Bike Against The Wind(2015)

Quem Precisa de Identidade?(pt)

Every day they have to fight to exist. Immigrants and Afro-descendants in Brazil - one of the most racist countries in the world - move to overcome the struggle of existence and have a better place with respect and rights. But how to guarantee one's identity if racism is such a perfect crime that the culprit always ends up being the victim of a victim?

Women in China(en)

Women in China is a timely two-part documentary on the conditions of women in today's economically -oriented Chinese society. By visiting four diverse parts of China, it provides a representative view of the opportunities and living conditions of Chinese women today.

Unprovoked: A Creative Process(en)

Artist Taylor Denise sets out to make her first painting, which also happens to be her largest work to-date. As she embarks on this creative process of making shit because it looks cool, she's met with comradery, debauchery, and people's brains interrupting art whatever way they want to-ery.

Ojos Inocentes(es)

Great North: A Run. A River. A Region.(en)

GREAT NORTH: A RUN. A RIVER. A REGION is a documentary film about the Great North Run, a half marathon from Newcastle to South Shields.

Time is the Thief of Memory(en)

A meditation on memory around Iceland's famous Ring Road.

Kneidler(fr)

La marsellesa de los borrachos(fr)

Sam Morril: Full Capacity(en)

A documentary about the comedy clubs reopening in NYC and getting back to some sense of normalcy.

En nous(fr)

Ten years ago, the paths of Abou, Laura, Cadiatou and Jacques have crossed Emmanuelle’s. She was their French teacher at a high school in Marseille. Together they took part in a film, Children of the Princess of Cleves, in which, while analyzing the classic text, they expressed their hopes, dreams, and fears. In En Nous, the director re-connects with the protagonists : memories blend with stories of their lives and the daily obstacles they must overcome whilst trying not to lose hope. Now, the sentence of the Princess of Cleves rings poignantly true: “I know nothing can be more difficult than what I undertake”.

Information for/from Outsiders: Chronicles from Kashmir(en)

Chronicles from Kashmir seeks to create a sense of “balance”: between differently positioned voices that emerge when speaking about Kashmir; between differently placed narratives on the “victim”/“perpetrator” spectrum. While there is an inevitable streak of political commentary that runs throughout the work – a political current that cannot be escaped when talking about Kashmir – Chronicles from Kashmir does not espouse any one political ideology. We see ourselves as being artists and educators, using aesthetics and pedagogy to engage audiences with diverse perspectives from/about the Valley.

A Cam Life(en)

An undaunted look into the cam business from performers and clients to website and studio owners.

Brazen Hussies(en)

Reveals a revolutionary chapter in Australian history, the Women’s Liberation Movement (1965 -1975). Interweaves fresh archival footage, personal photographs, memorabilia, and personal accounts from activists all around Australia to show how a daring and diverse group of women joined forces to defy the status quo, demand equality, and create profound social change. These women defined one of the greatest social movements of the 20th century, sometimes at great personal cost.

Game of Thrones: The Last Watch(en)

For a year, acclaimed British filmmaker Jeanie Finlay was embedded on the set of the hit HBO series “Game of Thrones,” chronicling the creation of the show’s most ambitious and complicated season. Debuting one week after the series 8 finale, GAME OF THRONES: THE LAST WATCH delves deep into the mud and blood to reveal the tears and triumphs involved in the challenge of bringing the fantasy world of Westeros to life in the very real studios, fields and car-parks of Northern Ireland. Made with unprecedented access, GAME OF THRONES: THE LAST WATCH is an up-close and personal portrait from the trenches of production, following the crew and the cast as they contend with extreme weather, punishing deadlines and an ever-excited fandom hungry for spoilers. Much more than a “making of” documentary, this is a funny, heartbreaking story, told with wit and intimacy, about the bittersweet pleasures of what it means to create a world – and then have to say goodbye to it.

King Lines(en)

King Lines follows Chris Sharma on his search for the planet's greatest climbs. From South American fantasy boulders to the sweeping limestone walls of Europe, Sharma finds and climbs the hardest, most spectacular routes. Off the coast of Mallorca he discovers his most outrageous project yet, a 70 foot arch rising from the Mediterranean Sea...

Become Successful and be the Master of the World(en)

Filmed mostly on a Mini DV camera Gavin has thought of a quick way to become successful and be the master of the world but he has to wait for it all to fall into place… he has to wait for the postman to start production documenting the process of being master of the world.

Monica in the South Seas(fi)

Finnish filmmaker and artist Sami van Ingen is a great-grandson of documentary pioneer Robert Flaherty, and seemingly the sole member of the family with a hands-on interest in continuing the directing legacy. Among the materials he found in the estate of Robert and Frances Flaherty’s daughter Monica were the film reels and video tapes detailing several years of work on realising her lifelong dream project: a sound version of her parents’ 1926 docu-fiction axiom, Moana: A Romance of the Golden Age.

Flamboyants(pt)

The trajectory of flamboyant bodies that expose themselves in their social networks, whether artistic or not, and use these spaces freely.

The Swamp(en)

A look behind the curtain of Washington politics following three "renegade" Republican Congressmen as they bring libertarian and conservative zeal to champion the President’s call to “drain the swamp.”

Interview with Júlio(pt)

An excerpt about the troubled, passionate and intriguing relationship of an actor with his own life.