Matthew Eberhardt brings 1950s suburbia to life in Leonard Bernstein’s colourful criticism of American consumerism. This performance stars Wallis Giunta, winner of the Young Singer Award at the 2018 International Opera Awards, in the role of Dinah.
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Dinah
Chronicles the history, ideology and aesthetic of Norwegian black metal, a musical subculture infamous as much for a series of murders and church arsons as it is for its unique musical and visual aesthetics. This is the first film to truly shed light on a movement that has heretofore been shrouded by rumor and obscured by inaccurate and shallow depictions. Featuring exclusive interviews with the musicians themselves, Until the Light Takes Us explores every aspect of the controversial movement that has captured the attention of the world.
Swedish death metal greats Arch Enemy deliver a powerhouse performance in this concert that was filmed live in England at the London Forum, 17 December 2004. Selections include "Enemy Within," "Silent Wars," "Dead Bury Their Dead," "Instinct," "Savage Messiah," "The Immortal," "Snow Bound," "Ravenous," and more.
Opera in one act, libretto by G. Forzano based on Dante's Divine Comedy. Third part of his opera Triptych. The plot is based on canto XXX of "Inferno" from "The Divine Comedy", which are dedicated to the rogue and deceiver Gianni Schicchi, who was punished for his sins: he impersonated a dying rich man in order to make a forged will on his behalf. Gianni Schicchi is Puccini's only comic opera, a brilliant example of a modern opera buffa based on the tradition of Verdi's Falstaff. The most expressive recitative, bubbling melody, sharp character, impetuous tempo distinguish her music. Recorded live at Glyndebourne Opera House, Sussex, UK on 11 July 2004.
The writer Dario Fo applies his inventive genius to Rossini's comic opera in its premiere DVD release. Recorded in 2005 under the musical direction of Maurizio Barbacini, Fo's production brings fresh vitality and colour to the story of Lisetta, and of her father Don Pomponio's increasingly ridiculous attempts to find a husband for her through an advertisement in the newspaper LA GAZZETTA. Filmed using high definition cameras with multitrack sound.
Copyright Criminals examines the creative and commercial value of musical sampling, including the related debates over artistic expression, copyright law, and (of course) money. This documentary traces the rise of hip-hop from the urban streets of New York to its current status as a multibillion-dollar industry. For more than thirty years, innovative hip-hop performers and producers have been re-using portions of previously recorded music in new, otherwise original compositions. When lawyers and record companies got involved, what was once referred to as a “borrowed melody” became a “copyright infringement.” The film showcases many of hip-hop music’s founding figures like Public Enemy, De La Soul, and Digital Underground—while also featuring emerging hip-hop artists from record labels Definitive Jux, Rhymesayers, Ninja Tune, and more.
It's Tutter's birthday and viewers are invited to join Bear and the gang in the Big Blue House as they work together to plan a surprise party for Tutter. This stage production features many of the voices from the show and many of its songs as well.
With the release of her eighth studio album, Britney is back and she's workin' it! This documentary chronicles the career of international superstar from her more innocent years with the release of "Baby One more Time" to being the highest paid judge on US X Factor and collaborating with Will.i.am on her latest album. She is worldwide a pop icon, who continues to grow and deliver to her fans. This is her inside story.
A compilation of interviews, rehearsals and backstage footage of Michael Jackson as he prepared for his series of sold-out shows in London.
Their most ambitious staging to date, Black Symphony is capturing a unique concert at Rotterdam's Ahoy Arena on February 7, 2008. Sold out months in advance, Within Temptation performed to 10,000 fans with the 60-piece Metropole Orchestra and a 20-voice classical choir, as well as on-stage stilt performers, costume changes, and an array of stunning pyrotechnic and lighting effects. Special guests include Keith Caputo (ex-Life Of Agony), Anneke van Giersbergen (The Gathering), and George Oosthoek (Orphanage)
A concert movie on an unprecedented scale, Rattle And Hum captures U2 - on and off the stage - during their triumphant Joshua Tree tour. From the giant technicolour stadium celebrations to the black-and-white intensity of the indoor shows, this is U2 at their best. Follow the group across America, exploring new influences, playing with the legendary B.B. King from Dublin to Graceland.
If you ever wanted to get to know Megadeth, this is the best way to do it. This home video tells the story of the recording of Youthanasia, and contains footage from the studio, interviews with the band and an inside look at the recording of an album. Evolver's story is told by Professor Dave. It finishes with the video for "Train of Consequences".
Radiohead's performance at the OpenAir festival in St. Gallen on July 2, 2016 Setlist: 1 - Burn the Witch 2 - Decks Dark 3 - Desert Island Disk 4 - Ful Stop 5 - No Surprises 6 - Weird Fishes/Arpeggi 7 - Everything in Its Right Place 8 - Idioteque 9 - Street Spirit (Fade Out) 10 - Bloom 11 - Paranoid Android 12 - Nude 13 - 2 + 2 = 5 14 - There There 15 - Exit Music (for a Film) 16 - Karma Police
The Shadows long and influential career has spanned 6 decades, with hit singles or albums in every one of them. Hank Marvin's guitar playing has been an inspiration to hordes of guitarists down the years, including the likes of Brian May, Eric Clapton and Pete Townshend. Over a decade since their last tour, Hank Marvin, Bruce Welch and Brian Bennett
First seen at La Monnaie in Brussels on 13 May 1998, this production of Monteverdi’s L’ORFEO seen through the eyes of Trisha Brown and René Jacobs has become an operatic classic in a few short years. This is doubtless because it offers a total symbiosis of music, text and movement – described by the critic of the Daily Telegraph of London as being ‘as close to the perfect dance opera as I have ever seen’. Or to quote Gilles Macassar in Télérama: ‘In the pit and onstage, the Brussels production has only one watchword: mobility, nimbleness, dexterity. The singers run, fly, whirl like dancers defying gravity. From the flies down to the footlights, the whole theatre is under a fantastic spell.’ For Christophe Vetter, on ConcertoNet: ‘This Orfeo can be seen again and again with immense pleasure. . . . René Jacobs’s conducting continues to arouse admiration for its precision, its stylistic rigour, its inexhaustible inventiveness and its feeling for the contrasts so vital to this repertoire.’