This deliciously dark take on the beloved Brothers Grimm fairy tale, appealing to audiences of all ages, was part of the Met’s popular English-language holiday series. Alice Coote and Christine Schäfer star as the famous siblings lost in the woods, who battle the ravenous Witch—a zany portrayal by tenor Philip Langridge—while the Met orchestra, under the baton of Vladimir Jurowski, glories in the rich, folk-inspired score.
Peter
Self - Conductor
Self - Special Guest Interviewer
While at the royal ball with Cinderella, Little Red Riding Hood finds herself in the middle of a mystery. Can she solve the case before midnight strikes?
An old man living in an oriental city tells the story of his life to a group of kids: He too was once a young boy by the name of Little Muck - much like them, but with better manners and a heap of problems. Having lost his father at early age, little Muck is expelled from home by his greedy relatives. He wanders off into the desert hoping to find the merchant who sells good fortune. Amidst the dunes of sand he comes across a small house owned by a wicked woman and her many cats. She wants to make Little Muck her servant, but he manages to escape by stealing a pair of magic shoes which enable him to run faster than any man in the country. From there he heads right into the next set of challenges...
The story of the goose princess and her faithful horse Falada.
Hans Röckle is a puppeteer, inventor, blacksmith and more. He is challenged by the Devil (in almost a dozen fancy costumes) who offers him even more inventiveness, against his soul should he ever make money with an invention, build something twice, or cease inventing for 7*7 hours.
A fairy-tale about a beautiful but very haughty princess Anna who cruelly mocks each of her suitors. Finally she is forced by the king to marry a beggar. The poor life, hard work and love teach the princess a lesson and turn her into a loving and kind person.
In an enchanted forest, the princely brothers Michael and Andreas get lost and are transformed, by a mountain spirit who jealously guards his underground treasure, into animals until the unlikely event of sincere love from a human. The only persons who may be able to give such love are the local commoner sisters Snow-white and Rose-red, who are kind and helpful by nature and stand to harvest unimagined rewards.
Based on a fairy tale by the Brothers Grimm: Jakob is a poor farmer′s boy. Because of his timidity that even makes him run away from mice, he is often ridiculed by other people. Even the king is ill-disposed towards him. One day he sends Jakob to the devil to rob him of three golden hairs. This is supposed to be Jakob′s certain death. But naïve Jakob gets going and on his way even promises the oppressed subjects of the king to ask the devil for a way out of their misery.
Hated by her jealous and bloodthirsty stepmother, Snow White flees a murder attempt and seeks shelter in the woods with seven kindly dwarfs. Feeling she is safe from harm, Snow White welcomes the disguised queen into her home...with fatal consequences.
Astonished to find the Beast has a deep-seeded hatred for the Christmas season, Belle endeavors to change his mind on the matter.
"Giovanna d'Arco; ossia, la pulzella d'Orléans" is an operatic dramma lirico with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The opera partly reflects the story of Joan of Arc and is based on a play by Friedrich von Schiller, although claimed by the librettist to be "an entirely original Italian drama." If the thought of Anna Netrebko strutting her stuff in a suit of armour and tin hat sets your factor tingling then this is a must. It's an inconsistent opera but has some quite wonderful music along the way. The rest of the cast is good and the production won't offend either. Get it for Ms Netrebko's incredible performance alone.
Simultaneously filmed English language version of a period operetta, in which a Polish noblewoman is romantically linked with a revolutionary student activist.
The most annoing things about this production is that the actors, Voyager I and II, spoke most of the recitatives as the singers on the most part were making hand jestures to go along with the spoken words, and the Voyagers' weird distracting seizure movements, jestures and bodyslamming themselves to the ground while the singers sang. It's amazing how the singers could focus on their arias and keep their composure.
Richard Strauss's opera, from the Royal Opera House, Covent Garden.
Live performance from the Opéra National de Paris, 2003.
Valery Gergiev leads the Vienna Philharmonic Orchestra in this production of Puccini's opera, recorded live at the Salzburger Festspiele in 2002. David Pountney's production features performances by Gabriele Schnaut, Paata Burchuladze, Johan Botha and Cristina Gallardo-Domas. This production uses Luciano Berio's 2001 completion of this unfinished opera.
This Wagner opera is rarely performed because of the scandals that engulfed the Magdeburg Theatre when it was performed in 1836 under the title The Novice of Palermo, and became known as a cursed opera from which the composer had to distance himself. Wagner's adaptation of the story reflects the rebellious mood of a Revolutionary Germany, vindicating sensual love and attack the fanatical repression of sexuality by a puritanical and hypocritical authority. As the prose says, "Shame to him whose cruel striking/Kills for faults of his own liking!". One of the most extraordinary musicals based on a text by Shakespeare, especially worthy of a new performance as it is four hundred years since the death of the Bard.
Shostakovich’s satirical opera adapted from the classic short story by Nikolai Gogol. Baritone Eduard Akimov leads the cast as Kovalyov, the hapless bureaucrat whose nose has mysteriously gone missing.