40,000 years in the making: Kogonada's video essay created for The Connected Series.
40,000 years in the making: Kogonada's video essay created for The Connected Series.
2015-06-15
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For just forty days, filmmaker and writer Mark Cousins embarks on a peculiar journey in order to explore topics as the passion for cinema and certain aspects related to making films as style, ideas, emotions and practicalities; an ambitious exploration of the universal language of cinema by analyzing pieces of work that cross every artistic and cultural boundaries.
A discussion of the very important and highly controversial film, GUESS WHO'S COMING TO DINNER, featuring interviews with people like Katharine Houghton, Martin Baum, Louis Gossett, Jr., Norman Jewison, Garry Marshall, Karen Sharpe and Salome Thomas-El.
Hymn of the Nations, originally titled Arturo Toscanini: Hymn of the Nations, is a 1944 film directed by Alexander Hammid, which features the "Inno delle nazioni," a patriotic work for tenor soloist, chorus, and orchestra, composed by Italian opera composer Giuseppe Verdi in the early 1860s. (For this musical work, Verdi utilized the national anthems of several European nations.) In December 1943, Arturo Toscanini filmed a performance of this music for inclusion in an Office of War Information documentary about the role of Italian-Americans in aiding the Allies during World War II. Toscanini added a bridge passage to include arrangements of "The Star-Spangled Banner" for the United States and "The Internationale" for the Soviet Union and the Italian partisans. Joining Toscanini in the filmed performance in NBC Studio 8-H, were tenor Jan Peerce, the Westminster Choir, and the NBC Symphony Orchestra. Preserved by the Academy Film Archive in 2010.
A dog trains for the battlefield and becomes a crucial part of the United States military. This 1945 short documentary film was nominated for an Oscar for Best Live Action Short, One-Reel.
This "Theater of Life" documentary was produced in cooperation with the International Committee, YMCA. It focuses on the work of Dr. Spencer Hatch, as he shows residents of small Mexican villages how to make their land better able to grow food and make them more independent.
Filmed as Brazil was transitioning back into a democracy after over two decades of dictatorship, ‘Mulheres: uma outra história’ focuses on various aspects of women's participation in the Brazilian political scene and features interviews with some of the 23 women newly elected to the Constituent Assembly who managed to gain the approval of some of their proposals for the Brazilian Constitution which was being written at the time. The film features appearances from suffragist Carmen Portilho, who reminds viewers about the long history of struggle for women to earn the right to vote in the country, and Jandira Feghali and Benedita da Silva who would become some of the most influential political leaders in the country’s history.
A follow-up of A LOVE STORY OF TODAY, where actors and crew discuss GUESS WHO'S COMING TO DINNER.
Before experiencing the all-new film in theaters, revisit the characters of the original award-winning animated Spider-Verse adventure and learn more about the live-action Peter Parkers that came before, in a new featurette hosted by the late Stan Lee
In the spring of 1965, Polish citizen Sheybal visits the town of Genthin. He knows his way around the sugar factory. He had to work there as a prisoner of war during the Second World War. He suffered a life-threatening accident. Now he is looking for the people or their relatives who helped him.
The film shows the various stages of the Stahlhelm's integration into the NSDAP and the Third Reich.
In Gustav Deutsch's most recent found footage work the masses "absorb" (Walter Benjamin), the artwork. Three historical camera pans across the streets and squares of Vienna, Surabaya, and Porto provide a starting point for reflection on the relationship of everyday stories and cinematic machinery.
Directors Werner Herzog and Errol Morris make a bet which results in Herzog living up to his promise that he would eat his shoe if Errol Morris ever completed the film Gates of Heaven.
Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with attentive tugboats. Fading sunlight is reflected in the waters of the harbor. The imagery is interspersed with quotations from Walt Whitman, who is left unnamed.
A Short Film About John Bolton is a darkly hip and hilarious film explores the question that torments artists of every medium: "Where do your ideas come from?" Renowned artist John Bolton's paintings of voluptuous she-vampire nudes have earned this quiet eccentric a reputation for having a "damaged imagination." BBC radio personality Jonathan Ross buys his pieces, which leads interviewer extraordinaire Marcus Brigstocke to find out what the appeal is in Bolton's beautiful (but terrifying) artwork. Why does Bolton demand that his gallery "monsterpieces" speak for themselves? What does he do with that ornamental knife that he carries everywhere? Will Marcus ever learn how to operate the camera?
As the AIDS epidemic was spreading in 1987, the Swedish government commissioned Roy Andersson to make an educational film about the disease. In these twenty or so monotone scenes, Andersson criticizes the medical community for its dehumanizing and racist tendencies when researching HIV and AIDS.
A voyage into the labyrinthic memories of a Uitoto man, who worked for the drug Lords in the Colombian Amazon back in the 80s. Following his path between the forest and the ruin of a Narco´s mansion imitating the Carrington mansion in the soap opera Dynasty, the film unfolds the hallucinatory account of a near-death experience.
Alain Resnais & Robert Hessen use the famous Picasso mural "Guernica" in combination with newspaper headlines in an anti-war cry against the Spanish Civil War. Narration by Jacques Pruvost highlights the Guernica atrocity of April 1937, followed by a poem by Paul Eluard read by María Casares to a discordant score by Guy Bernard.