In 1968 Harry Belafonte and Petula Clark sang together her song On the Path Of Glory for this special on NBC. Not such a remarkable event in itself, but Petula touched Harry's forearm during the duet and made TV history. It was the first time a white woman had touched a black man on US television. The sponsor insisted the touch be cut from the programme, the programme makers refused. In the decade’s “year of revolt”, Clark found herself at the centre of a media controversy involving race, censorship and endemic bigotry in a newly desegregated yet depressingly divided US.
In 1968 Harry Belafonte and Petula Clark sang together her song On the Path Of Glory for this special on NBC. Not such a remarkable event in itself, but Petula touched Harry's forearm during the duet and made TV history. It was the first time a white woman had touched a black man on US television. The sponsor insisted the touch be cut from the programme, the programme makers refused. In the decade’s “year of revolt”, Clark found herself at the centre of a media controversy involving race, censorship and endemic bigotry in a newly desegregated yet depressingly divided US.
1968-04-02
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An infamous television special with Petula Clark, which is remembered for what happened off screen.
A TV Land special reuniting the living cast members of The Brady Bunch who share their recollections from the series. Hosted by Jenny McCarthy.
Steve Martin's fourth NBC special was in the spirit of his previous association with Saturday Night Live. It was broadcast live from Studio 8H, produced by Lorne Michaels and featured some original cast members of the show.
In this variety special, Olivia shares the evening with Andy Gibb, Elton John, Ted Knight, Gene Kelly and Toni Tennille. The special included songs from Grease and the Totally Hot album as well as some other artists' covers : the Eagles, Bob Seger, Elton John and Buddy Holly. Olivia also performed a parody of the jazz/blues classic Makin' Whoopee with Gene Kelly, changing the lyrics to Makin' Movies and dealing with Olivia's dream of producing a musical. The show was aired internationally and did very well in the ratings, as did her two previous US television specials on the same network. It is to be noted that Tina Turner's appearance on Olivia's special helped her sign a contract with then Olivia's manager Roger Davies, who ultimately helped her to go back into the spotlight.
Steven, a character from Alice Cooper's album “Welcome to My Nightmare”, encounters a surreal dream fantasy, guided by the spirit of the nightmare.
Train wreck, some might call it a TV special, proving that not everything was better in the good old days. That includes Rolling Stone Magazine.
In a marvelously animated version of one of the most beloved of all Dr. Seuss tales, two youngsters find themselves at home with nothing to do on a rainy afternoon. But when the magical, mischievous Cat in the Hat arrives on the scene, they're all cat-apulted into a day of rousing, romping, outlandish antics they - and you - will never forget!
An animated adaptation of the notorious satire comic magazine. The skits include a look at a modern American car factory, the inner workings of a hospital, and a parody of The Godfather.
Liza Minnelli stars in a television concert directed and choreographed by Bob Fosse. She performs her songs such as the title number and a medley of songs from the film Cabaret (1972).
Barbra Streisand's first television special, featuring a medley of her hit songs, such as "People," "Happy Days Are Here Again" and "My Man."
Set ten years after the finale's quintuple wedding, the special portrays the happily reunited San Román family, including four new grandchildren, as well as the Xochimilco residents. The San Románs go to Patricia's lake cabin in order to celebrate their shared ten-year wedding anniversary, unaware that Demetrio, whom they believe died after escaping from prison a year prior, is actually alive and well and is conspiring with his grandson, Ángel and Alma's young son Angelito, and the San Román grandchildren's nanny, Diana, to kill the entire family.
A CBS television special, renowned for its legendary "Yma, Ava....Yma, Uta... Yma, Oona" sequence. Annie: the Women in the Life of a Man (1970), won Anne Bancroft her only Emmy for her portrayal of 14 different woman in 14 musical and comedy sketches. Bancroft's husband Mel Brooks contributed to the script and also appears onscreen.
Janet Jackson performs live at the Aloha Stadium in Honolulu, Hawaii on the final date of her “All for You” concert tour.
To celebrate New Year's Eve, Eric does his talk show live in front of a studio audience.
A documentary reflecting on women in film and the entertainment industry through the ages led and hosted by some of its most beloved female icons.
A funny anthology featuring various sketches about people having trouble with love and sex.
TCB is a 1968 television special produced by Motown Productions and George Schlatter–Ed Friendly Productions of Laugh-In fame. The special is a musical revue starring Motown's two most popular groups at the time, Diana Ross & the Supremes and The Temptations. Containing a combination of showtunes, specially prepared numbers, and popular Motown hits, the special was taped before a live studio audience in September 1968 and originally broadcast December 9, 1968 on NBC, sponsored by the Timex watch corporation. The title of the program uses a then-popular acronym, "TCB", which stands for "Taking Care of Business".
An enchanting variety special which reunites Dick Van Dyke and Mary Tyler Moore in song and dance. Numbers include "On The Other Hand", "Life Is Like A Situation Comedy", "Food Medley", "Do You Love Me?". Moore's participation in this special led directly to her being offered her own series by the network . This was the beloved "The Mary Tyler Moore Show".
The special is hosted by Tony Danza and Annie Potts celebrating 50 years of William Hanna and Joseph Barbera's partnership in animation. This is the first animated project to be broadcast in Dolby Surround sound system.
The most glittering, expensive, and exhausting videotaping session in television history took place Friday February 19, 1982 at New York's Radio City Music Hall. The event, for which ticket-buyers paid up to $1,000 a seat (tax-deductible as a contribution to the Actors' Fund) was billed as "The Night of 100 Stars" but, actually, around 230 stars took part. And most of the audience of 5,800 had no idea in advance that they were paying to see a TV taping, complete with long waits for set and costume changes, tape rewinding, and the like. Executive producer Alexander Cohen estimated that the 5,800 Radio City Music Hall seats sold out at prices ranging from $25 to $1,000. The show itself cost about $4 million to produce and was expected to yield around $2 million for the new addition to the Actors Fund retirement home in Englewood, N. J. ABC is reputed to have paid more than $5 million for the television rights.