Director Umberto Lenzi, writer Ernesto Gastaldi and stars Ray Lovelock & Gino Santercole discuss the making of Lenzi's Almost Human.
Director Umberto Lenzi, writer Ernesto Gastaldi and stars Ray Lovelock & Gino Santercole discuss the making of Lenzi's Almost Human.
2005-07-26
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An autobiographical essay film structured as a letter to the director’s young daughter, "Où en êtes-vous, Bertrand Bonello?" weaves clips from Bonello’s films, excerpts from his scripts, pop songs, and snippets of original footage into a lyrical, reflexive cinematic self-portrait. "Où en êtes-vous?" is a collection initiated by Centre Pompidou, who asked directors to make retrospective and introspective films.
An Experiment in Leisure explores the link between free time and creativity, between leisure and the kind of imaginative contemplation it facilitates.
For the France 3 show, Mosaïque, Sarah Maldoror met Assia Djebar on Sunday March 29, 1987 on the occasion of the publication of her book Ombre Sultane. She discusses the status of the traditional woman in the Arab Muslim world: "The woman is always on the move, she is never anchored. To the extent that she is always in the process of repudiation, she is in the process of leaving. With Ombre Sultana, I wanted to make the reader feel that these women from elsewhere are like her, even if the reader is Western.
A documentary exploring the effect of PCP on both the user and society, with particular focus on a Los Angeles salesperson named Jack's recreational usage of the drug.
Two years after the phenomenal success of the documentary Demain, Cyril Dion looks back at the projects the film inspired. He is accompanied by Laure Noualhat, a renowned investigator and sceptic of the ability of micro-initiatives to have any real impact in the face of climate change. Their humorous confrontation pushes them to their limits: what works, what fails? What if all this forces us to invent a new narrative for humanity?
People's Stuff is a document of six collectors of unusual objects. Creating an environment for storytelling, the subjects reveal inner dreams and motivations as they share both their collections and their lives with the viewer. Charmaine Burrell collects Purple Cows. Fred Crane, Professor Emeritus of Musicology at the University of Iowa, collects jaw harps (he calls the instrument a trump). George Preston collected commercial signs. Ruth Rasmussen is in the Guinness Book of World Records for her salt and pepper shaker collection. Irene Redfearn collects sea shells and Craig Starr, spark plugs. Ruth Rasmussen is in the Guinness Book of World Records for her salt and pepper shaker collection. Irene Redfearn collects sea shells and Craig Starr, spark plugs.
Luca Guadagnino left for Sicily from Milan to knock on the doors of his childhood friends and discuss with them their experience of this exceptional moment, which has united the entire world.
Short documentary on people who survived the Nazi concentration camps.
An aimless journey, where a trailer enters the bowels of a disappeared city, a black cat and 20 ° below zero.
Maricarmen is a writer who lives with schizophrenia since she was seventeen years old. The film is a portrait of her live, her illness and her work.
Belfast-born actor Stephen Rea explores the impact of Brexit and the uncertainty of the future of the Irish border in a short film written by Clare Dwyer Hogg.
Jon Tizick and Taro Koka talk about their lives before Taekwondo, how they got into Taekwondo and how they ultimately became world champions.
Joe Kenda's investigation into the brutal rape and murder of 24 year old wife and mother Mary Lynn Vialpando goes cold until DNA technology leads cold-case detectives to the most unlikely of killers 30 years later.
A short film shot on Super 8 which captures the last days of winter.
Athens. Nothing seems to move. The locals seem as still as statues. While at the same time, somewhere, a caryatid is escaping from a museum and a small group of people demands the destruction of all antiques. Would film be the only way to avoid stone-cold indifference?
Women of mature years talk about their marriage, their first time, their intimate relationship with sexuality. In the repetition of these ancestral rituals, the director questions her own lack of marriage, of children, and with it, a chain of mother-daughter relationships that is dying out.
This work was created to commemorate the reversion of Okinawa to Japan.