In the late '50s, John Lennon, Paul McCartney, George Harrison, and Richard Starkey were just four Liverpudlian teenagers who decided to play music. With no formal training and no ability to read or write music, they tried to emulate their American rock heroes. Within a few years, they would change music history (and the world) forever. Scott Freiman traces the birth of the Beatles from their days as the Quarrymen to their first visit to EMI Studios and the recording of “Love Me Do.”
James Corden's Carpool Karaoke with Paul McCartney brought on an unprecedented response from audiences, racking up more than 30 million views on YouTube in just two months. This feature, which is more than double the length of the 23-minute original, aired on Aug. 20 2019 on CBS.
The making of The Beatles' controversial 1967 film, featuring previously unseen archive footage.
Photos, animation, and music illustrate the story of the Beatles.
In Deconstructing The Beatles' Rubber Soul, composer/producer Scott Freiman walks Beatles fans young and old through the creation of Rubber Soul. Learn the stores behind the creation of “Norwegian Wood,” “In My Life,” “Nowhere Man,” and other classic Beatles songs. Mr. Freiman conducts an educational journey into the creative process of The Beatles performances and recording sessions.
Now, for the first time, you can re-live the Beatles legends with this stunning 2-hour musical “Rockumentary”. It’s all there from the wild exuberance of the early Cavern Club days through eight incredible years, to the grim finality of “Let It Be”. See John, Paul, George and Ringo in performance, on tour, in films, recording with George Martin and in rare footage never before seen. Narrated by Malcom McDowell.
Feature-length documentary examining the growth of the UK Counterculture in the mid-1960s, and Paul McCartney's involvement with this movement, which had a significant impact on the Beatles' music and their evolution during the latter half of the decade.
The biography of former Beatle, John Lennon—narrated by Lennon himself—with extensive material from Yoko Ono's personal collection, previously unseen footage from Lennon's private archives, and interviews with David Bowie, his first wife Cynthia, second wife Yoko Ono and sons Julian and Sean.
Douglas Adams was the best-selling British author and satirist who created The Hitchhiker's Guide to the Galaxy. In this talk at UCSB recorded shortly before his death, Adams shares hilarious accounts of some of the apparently absurd lifestyles of the world's creatures, and gleans from them extraordinary perceptions about the future of humanity.
Abbey Road is a masterpiece filled with such classic Beatles songs as “Come Together,” “Something,” and “Here Comes the Sun.” Deconstructing the Beatles’ Abbey Road: Side Two takes a track-by-track journey into their inspiration and evolution in the studio with the man who’s been presenting his beloved, exhilarating multimedia deep dives into the band’s work here for years. Because of the depth of the Abbey Road songwriting, he created two separate presentations for this album.
In Deconstructing The Beatles’ Revolver, composer/producer Scott Freiman takes Beatles fans young and old into the studio with The Beatles as they create their seminal 1966 album, Revolver.
Sgt. Pepper’s Lonely Hearts Club Band is one of the foundational albums of rock & roll music. Its release in 1967 ushered in a new era of musical experimentation and performance that resonated perfectly with the tumultuous and vibrant social changes of the time. It lands near the top of every list of the greatest or most important albums of all time. But even if you’re a fan, how much do you actually know about its creation? Musician, composer, software company CEO and Beatles expert (he taught a class about the Beatles at Yale!) Scott Freiman leads the viewer through an educational journey into the creative process of the Beatles’ performances and recording sessions, their studio innovations and the history behind their music. Lifetime listeners will come away with a fresh realization of the singular genius of the four lads from Liverpool, and even new fans might find a novel way to engage with a fulfilling but extremely complex set of songs.
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Bernstein provides two distinct meanings of the term ambiguity. The first is "doubtful or uncertain" and the second, "capable of being understood in two or more possible senses"
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Lecture 5 picks up at the early twentieth century with an oncoming crisis in Western Music. As these lectures have traced the gradual increase and oversaturation of ambiguity, Bernstein now designates a point in history that took ambiguity too far.
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: This lecture takes its name from a line in John Keats' poem, "On the Grasshopper and Cricket". Bernstein does not discuss Keats' poem directly in this chapter, but he provides his own definition of the poetry of earth, which is tonality. Tonality is the poetry of earth because of the phonological universals discussed in lecture 1. This lecture discusses predominantly Stravinsky, whom Bernstein considers the poet of earth.
This British documentary is more than an analysis of John Lennon's song "Imagine" and its ramifications for the world we live in, it's a tentative documentary on John (and Yoko)'s art and songs' influence on a lot of people in all parts of the world and from all walks of life. As such, it should be better known and considered part of the Beatles "canon". The footage shows everything from a John Lennon Museum in Japan to a John Lennon elementary school in Liverpool to his influence on the thinking of a former Communist from Georgia (of the former USSR). It is provocative and very well made with a serious contribution from Yoko.
This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Phonology is the linguistic study of sounds, or phonemes. Bernstein's application of this term to music results in what he calls "musical phonology".
A documentary chronicling the Beatles' rehearsal sessions in January 1969 for their proposed "back to basics" album, "Get Back," later re-envisioned and released as "Let It Be."
Featuring interviews with former employees, fellow musicians, family members and journalists, and supported by original and exclusive never-seen-before footage, this star-studded rockumentary offers a fascinating insight into the creation and recording of one of the most ground-breaking and influential albums in pop history.
This MPL documentary is about Paul McCartney's World Tour '90. It focuses on all the organization which was set up for this tour and also features some live performances by Paul and his band. Some interviews are given by Paul, Hamish, Wix and other members of the crew. The documentary begins with the recalling of the concert at the Maracana Stadium in Brazil on April 21st, 1990. Two days before, a torrential rain has begun to fall, and nobody can yet ensure that the show of tonight will really happen. The rain is so strong that the crew has tremendous difficulties to put up the stage. A previous date (April 19) has already been cancelled because of the rain. But that night, at the very moment when Paul and his band come on stage, the rain stops by a miracle. The show is finally attended by 184.000 people, thus establishing a new world record for the largest concert given in the history of rock'n'roll.
A program originally produced for the BBC, and aired on television several times in 1986. Originally conceived as a long-form promotional piece for «Press to Play», the BBC staffer (Richard Skinner) persuades Macca to talk about much more, including one of the more in-depth interviews about Wings. All of the interview bits were done at Abbey Road studio 2, leading to some reminiscing on Paul's part. Scattered among the interview are some nice McCartney film rarities (including rarely seen promo clips/videos, concert footage from both the 1973 and 1976 tours, and even a bit of the never released "One Hand Clapping" film).