Junko is nearly 30, nearing the traditional 'best before' of the Japanese society, and feels increasing pressure: without a partner candidate or even a particular wish to have children anytime soon, she decides to become an egg donor.
Twenty year old Lynn studies Psychology in Amsterdam. Now that she is living on her own, she is re-shaping her live and developing her own identity. This makes her extremely self-conscious. She is constantly thinking on how she is seen by other people, what people may think of her, what she should and shouldn't do. Her self-consciousness gets in the way.
When the fifteen year old Zara knocks on her teacher Gijs' door, she's just been abused and she has no one else to turn to. At least, that's what she tells her teacher. Gijs can't send her back to her home, but soon he regrets his decision. As the evening progresses, Zara spins a web of lies and deception around him.
This film focuses on an aging starlette (Silvia Perez) was once an it-girl. She returns to her hometown for her niece's birthday party and has to deal with her conservative family who does not agree with her chosen lifestyle.
Onder de tafel is a melancholic father-son tale which starts when Jacob hears that his father Kees has started drinking again. He needs to be picked up at the clinic where he is treated for alcoholism. Jacob takes his father to a bungalow park hoping to be able to connect with him at a place where they used to be a happy family. Kees does not recognize his son and the first chance he gets, he grabs a can of beer. Jacob realises that the only chance he has of reconnecting with his dad, is to drink together. And so they do.
A phony spiritualist hypnotizes the daughter of a wealthy banker in a scheme to swindle the banker out of his money. A reporter investigating the swami discovers the plot, determines to expose it.
Director Liu Jiayin casts her parents and herself as fictionalized members of a Beijing family that has fallen on hard times and ekes out an existence by making bags out of oxhide for sale.
Rainer’s landmark film is a meditation on ambivalence that plays with cliché and the conventions of soap opera while telling the story of a woman whose sexual dissatisfaction masks an enormous anger.
After Coralie was found dead in a vacant lot, her mother Catherine - who thinks that her daughter was murdered - conducts her own investigation.
Maria Garcia (Carmen Maura) is a television journalist and she's about to be a single mother. Her career foremost in her mind, she doesn't slow down even for a minute, despite her pregnancy. She is, however, taking Lamaze classes and is quite competently coping with the romantic attentions of a man she's not very interested in. It's not at all irrelevant that her news beat includes stories on terrorism, the greenhouse effect, pollution and genetic engineering, because when her baby's due date comes and goes, she starts hearing from her infant from in the womb. It is telling her that it and many other babies are refusing to be born into such a horrible world. She learns that this is true, and that the children born through induced labor are dying.
Three old friends meet at a school reunion, and after trading the current details of their lives, the women come to realize how much they are dominated by their respective husbands’ needs and demands. Aching for a taste of freedom, the three decide to go off on a brief holiday spree together, away from jobs and families. 'Wives' is a delightful, ironic look at how a new generation of women was beginning to rebel against social conventions and gender expectations.
A snapshot of one segment of Estonian present-day life, shown through the eyes of a child: 8 years old Lucia is leading a jolly and naughty Pippi-Longstocking-style life in a small town in Estonia. Her father Kaido, a graveyard keeper, can hardly provide for the family, her mother Maria is a drunk. Then the family receives an unexpected invitation to spend a week in Finland, in the house of the female pastor Sipra. This week will change everybody's life in unexpected ways...
Suzu lives with Furuta, her fiance, but one day she leaves home without saying a word. She moves into the apartment of her friend Abe, but he has gone abroad and Yoko now lives in his apartment. Suzu and Yoko, who have known each other since childhood and have both always loved Furuta, thus find themselves sharing the same home.
A small poor community called Javé is under threat of being flooded by a new dam that is being built, and the only way to prevent this is to prove the town's historical value. As most of the inhabitants are illiterate, they have no choice but to ask for the help of Antônio Biá, a man who has been ostracized ever since it was discovered that he had sent out letters with lies about their reputations as a way to keep his job in Javé's seldom-used post office. He now has the task of documenting people's memories of how the city was founded, yet each inhabitant has his or her own version of what happened.
The story revolves around a love story between an older woman and a young man struggling to change a future that not excited.
Sara, recently divorced and mourning the loss of her only child, rents her basement to Bogdan, a Serbian musician who brings the whole band along. As she learns more about her ex's infidelity, she wonders if Bogdan's lifestyle may be preferable to the manipulative starkness of her ex that ultimately lead to his murder.
When her father files bankruptcy and then dies, Rose's fiancé jilts her; she takes a job as a maid in a Montmartre kindergarten with 150 poor children. Rose gives each child loving attention, and soon she's their favorite. An especially needy child is Marie, a prostitute's daughter. Rose and she bond, and Marie is jealous of all attentions paid Rose, especially those of Dr. Libois, the school's physician. When Rose inadvertently guides the children through the educational experiment of a visiting scholar, and then discloses she has a college degree and is working beneath her station, the principal wants to fire her. Is there any way she can stay? And what will happen to Marie?
A weird German doctor uses hypnotism, seduction, and criminality to get the better of a trio of spoiled wealthy siblings, in a tribute to old Hollywood Technicolor melodramas.
North Carolina mountains at the end of the 1920s – George and Serena Pemberton, love-struck newly-weds, begin to build a timber empire. Serena soon proves herself to be equal to any man: overseeing loggers, hunting rattle-snakes, even saving a man’s life in the wilderness. With power and influence now in their hands, the Pembertons refuse to let anyone stand in the way of their inflated love and ambitions. However, once Serena discovers George’s hidden past and faces an unchangeable fate of her own, the Pemberton’s passionate marriage begins to unravel leading toward a dramatic reckoning.
A degenerate gambler, unable to come up with the cash necessary for a high stakes gin rummy game, bets his nubile daughter. And loses. His daughter immediately becomes the delectable property of a hot-to-trot sex fiend and the film promptly becomes a catalog of perversion, wallowing in domination, humiliation, fetishism, voyeurism, masturbation, lesbianism, spanking, bondage, blowjobs, incest, and more.
In cities like Paris there are countless people from Eastern Europe who have forsaken their homelands because they can see no future there. Lucia and her little daughter Marussia are two such people. They have been thrown out by the Russian acquaintances they were staying with and must tramp the streets with their trolley suitcases searching for somewhere else to live. A Russian Orthodox priest offers them their first night's shelter. They spend the second night in a homeless hostel and party through the third with a chance acquaintance. On the fourth night they sleep clandestinely in a cinema and on the fifth with a Russian artist in a hotel … Lucia is good-looking, dresses elegantly and is certainly not shy of men. This serves the mother and her daughter well. In spite of all the uncertainties in their lives, the two frequently share tender moments.