In May 1994, the Tate Gallery in London announced that it was going to create a huge modern art gallery in London. Instead of commissioning a new building from one of London's "star" architects, they made the controversial decision to award the contract to a small Swiss firm of architects, and convert a disused power station. Karl Sabbagh follows the team from conception to opening as they wrestle with decisions about design, construction and art as well as people and internal politics. From schedule delays to a faulty staircase; asbestos in the roof to resigning construction managers, Sabbagh tells the story of the process behind a rare success in public design and architecture.
In May 1994, the Tate Gallery in London announced that it was going to create a huge modern art gallery in London. Instead of commissioning a new building from one of London's "star" architects, they made the controversial decision to award the contract to a small Swiss firm of architects, and convert a disused power station. Karl Sabbagh follows the team from conception to opening as they wrestle with decisions about design, construction and art as well as people and internal politics. From schedule delays to a faulty staircase; asbestos in the roof to resigning construction managers, Sabbagh tells the story of the process behind a rare success in public design and architecture.
2000-04-01
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Tracing the often troubled history of the conversion of London's Bankside power station into the new Tate Gallery of Modern Art.
A short documentary on how people view art and its value in today's society.
Visiting examples of Herzog and de Meurons ground-breaking style, this film reflects their capacity to astonish and explore the way in which they transform what might otherwise be ordinary through new treatments and techniques.
This is the amazing story of how a group of reclusive Rhineland experimentalists became one of the most influential pop groups of all time - a celebration of the band featuring exclusive live tracks filmed at their Tate Modern shows in London (Feb 2013), interwoven with expert analysis, archive footage of the group, newsreel of the era and newly-shot cinematic evocations of their obsessions. With contributions from Derrick May, Holger Czukay, Francois Kevorkian, Neville Brody, Paul Morley, Peter Boettcher, Caroline Wood and more.
Don’t be misled by the title and put your lube away: True Gore II (aka Empire of Madness) (1989)–M Dixon Causey’s follow-up to the eponymous first entry–has virtually no true gore in it at all. Instead, the first half is a compilation of faux-snuff vignettes akin to something you’d find in a SOV horror collection like Snuff Perversions 1 & 2, Snuff Files, The Dead Files, Violations I & II, or even more recent titles like Murder Collection Volume 1. The second half is in turn a send-up of satanic panic style videos like Law Enforcement Guide to Satanic Cults, Devil Worship: The Rise Of Satanism, and countless others shat out during the 80s/90s. The vignettes are hilariously inept to the point where it seems clear that Causey was parodying the shockumentary form. Even the credits are a joke, mocking the seriousness with which shocku producers take themselves, crediting a ‘researcher’ for a film that clearly had none, and a ‘visual archivist’ being listed in place of a cameraman.
Brings together the existential ponderings of the people around us who most deserve to be listened to, those who have lived the longest. We travel the world hearing memories of love and loss, of joy and hardship.
A documentary about young people just starting their higher education and their professional life.
This Feature documentary is about the lives of Louis Brunke and Vladimir Fissenko who rode on horseback from the southern tip of Argentina to Prudhoe Bay, Alaska. It took them five years to cross 14 countries -- and they filmed it all.
"In Spring, 1963 Show Magazine called me and asked that I make a film on arts in New York. I told them, why did they want me to make it - didn't they know I was a bit unusual? ... 'We want something unusual,' they said. So I went out and made a newsreel on arts. Show people looked at the rough cut of the film and became very angry. 'But there is nothing about Show Magazine and DuPont fabrics in the movie,' they said. 'What has that to do with the arts in New York!' I said. The battle was short. The film was destroyed. Really, I have no idea what they did with it. This workprint of the first FILM MAGAZINE OF THE ARTS is the only print in existence, as far as I know." -- J.M.
This fascinating journey of exploration of the connection of all things in the Universe is narrated by the legendary Sir Patrick Stewart. The film explores the mechanism of connection of all things in the Universe.
Stories of hope and homecoming intersect as Indigenous multimedia changemakers learn and document the teachings of their Elders. Ecko Aleck of the Nlaka'pamux Nation (Lytton, BC,) Alfonso Salinas of the shíshálh Nation (Sunshine Coast, BC,) and Charlene SanJenko of Splatsin of the Secwépemc Nation (Shuswap, BC,) are learning and documenting the traditional cultural teachings and legacies of their Elders, including the impacts of genocide resulting from Canada's Indian Residential School (IRS) system. Calling the audience's attention to the filmmaking process of narrative collaboration between an Indigenous and settler team, this character-driven documentary connects the transformative stories of three Indigenous multimedia changemakers and their four Elders. Infused by Indigenous ceremony, s-yéwyáw: Awaken walks alongside the process of intergenerational healing.
The Russian invasion of Ukraine created an avalanche of abandoned dogs and cats that are now multiplying causing unforeseen consequences.
Between One Eyed Jacks (1961) and The Godfather (1972), Marlon Brando appeared in twelve feature films. The actor called this period his "F*** You Years" and it was during this time that his on-set behavior hit erratic and unpredictable new heights. The qualities of the roles and the films themselves vary, but this video essay examines the historical and aesthetic profiles of this cinematic so-called "dirty dozen." Were these projects really beneath him? And what led him to this decade of perceived ignominy?
Dziga Vertov-directed Soviet newsreel covering: Streetcar collision / Arms manufacturing plant resumes operation / Assembling an automobile / Bicycle and motorcycle races / A parade of Red Army armored units and an attack exercise.
Take to the sky... and SMASH on any sucka caught sleepin'... Drop a dime for a rim bendin' alley oop... Crossover and blow past your man. Is basketball your life? Is ball more than just a game? Then you gotta have this street ball classic. Ballin' Outta Control, the follow-up to the double platinum Ball Above All, has combined the most ridiculous moves ever caught on video. Check out the hottest dunks and crosses ever seen hooked up with the bangin'est hip-hop beats. Nonstop highlights of the REAL best athletes in the world from New York, D.C., Atlanta, L.A., Chicago, Philly, North Carolina, and more. You heard it here, straight from the streets. Ballin' Outta Control is the hottest sh*# ever! 46 minutes.
Profile of the life and music of the legendary reggae singer.
The character of this story lives far from the worlds of the material and the spirit. He has built his own subsistence conditions. He often goes to the neighboring villages, although he doesn’t communicate with other people. He collects some waste but doesn’t beg. He prowls about the ruins of deserted villages, as an animal or as a ghost. Under double political and economical pressure, most of people are depriving of their last dignity into a world where it exists a lack of material and spirit. But a human being stays a human being. He is looking for reasons to continue to live. —Wang Bing
In this seven-hour presentation to 2,500 people at the Brixton Academy in London, David addresses all these questions and connects the dots between them to reveal a picture of life on earth that is truly beyond the cutting edge.
The year: 1969. Headlines blare war and civil unrest while John Lennon and Yoko Ono are in love. The eccentic rock 'n' roll couple has just gotten married, and more than happy to be together, they want to change the world. Lying in a hotel bed surrounded by journalists, they announce their mission for peace and invite the rest of the world to symbolically climb into bed with them and share their dream. People call them silly, naive, even ridiculous, yet one famous couple's bed-in spread new hope that there really could be an end to war, hate and violence. Here is rare footage from that amazing time, including footage from John and Yoko's wedding, the infamous bedside confrontation between John and conservative cartoonist Al Capp, Lennon debating media expert Marshall McLuhan, and meeting Canadian Prime Minister Pierre Trudeau. Now twenty years after Lennon's murder, Yoko and others involved in the peace mission reflect on the events of that magical, mystical year.