspective. While it may hold a position of power as the one who frames the image from the outside, it desires to dive into the collective I-perspective. BE-LONGING. At one point the gazes of the I-perspectives and the outside camera meet – they look at each other looking. Gazes conjoined with bodies. Body is spatiosocially bound, is situated.
Set in the early 1950s, the narrative follows 15-year-old Cecilia, an orphan who becomes pregnant due to an assault by the orphanage warden. To conceal the pregnancy, she is sent to live with Ida, a woman desperate to adopt, residing in an isolated mansion with her lifelong maid, Alma. During her stay, a unique bond forms among the three women, offering solace from their individual loneliness and desires. However, the arrival of the baby disrupts their harmonious existence, leading to unforeseen challenges.
Feeling unhappy with his gun, Jigen is looking for the world’s best gunsmith. He finally finds out that Chiharu, who runs a watch shop, is the person he’s been seeking. Then, Jigen meets Oto, who comes to Chiharu’s shop looking for a gun. Jigen finds out about Oto's secrets and the mysterious organization that’s after her. After Oto is kidnapped, Jigen gets into a desperate battle to save her.
Ean has a critical mission to return to the future to save everyone. However, she becomes trapped in the distant past while trying to prevent the escape of alien prisoners who are locked up in the bodies of humans. Meanwhile, Muruk, who helps Ean escape various predicaments, is unnerved when he begins sensing the presence of a strange being in his body. Traveling through the centuries, they are trying to prevent the explosion of the haava.
Bullet, a female triad member, is recently released from prison. Bullet hooks up with her old gang rather quickly, although she is being closely watched by her policeman father and his gritty female partner Big Aunt . Bullet steals some jewels belonging to triad gangster Chin Bo while helping her friend May, who has been forced into prostitution. Chin Bo, also known as Brother Mad, kidnaps May and another of Bullet's friends to secure the return of his fortune, but the exchange goes wrong and a furious gun battle erupts.
In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.