Radiation oncologist and choreographer Dr. Niraj Mehta seeks to heal cancer through movement.
Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate
A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.
In a pub in Madrid's downtown, a group of workmates meets to celebrate a birthday party. There, the singular characters share their opinions about education, maternity and other matters about life. In the middle of that, Lucía tries to behave normal, but in her head, there is only one thing: She may be pregnant and if it's confirmed, she would be forced to face one of the most difficult decisions: became a mother or not. A story about maternity, friendship, and identity.
Two girls clean places after somebody dies there. Sometimes they sell the belongings of the dead at a flea market. When they meet an odd guy who has a passion for boxes, a strange game unfolds. An unconventional love story about the oddity of ordinary things. Eccentric and natural at once.
Led by Pat Metheny--virtuoso guitarist, composer and producer--the eight member Pat Metheny Group perform their jazz fusion stylings live in Japan. Nominated for 23 Grammys in his career, Metheny and his group continue to push the envelope of jazz, leaving true believers in their wake. Tracks: Have You Heard, And Then I Knew, Here to Stay, First Circle, Scrap Metal, Farmer's Trust, Episode D'Azur, Third Wind, This Is Not America, Antonia, To the End of the World, Minuano (Six-Eight), Stranger in Town. 110 minutes.
This feature-doc tells the epic story of the Faberge name, from Imperial Russia until the present-day, spanning one hundred and fifty years of turbulent history, romance, artistic development and commercial exploitation. From the bejewel led Easter eggs of the Romanov Tsarinas to the 1970s allure of 'Brut by Faberge' aftershave, and from the Russian revolution to today's high-fashion glitz in New York and London, the film explores a multi-faceted world that began with one man: the prodigiously talented Peter Carl Faberge, Court Jeweler of St Petersburg. Shot at locations across Russia, Europe and USA (including the collection of Her Majesty Queen Elizabeth II), the film features interview contributions from the world's foremost Faberge authorities, as well as personal reminiscences from Faberge family members.
To cure their flirtatious husbands of consorting with flappers, three wives-- Susan Martin, Ethel Drake, and Kitty Ladd-- arrange with three college boys-- Henry Winton, Oscar, and Joe Valley-- to flirt with them at a house party. Joe Valley, who poses as a hot-blooded Spaniard, is vamped by Ginsberg in female attire, and Oscar, a bashful Swede, uses caveman methods when aroused. During a rehearsal of the party, the three husbands arrive, followed by their flapper friends, leading to comic complications.
This musical version of the tale of the boy who wouldn't grow up aired live on television on March 7, 1955. It was so popular that it was restaged the following year, and again four years later.
A dying marshal deputizes a drifter to deliver the two killers in his custody to prison. However, the new deputy must elude a pair of bounty hunters who want to deliver the prisoners themselves to collect the reward and would think nothing of killing the deputy to get them.
Drawing from a passage from the Rosh Hashana Service, “Who shall live, who shall die… who by water, who by fire,” this short film deals with that which has been preordained—a future history that will in time unfold before us as the faces of passengers on a ship forces us to contemplate our own fate.
Shot over the course of ten years on both film and video, the film consists of a series of carefully composed tableaux of people and environments. Pedestrians shuffle across a bustling Beijing street, steelworkers linger outside a deserted factory, tourists laugh and scamper across a crowded beach, worshippers kneel to pray in a remote village. With a painterly eye for composition, Wang captures China as he sees it, calling to a temporary halt a land in a constant state of change.
Painter Freddy lives with his wife and child on Lake Tegernsee and is working on his comeback until one day his life suddenly turns upside down: He is accused of beating up his wife and as a result of which he is said to have custody of his eight-year-old son withdrawn . But Freddy can not remember having committed the alleged acts and protests his innocence. In this grave crisis, Eddy appears, Freddy's childhood friend. Both look confusingly alike and Eddy immediately begins to interfere in Freddy's life, in which worse things happen. Only Freddy knows that he has a doppelganger, an imaginary one at that - how is he supposed to convince those around him that it is Eddy who is to blame for all the disasters? Freddy is slowly losing control of his life...
College student Mutou Ookawa catches a glimpse of Ametani Yuiko, his co-worker from a former part-time job and falls immediately in love. Summoning up his courage, he eventually confesses his feelings to her and she responds “…but I’m a fujoshi.” Mutou not having the slight clue what “fujoshi” means, immediately responds “That’s OK!”